Explosions In The Sky at 9:30 Club in Washington D.C.
“Whenever we come to D.C., you always show up. We appreciate that.” – Munaf Rayani
Explosions In The Sky are not strangers to the 9:30 Club or Washington D.C., having recorded an NPR special in the venue in 2016. Seven years later, the Austin-based group returned to a sold-out night one of a two-night stop in the nation’s capital.
In support of End, EITS’ latest album, this show set a peaceful mood that carried through the night. With most sold-out shows at 9:30 Club, there is a history of the venue becoming chaotic. On October 3rd, it was a show where everyone was quiet but alert. Seeing Explosions In The Sky live and seeing such a large crowd so calm is a unique spectacle, but once you experience the group’s live performance you understand why.
Kerosene fog on a dimly lit stage was the focal point for everyone. Hearing music from this year’s The End and tracks going back 20 years to The Earth Is Not A Cold Dead Place helped show EITS’s longevity. Hearing “The Birth And Death Of The Day” live is still an awe-inspiring performance many years after All Of A Sudden I Miss Everyone.
Explosions In The Sky proves that music can be an experience without one word sung. Washington D.C. had that lesson perfectly reinforced. I hope that lesson can be carried on by the many bands inspired by this group.
Explosions In The Sky at 9:30 Club in Washington D.C.
October 3rd, 2023 Setlist First Breath After Coma Ten Billion People Greet Death Loved Ones The Birth & Death Of The Day Your Hand In Mine With Tired Eyes, Tired Minds, Tired Souls, We Slept The Fight The Only Moment We Were Alone
Explosions In The Sky continue on The End Tour through Europe, ending in Madrid on November 20th, 2023. You can find further tour dates and more info on the group’s Instagram account below.
The Gaslight Anthem release new song “Autumn” US Headline Tour Underway Now
First New Album In Nearly A Decade, History Books Arrives Friday, October 27th, 2023.
The Gaslight Anthem release their latest single, “Autumn,” available everywhere now. The song drifts into a contemplative mood as the band share a deeply felt meditation on impermanence, set against a lovely backdrop of luminous harmonies and oceanic guitar work. “Autumn” heralds The Gaslight Anthem’s first new album together in almost a decade, HISTORY BOOKS, arriving Friday, October 27 on their own Rich Mahogany Recordings label via Thirty Tigers. Pre-orders are available now.
“I wrote this song on a really beautiful fall day, looking out the window and thinking, ‘How many days like this do we get to see?’” says The Gaslight Anthem’s Brian Fallon. “So much of life is just trying to get by, but every now and then you have those moments where you can really feel grateful for the small things.”
The Gaslight Anthem is currently on the road marking HISTORY BOOKS and their recent return to action with North American headline dates, highlighted by an instantly sold-out series of intimate record release shows at Jersey City, NJ’s historic White Eagle Hall on October 27-30. In addition, the band will headline WFUV’s annual “Holiday Cheer for WFUV” benefit event, set for December 6 at New York City’s renowned Beacon Theatre. Pre-sales are available now through Thursday, October 5 at 10:00 pm ET (Password: WFUVCHEER). General on-sales begin Friday, October 6 at 11:00 am ET. The band will also perform in Chicago on December 8th as part of Q101’s Twisted Xmas concert series.
The band also recently unveiled an eagerly anticipated EU/UK tour, making stops in Sweden, Norway, Denmark, Germany, Belgium, the Netherlands, Ireland, and the United Kingdom through March 2024. Additional UK dates follow in July. For full details and ticket availability, please see www.thegaslightanthem.com.
Produced by GRAMMY® Award-winner Peter Katis (The National, Kurt Vile) at his Tarquin Studios in Bridgeport, CT, HISTORY BOOKS includes such recently released singles as “Little Fires,” featuring guest vocals from PUP frontman Stefan Babcock and now joined by an official music video directed by photographer/filmmaker Kelsey Hunter Ayres and streaming now at YouTube. Further highlights include “Positive Charge,” and the heavy-hearted title track, “History Books,” the latter of which sees frontman Brian Fallon trading duet vocals with longtime band champion and fellow New Jerseyan Bruce Springsteen. An official music video, directed by Ayres, is streaming now on YouTube. “History Books” was met with immediate acclaim from such outlets as the Associated Press, which declared it “big-hearted freeway rock, made ascendant by frontman Brian Fallon and Springsteen’s tremulous harmonies.”
The Gaslight Anthem’s sixth full-length and first new album in nearly a decade, HISTORY BOOKS sees the New Jersey-bred band once again bringing their soulful breed of life-affirming punk to explore everything from mortality and mental illness to the more precarious dimensions of human connection. In the glorious tradition of their seminal 2008 sophomore album, THE ’59 SOUND, the new LP matches its raw emotional power with the rich craft and wildly triumphant energy that has defined the band since its very start.
“None of us wanted to make a very somber or serious record showing how much we’ve matured,” says Fallon. “We’ve all changed and grown and learned so much, but the overall mood was a feeling of excitement to be back together and making music that means something to us.”
The Gaslight Anthem made their long-awaited return to the road last year with their first world headline tour in four years. Hailed by Kerrang! as “an amazing, career-spanning 21-song setlist…(that) celebrated all eras of their music,” the tour lit up stages across North America, Europe, and the United Kingdom before culminating in October with a sold-out home state finale at Holmdel, NJ’s PNC Bank Arts Center.
The Gaslight Anthem is: Brian Fallon (lead vocals, rhythm guitar), Alex Rosamilia (lead guitar, backing vocals), Alex Levine (bass guitar, backing vocals), and Benny Horowitz (drums, percussion, backing vocals).
THE GASLIGHT ANTHEM – WORLD TOUR 2023/2024
OCTOBER
4 – Las Vegas, NV – Brooklyn Bowl Las Vegas
5 – Wheatland, CA – Hard Rock Live Sacramento
7 – Boise, ID – Knitting Factory Boise
8 – Spokane, WA – Knitting Factory Spokane
27 – Jersey City, NJ – White Eagle Hall (SOLD OUT)
28 – Jersey City, NJ – White Eagle Hall (SOLD OUT)
29 – Jersey City, NJ – White Eagle Hall (SOLD OUT)
30 – Jersey City, NJ – White Eagle Hall (SOLD OUT)
DECEMBER
6 – New York, NY – Holiday Cheer for WFUV @ The Beacon Theatre
Tracklist: 1. Spider Bites 2. History Books (Feat. Bruce Springsteen) 3. Autumn 4. Positive Charge 5. Michigan, 1975 6. Little Fires 7. The Weatherman 8. Empires 9. I Live In The Room Above Her 10. A Lifetime Of Preludes
Ever wonder what the scariest rock and metal bands are? Why not ask an incompetent AI program?! This video looks at the Top 10 SCARIEST Rock Bands (from Google Bard).
Black Sabbath were an English rock band formed in Birmingham in 1968 by guitarist Tony Iommi, drummer Bill Ward, bassist Geezer Butler and vocalist Ozzy Osbourne.
Slipknot is an American heavy metal band formed in Des Moines, Iowa, in 1995 by percussionist Shawn Crahan, drummer Joey Jordison and bassist Paul Gray.
Mercyful Fate is a Danish heavy metal band formed in Copenhagen in 1981 by vocalist King Diamond and guitarist Hank Shermann.
The Misfits were an American horror punk band formed in Lodi, New Jersey, in 1977.
GWAR is an American heavy metal band formed in Richmond, Virginia, in 1985.
The Cramps were an American psychobilly band formed in New York City in 1976.
Rob Zombie is an American heavy metal singer, songwriter, filmmaker, and record producer.
Mayhem is a Norwegian black metal band formed in Langhus in 1984.
Ghost is a Swedish heavy metal band formed in Linköping in 2006.
Ahead of Ministry’s brand-new studio album, HOPIUMFORTHEMASSES, dropping March 1, 2024, the band will head out on a Spring 2024 North American tour, once again teaming up with touring comrades Gary Numan and Front Line Assembly.
The 29-date tour kicks off February 27 in San Francisco and runs through April 5 in Tucson, hitting major markets in the U.S. and Canada (see the full list of dates below). Tickets go on sale this Friday, October 6 at 10 AM local time. Find more info at www.ministryband.com/tour.
Says Ministry mastermind and creator Al Jourgensen, “So looking forward to doing another tour with Gary and the gang. We had such a blast the last time. The shows were amazing. Each band complements the other perfectly. Plus, both of our new releases are Kick Ass! Get your tickets and come join us.”
Ministry recently announced details for their groundbreaking 16th album,
HOPIUMFORTHEMASSES, slated for release March 1, 2024 via Nuclear Blast Records and issued the first single and video for “Goddamn White Trash,” featuring Pepper Keenan.
Joined by Ministry’s current frontline of musicians – John Bechdel (keyboards), Monte Pittman and Cesar Soto (guitars), Roy Mayorga (drums) and Paul D’Amour (bass) – the 9-track HOPIUMFORTHEMASSES also has a slew of special guest contributors including Gogol Bordello’s Eugene Hutz, long-time collaborator and Lard companion Jello Biafra and Corrosion of Conformity frontman Pepper Keenan.
HOPIUMFORTHEMASSES will be available in three vinyl variants, a CD jewelcase and digital/streaming platforms. The vinyl variants include: green with yellow splatter (in stores everywhere); blue with pink splatter (nuclear blast exclusive); red with white splatter (band/tour exclusive).
The release of HOPIUMFORTHEMASSES follows Ministry’s acclaimed 2021 album Moral Hygiene that kickstarted another era for the band. The critically acclaimed LP wound up on year-end lists from the likes of Consequence of Sound and Loudwire, as the band continued to sell out venues coast-to-coast on the Industrial Strength tour.
Tracklist for HOPIUMFORTHEMASSES:
B.D.E.
Goddamn White Trash***
Just Stop Oil
Aryan Embarrassment**
TV Song 1/6 Edition
New Religion
It’s Not Pretty
Cult of Suffering*
Ricky’s Hand
MINISTRY SPRING 2024 NORTH AMERICAN TOUR
Joined By Gary Numan & Front Line Assembly
February 2024
27 San Francisco, CA @ The Warfield
29 Eugene, OR @ McDonald Theatre
March 2024
1 Portland, OR @ Roseland Theater
2 Seattle, WA @ Showbox SoDo
3 Vancouver, BC @ Commodore Ballroom
5 Calgary, AB @ Palace Theatre
6 Edmonton, AB @ Midway Music Hall
8 Winnipeg, MB @ Burton Cummings Theatre
9 Minneapolis, MN @ The Fillmore
10 Madison, WI @ The Sylvee
12 Columbus, OH @ Kemba Live
13 Detroit, MI @ Royal Oak Music Theater
14 Chicago, IL @ Aragon Ballroom
16 Toronto, ON @ History
17 Montreal, QC @ MTelus
18 Boston, MA @ Roadrunner
19 New York, NY @ Terminal 5
20 Bethlehem, PA @ Wind Creek Casino
22 Cherokee, NC @ Harrah’s Cherokee
23 Orlando, FL @ Hard Rock Live
24 Tampa, FL @ Jannus Landing
26 Birmingham, AL @ Avondale
27 Biloxi, MS @ Hard Rock Casino Biloxi***
29 Houston, TX @ House of Blues
30 Dallas, TX @ The Factory
31 Tulsa, OK @ Tulsa Theater
April 2024
2 Denver, CO @ Mission Ballroom
4 Las Vegas, NV @ The Theater at Virgin Hotels Las Vegas
Dutch metallers Within Temptation have released their brand-new single “Ritual” today. The song is the focus track of their upcoming eighth studio album Bleed Out, on October 20.
Reflecting the tumultuous state of the world, for their newest record the band have drawn inspiration from events such as the murder of Mahsa Amini in Iran and the war in Ukraine. But that isn’t to say that there’s no light to the heavy shade on Bleed Out.
Sharon den Adel explains that the song “is one of the kinkiest songs the band have ever written and is fully inspired by From Dusk Till Dawn.” She is referring to the iconic movie by Quentin Tarantino about a seemingly normal road trip turning into a vampire slayer party. “It’s a fun track about seduction,” she explains. “It’s about the lady taking power in a male dominated world and taking her own initiative.”
Bleed Out signifies a bold leap forward for the band. From contemporary, hard-hitting, and djenty riffs to soaring melodies displaying their symphonic roots, Within Temptation have created a sonic journey that fuses diverse musical styles and thought-provoking themes. This is an album that is as epic as it is unflinchingly outspoken, and now more than ever, this is a band who is unafraid to make a stand on issues it cares about. Within Temptation have delivered a fist-in-the-air proclamation of both their moral convictions and their fearless approach to music.
BLEED OUT TRACKLISTING: “We Go To War” “Bleed Out“ “Wireless“ “Worth Dying For” “Ritual” “Cyanide Love” “The Purge” “Don’t Pray For Me” “Shed My Skin” (feat. Annisokay) “Unbroken” “Entertain You”
Arguably the most ambitious and distinctive Code Orange album from the group’s discography. Self-produced and you can hear the time and effort put into it. The Above is proof of Jami Morgan’s statement of the band trying something different. Some brooding tracks like Take Shape and Mirror are standouts for Code Orange in general. Heavier tracks show off the industrial and hardcore highlights. That’s still a strength of the group. Not every song hits the mark or even feels like it belongs. There are some questionable moments in the second half. It all collectively works though. The Above deserves credit for ambition as well as the overall package. Made with the intention not to fit the status quo. 8/10
The Above is the fifth studio album by American hardcore punk band Code Orange, released on September 29, 2023, through Blue Grape Music. It is their first album to be entirely self-produced and their first with the label Blue Grape Music. The album was preceded by three singles: “Grooming My Replacement / The Game”, “Take Shape”, and “Mirror”.
The Above is a departure from Code Orange’s previous albums, incorporating elements of industrial metal, electronic music, and even alternative rock. The album is also more personal and introspective than their previous work, with lyrics that explore themes of self-doubt, addiction, and mental health.
Dad Joke(?) with Code Orange | Riot Fest 2023
Here are some other reviews for The Above:
Kerrang!: “The Above comes from a more personal, emotional point of view… it completes the journey we started on I Am King.”
Distorted Sound Magazine: “There’s simply too much going on to accurately be summed up, or to find even across one, five, even ten listens. The Above takes what CODE ORANGE already did, every part of their DNA, and radically rearranges it in bold new forms.”
Pitchfork: “The Above is a daring and innovative album that sees Code Orange pushing the boundaries of their genre.”
The season end for Saint Louis Music Park came with a loud conclusion. The last amphitheater date for 2023 featured The BABYKLOK Tour with Dethklok and BABYMETAL, which is a unique lineup with two impressive names that do not fit the standard metal narrative.
With Dethklok, Brendon Small has created a closing chapter for the Metalocalypse saga featuring Dethalbum IV, which was released a few weeks previously to this tour stop, as well as Metalocalypse: Army Of The Doomstar. This Blu-Ray release marks the final movie and finale for the beloved animated series Metalocalypse following Nathan Explosion and company.
The Dethklok set featured many songs going back to Dethalbum from the mid-2000s ranging from “Birthday Dethday” to “Hatredcopter”. It was a full catalogue setlist leading all the way to 2023’s latest such as “Aortic Desecration”. This all happened while Crossbones gave proper concert etiquette tips to the crowd between songs.
Dethklok shows are always well organized. Instead of onstage instrument changes and downtime with banter between tracks, it was animated specials on the big screen to make sure the entertainment does not stop. I’ve always appreciated that about Brendon Small’s live shows.
Dethklok “Aortic Desecration”
Dethklok Dethalbum IV Album Review
My first experience with BABYMETAL also marked the first time the Japanese power metal act to the Gateway to the West. Having the opening tracks include the well-known “Gimmie Chocolate” and leading to songs off of BABYMETAL’s 2023 The Other One, it made me realize the adventurous and innovative song-writing BABYMETAL has created over the past ten years.
The show was sick. Both in the 90’s definition describing how great BABYMETAL and the Kami Band were on stage and in the photo pit where a fan leaning over the safety barricade threw up into the pit due to being ill. That was followed by several others vomiting on the floor area left of the stage. This was an odd welcome to St. Louis for sure.
One highlight was the big screen showing an overhead view of the floor crowd and circle pit at Music Park. BABYMETAL performed in front of this, while the crowd saw themselves from overhead and in turn got wilder as the track went on just to see the chaos behind the band.
BABYMETAL “Metali” ft. Tom Morello
BABYMETAL The Other One Album Review
This was a great way to close out the concert season at Saint Louis Music Park. So many venues have soft closings or shows that don’t end the year with a fitting show. The BABYKLOK Tour sold out the venue and made sure Music Park’s final note in 2023 was a triumphant one.
So much of metal is as serious as a funeral and no joy is allowed to be had. The BABYKLOK Tour proved that metal can be a good time where everyone is smiling and enjoying themselves. The BABYKLOK Tour continues through October 11th ending in Los Angeles including a performance from both groups at Aftershock Festival in Sacramento. The remaining tour dates are on the excellent graphic with all band faces below.
Portland’s own DYING WISH will release their new album Symptoms of Survival on November 3 via SharpTone Records. Pre-order the album, produced by Randy LeBoeuf, here.
“‘Path to Your Grave’ was written in mind as ‘Fragments Part Two,'” says Emma Boster. “‘Fragments’ is written about my struggle of my relationship with my stepfather, who was manipulative, controlling, and abusive towards me. That mistreatment has resulted in a lot of unhealthy habits and patterns in my life that I have struggled to move on from. ‘Fragments One’ was me talking about my experience publicly for the first time. After expressing my grief, the song concludes with ‘I would bury you if I could.’ This song also concludes with the same seven words but has a different outlook. Since releasing ‘Fragments,’ I have grown to a new level of acceptance with my trauma and this song is about that acceptance. The anger and the hurt is still there, but now, it just stings a little less. It has a much more triumphant expression.”
Dying Wish will also hit the road next month. All dates are below.
DYING WISH ON TOUR: WWITH BOUNDARIES, OMERTA, FOREIGN HANDS, GATES TO HELL, ROMAN CANDLE, + EXCIDE: 10/20 — Santa Cruz, CA — The Vets Hall 10/21 — Fresno, CA — Full Circle Brewery 10/22 — Las Vegas, NV — American Legion Post 8 10/24 — Mesa, AZ — Nile Underground 10/26 — San Antonio, TX — The Rock Box 10/27 — Dallas, TX — Wrecking Ball Fest* 10/28 — Houston, TX — White Oak Music Hall 10/31 – 11/4 — Downtown Miami, FL — Headbangers Boat* 11/6 — Tampa, FL — The Orpheum 11/7 — Atlanta, GA — Masquerade Purgatory 11/8 — Greensboro, NC — Hangar 1819 11/9 — Baltimore, MD — Metro Gallery 11/10 — Philadelphia, PA — Underground Arts 11/11 — Brooklyn, NY — Meadows 11/12 — Worcester, MA — Palladium 11/14 — New Kensington, PA — Preserving Underground 11/15 — Columbus, OH — Ace of cups 11/16 — Detroit, MI — The Sanctuary 11/17 — Chicago, IL — Cobra Lounge 11/18 — Saint Paul, MN — Amsterdam 11/19 — North Kansas City, MO — The Rino 11/21 — Denver, CO — Marquis Theater 11/22 — Salt Lake City, UT — Kilby Court 11/24 — Portland, OR — Hawthorne Theater 11/25 — Seattle, WA — Vera Project 11/26 — Spokane, WA — Big Dipper 11/27 — Boise, ID — The Shredder 11/29 — Sacramento, CA — Goldfield Trading Posts 11/30 — San Francisco, CA — Neck of the Woods 12/1 — San Fernando, CA — Midnight Hour 12/2 — Anaheim, CA — Chain Reaction *Dying Wish Only
SYMPTOMS OF SURVIVAL TRACK LISTING: “Symptoms of Survival” “Watch My Promise Die“ “Starved” “Prey For Me” “Path To Your Grave” “Paved In Sorrow” “Tongues of Lead” “Kiss of Judas” “Hell’s Final Blessing” “Torn From Your Silhouette” “Lost In The Fall“
DIY will never die – and the statement couldn’t be more true for the music scene. If you’re so inclined to dive deep, you’ll discover tunes that you just might spin for years to come. Using KingdomLeaks (RIP) to track new releases is how I discovered pulses. when I was just getting my start in writing, and I’ve been hooked on their brand ever since. In an industry where it’s easy for one band to sound just like another, that mantra doesn’t apply for the Virginia-based group that amalgamates so many far-reaching influences into a post-hardcore blender that the end result is a surprise for every first listen. I loved Speak It Into Existence in 2020, so my bar is high for pulses. to keep their signature sound intact in It Wasn’t Supposed To Be Like This.
Opening with a one-two punch of singles in “Different Strokes” and “Run The Ghouls” (bravo on the seamless transition), expect a brash, funky introduction in It Wasn’t Supposed To Be Like This. Dueling guitar melodies, stumping time signatures in the bridge, and a vocal verse that delightfully parrots the cadence of Slipknot’s “Psychosocial” just in the first song, it’s such a fun mixed bag. The latter track has such compelling, varied vocal delivery that only gets better when you realize how many references are crammed in that the Genius.com page would need Cliff notes. Follow that up with a trifecta of features in “Loafers With The White Socks” with nightlife/Belle/Gavin Cole that feels more like a group effort than a drag-and-drop, and this three-song start couldn’t be stronger.
It was bold of pulses. to utilize all three singles for It Wasn’t Supposed To Be Like This at the start of the record, but they’ve always been a band where the deep cuts are on par. That rings true with “Ain’t Got No Ceiling” as the producer chops of guitarist/vocalist Caleb kick in with binaural cues and stellar equalization across all the moving parts. Band bestie Sierra Binondo of With Sails Ahead returns in “Honestly Honestly” as a more low-key, honed-in performance from the band sets the stage for her to truly shine – across the majority of the track, a more-than-welcome addition. The bass intro in “Ask A Unc” is gonna turn heads, as this groovy midpoint is likely the one I’ll be singing along to the most.
Where It Wasn’t Supposed To Be Like This goes out of left field is “Take A Look Y’all” with ample raps, intensely-clever lyric lines, and divine guitar runs making this an easy standout song. If that wasn’t enough, here comes ska post-hardcore in “Them Phones” – and it somehow works. Maybe it’s because minor key isn’t where we typically hear these instruments, but it adds a certain dramatic flair that complements the track massively; tack on the middle 8 reminding me of Franz Ferdinand’s “Take Me Out” and this song truly fires on all cylinders.
Jane Sun
The more eclectic side of pulses. heard in Speak Less comes out in “Kupo!”, a two-minute whirlwind that juxtaposes every song that came before it in intensity and meter. “Heaven or Helvetica” has a neat little chug and a savory bridge after chorus two – plus some growls for an interesting change. Title track “It Wasn’t Supposed To Be Like This” channeled some Timbaland energy and the record comes to a close with “But It Is” capturing the six-minute closure that the album needed for a sendoff. It Wasn’t Supposed To Be Like This is easily pulses.’ best work, an album that definitely benefits if you fixate on the lyricism, the background details in the self-production, and incredible range that the band possesses. I’ll be spinning this one for a good while.
Photo by Ana Santos @ Prudential Center, Newark NJ
Have you ever gone to an event, your friend or coworker asks you how it was and the only thing your brain can come up with is “it was great?”
That’s kind of how I feel after Sunday night’s Revolutions Live tour at the Prudential Center in Newark, NJ. Don’t get me wrong, the show wasn’t bad, or even just “ok.” It was honestly freakin’ great in a way that’s both expected from chart-toppers like Shinedown and Papa Roach, and also pleasantly surprising because despite their long careers, neither band has ever phoned it in. But I’ll get there in a second.
Spiritbox kicked off the night with a resounding heaviness that set the stage and made people pay attention. The band has been getting some well-deserved buzz of late, and for good reason. Their sound is fresh in a way that they manage to straddle that line of melodic and heavy-metal, making their songs accessible to a wider audience. This was my first time catching them live, and it was a fully enjoyable experience. I’m sure I wasn’t the only one who went home to check out their Spotify after the show.
Full disclosure–I’ve been listening to Papa Roach since my high school days when “Last Resort” was all the rage. Yes, I’ve just aged myself, but I figured I’d add some context. Whenever a tour is announced for the area, I try to be there not because I’m actually a die-hard fan, but because their life show is just that good. 20+ years since Infest, and Papa Roach continues to put on a thoroughly engaging show, shock-full of anthemic sing-along tracks old and new. Sure, the production has gotten grander, but at its heart, it’s the band’s energy that gets fans riled. In all the best ways, mind you.
Over my last several years of covering Shinedown, one thing sticks out above all else–the production showiness might have increased, the stages gotten bigger, the audiences grown but Shinedown at its core remains a consistent powerhouse. To be honest, I don’t think I’ll ever not be impressed by Brent Smith’s flawlessly clean vocals. While the band is on tour in support of the latest studio album, Planet Zero, the 19-song setlist was delightfully balanced with a mix of newer tracks and older fan-favorites like “45,” “State of my Head,” “Sound of Madness” and the best “Simple Man” cover to date. The show wrapped with the explosive “Cut the Cord,” which definitely left fans buzzing well into the night.
In all, super strong tour lineup and not a dull moment, in my opinion. There’s a few more weeks left, so if you’re along the tour routing (see dates below), get yourself a ticket. It’ll be worth it.
Remaining Revolutions Tour Dates: with Papa Roach & Spiritbox September 26 – Simpsonville, SC @ CCNB Amphitheatre at Heritage Park September 27 – Atlanta, GA @ Lakewood Amphitheatre September 29 – Tampa, FL @ MIDFLORIDA Credit Union Amphitheater September 30 – Hollywood, FL @ Hard Rock Live October 3 – Franklin, TN @ FirstBank Amphitheater October 5 – Rogers, AR @ Walmart AMP October 6 – Allen, TX @ Credit Union of Texas Event Center October 8 – Houston, TX @ The Cynthia Woods Mitchell Pavilion October 9 – San Antonio, TX @ Freeman Coliseum October 12 – Phoenix, AZ @ Talking Stick Resort Amphitheatre October 13 – Las Vegas, NV @ MGM Grand Garden Arena October 15 – Irvine, CA @ FivePoint Amphitheatre October 17 – Salt Lake City, UT @ USANA Amphitheater October 19 – Albuquerque, NM @ Isleta Amphitheater October 20 – Denver, CO @ Ball Arena
