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Avatar Land First No. 1 With “The Dirt I’m Buried In”

Avatar Land First #1 Single of Career With “The Dirt I’m Buried In”
Supporting In This Moment + Ice Nine Kills In Fall 2023

The heavy metal ‘n’ roll, dark, madcap visionaries collectively known as AVATAR — vocalist Johannes Eckerström, guitarists Jonas Jarlsby and Tim Öhrström, bassist Henrik Sandelin, and drummer John Alfredsson — are having a banner year in 2023, with lots of firsts! 

They’ve achieved their first #1 single The Dirt I’m Buried In” from their magnum opus and ninth album, Dance Devil Dance, produced and mixed by Jay Ruston which was released in February. The track has surged itself to #1 on Mediabase’s Active Rock Chart. On Billboard’s Mainstream Rock Chart, the single rises to #1 on its 31st week, making it the longest trek to #1 in 20 years! Read more about it over at Billboard.

Avatar “The Dirt I’m Buried In”

“If you told the 16 year old me that we would hit the top of the U.S. radio charts, I’d ask you what you’re smoking. If you then would proceed to tell me that a fossil would be named after us, I’d ask you what you’re smoking, and if you could share. Hitting the charts was never a priority, but now that we’re here, I’m grateful. It shows the reach of what we’re doing and it is baffling. The fossil shows something else. That to me is a sign of people truly making our music a part of their lives. It’s a true honor. A beautiful gift. All we can say is thank you. We fully intend to keep earning your participation, over and over again,” says Eckerström.

Another first — Avatar have been immortalized as a fossil from Southern Sweden; discovered by Dr. Ben Thuy, a​​ paleontologist at the Luxembourg Natural History Museum. This fossil is now known as Ophiocoma avatar. Read below to learn a little more about the Avatar fossil.

Some 80 million years ago, when dinosaurs roamed our planet, southern Sweden was located at the shores of a subtropical sea. One particular location, the old quarries at Ivö Klack, exposes an exceptional palaeo-environment that is only rarely preserved in the fossil record: a rocky shore with oyster-encrusted boulders. The mud that accumulated between these boulders millions of years ago contains the fossil remains of the animals that lived in and around the rocky shore. One of these animals is the brittle star named after Avatar: Ophiocoma avatar. 

Brittle star skeletons tend to fall apart very quickly after death. As a result, most brittle-star fossils consist of tiny skeletal fragments that are collected with the sieve. The original fossil of Ophiocoma avatar is a fragment from the arm skeleton that carried the long arm spines.

The Avatar brittle star belongs to a genus that nowadays lives along tropical and subtropical shores. They are known to hide under rocks and in crevasses at daytime and emerge at night to collect food particles with their spiny arms. A remarkable feature of living Ophiocoma species is that many of them are capable of sight, without even having eyes or a brain! They can literally see with their entire body surface, and some even change color between day and night as part of a sunglass effect. Whether the Avatar brittle star exhibited the same features is impossible to determine based on fossils alone. What we can say, however, is that Ophiocoma avatar is by far the oldest known representative of this exciting group of brittle stars.

The name Ophiocoma avatar, is valid for eternity. Avatar is now a part of the Earth’s history, of the palaeontological heritage of Sweden, and has gained a small piece of immortality.

The band will return to the road this fall for their headline “Chimp Mosh Pit Tour” and will be supporting Ice Nine Kills and In This Moment for their “Kiss of Death” Tour. All dates are below, including key festival appearances. Get tickets HERE.

FALL 2023 CHIMP MOSH PIT TOUR DATES:
9/10 — Alton, VA — Blue Ridge Rock Fest +
9/12 — Quebec City, QC — Imperial Bell 
9/13 — Montreal, QC — Olympia 
9/14 — Toronto, ON — Phoenix 
9/15 — Grand Rapids, MI — The Intersection
9/16 — Des Moines, IA — Wooly’s 
9/17 — Bloomington, IL — The Castle 
9/19 — Houston, TX — Rise *
9/20 — Oklahoma City, OK — Diamond Ballroom 
9/22 — Louisville, KY — Louder Than Life +
9/23 — St. Louis, MO — Delmar Hall
9/24 — Nashville, TN — Brooklyn Bowl
9/25 — Fayetteville, AR — JJ’s Live 
9/26 — Wichita, KS — Cotillion 
9/28 — Fargo, ND — Fargo Brewing Company 
9/29 — Winnipeg, MB — Burton Cummings Theater 
9/30 — Saskatoon, SK — Coors 
10/1 — Calgary, AB — Palace Theater 
10/2 — Edmonton, AB — Midway Music Hall
10/4 — Vancouver, BC — Commodore Ballroom
10/5 — Spokane, WA — Knitting Factory 
10/6 — Eugene, OR — McDonald Theater
10/7 — Sacramento, CA — Aftershock +
10/8 — San Louis Obispo, CA — Fremont Theater
11/26 — Albany, NY – Empire Live ^
+ Festivals
^ No Orbit Culture or Native Howl

ICE NINE KILLS + IN THIS MOMENT “KISS OF DEATH” TOUR
11/3 — Gary, IN — Hard Rock Live
11/4 — Maplewood, MN — Myth Live *
11/5 — Kansas City, MO — Uptown Theater *
11/7 — Indianapolis, IN — Blue Ribbon Pavilion 
11/8 — Cincinnati, OH — The Andrew J Brady Music Center
11/9 — Milwaukee, WI — Eagles Ballroom
11/11 — Green Bay, WI — Epic Events Center *
11/12 — Louisville, KY — The Louisville Palace Theatre *
11/14 — Greenville, SC — Bon Secours Arena
11/16 — Estero, FL — Hertz Arena
11/17 — Jacksonville, FL — Daily’s Place
11/18 — Orlando, FL — Orlando Amphitheater
11/20 — Atlanta, GA — Coca Cola Roxy
11/21 — Greensboro, NC — Greensboro Coliseum Complex
11/22 — Reading, PA — Santander Arena
11/24 — Wallingford, CT — Oakdale Theatre
11/25 — Bangor, ME — Cross Insurance Center
11/27 — New York, NY — Hammerstein Ballroom
11/28 — Washington, DC — The Anthem
11/30 — Norfolk, VA — Chartway Arena
Dec 01 — Johnstown, PA — 1st Summit Arena
Dec 02 — Wheeling, WV — Webanco Arena
*ITM ONLY

LISTEN TO OR WATCH:
Dance Devil Dance”    
“Valley Of Disease”
Violence No Matter What” (Feat. Lzzy Hale)

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Avatar The Dirt I’m Buried In

Spanish Love Songs – No Joy | Album Review

The lyric writing and personal connections made on this album hit like a brick. Dylan Slocum’s almost warble as he’s performing and that adds to the experience of an album about finding peace in any type of turmoil. Spanish Love Songs increased the variety in tone between songs. Some of the rhythm and acoustic guitars elevate this album big time. No Joy is an album that will require several listens to take it all in, and I mean that as a massive compliment because it’s incredibly layered and complex. Swaying to the rhythm and singing along to songs about finding peace in the middle of misery should not be this fun, but it is. Spanish Love Songs can call this album No Joy all they want, but I found plenty of joy through it. 9/10.

Spanish Love Songs No Joy Album Review
Spanish Love Songs “Haunted”
Spanish Love Songs “Pendulum”

Click here for a video on
10 Artists Who Hate Their Own Songs!

Spanish Love Songs is an American rock band from Los Angeles, California, that was founded in 2013. The band consists of lead vocalist and guitarist Dylan Slocum, guitarist Kyle McAulay, drummer Ruben Duarte, bassist Trevor Dietrich, and keyboardist Meredith Van Woert – the lattermost of whom is also Slocum’s wife. The band’s name is a tongue-in-cheek reference to the fact that their music is often about the darker side of love and relationships. Their sound has been described as emo, indie rock, and punk rock.

Spanish Love Songs released their debut studio album, Giant Sings the Blues, in 2015. Their second album, Schmaltz, was released in 2017. Their third album, Brave Faces Everyone, was released in 2020 and was met with critical acclaim. The album debuted at number 21 on the Billboard Vinyl Albums chart and number 61 on the Billboard Top Album Sales chart.

In 2023, the band released their fourth album, No Joy. The album was produced by Will Yip and was praised for its emotional honesty and catchy melodies. Spanish Love Songs have toured extensively throughout the United States and Europe. They have shared the stage with bands such as The Menzingers, The Wonder Years, and Say Anything.

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Spanish Love Songs No Joy Album Review

Ghost & Amon Amarth Hold Summer Sermon Live In VA

There is something to be said about a peaceful sermon that calmly uplifts you. That was not what happened in Bristow, VA when Ghost and Amon Amarth arrived with the Re-Imperatour. Rituals from Papa and the Nameless Ghouls aren’t known for subtlety, and when you invite Vikings there is a guarantee of a boisterous venue.

The Re-Imperatour highlighted many of Ghost’s charting songs from 2022’s Impera, including “Spillways”, “Watcher In The Sky”, “Kaisarion”, and the Grammy-nominated “Call Me Little Sunshine“. One of the biggest highlights however was the three-song encore featuring “Dance Macabre” and “Square Hammer”. What started as a Summer Sermon, turned into a dance party. This is how all rituals should be held.

The charismatic Papa Emeritus IV is known for his presence and presentation. His greatest message however was near the end of the night, where he said that we should not be upset about an ending. We should be happy that things end eventually. This was proceeded by the song “Mummy Dust” where a Nameless Ghoul made a cruel jester and confetti cannons exploded. Philosophy and perversion go hand-in-hand with Ghost.

https://youtube.com/shorts/c3R_v9iZNZQ
Ghost Live On The Re-Imperatour

The evening’s opening moments at Jiffy Lube Live were echoed with ocean waves and war chants. Amon Amarth are not strangers to the venue and singer Johan Hegg pointed out that the band and he always felt welcome in Bristow. The DMV area was always Pro-Viking (despite being Commander territory). In appreciation, he made sure everyone got a good seat and participated in the row. Whether it was fans in the pit or fans in their amphitheater seats, the oar was Bristow’s best friend.

Click here for a video on
10 Artists Who Hate Their Own Songs!

Songs from The Great Heathen Army were highlighted through Amon Amarth’s performance. Along with the Viking battle that took place on the runway and the sea serpent that surfaced on stage, Amon Amarth was able to get through the night unscathed. We can all rest a little easier knowing that Amon Amarth is shredding through the seas to protect us.

Amon Amarth Live On The Re-Imperatour

As the Re-Imperatour runs through the United States for the next two weeks, it makes me appreciate the spectacle that Ghost and Amon Amarth have both become. This is a show that on paper may not have seemed to mesh between bands. The audience at Jiffy Lube Live proved that both bands are supported by the same heavy music lovers. Both Swedish bands have audiences that support more than just one group on a bill. In a night filled with pyro and confetti, Ghost and Amon Amarth shined brightest.

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Ghost Amon Amarth Live

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Ghost is a Swedish rock band that was formed in Linköping in 2006.

Amon Amarth is a Swedish melodic death metal band from Tumba, formed in 1992.

SPIRITBOX Announce ‘The Fear of Fear’ EP & Drop New Single “Jaded”

Photo credit: Jonathan Weiner

SPIRITBOX, have announced their brand new EP ‘The Fear of Fear’ today. Set for release on November 3rd via Rise Records/Pale Chord, ‘The Fear of Fear’ is highlighted by a new single, “Jaded” and its accompanying cinematic music video. Listen HERE and watch the video HERE. Fans can pre-order ‘The Fear Of Fear’ now HERE

The Fear of Fear’ builds on the band’s momentum from their massively successful 2021 debut album ‘Eternal Blue, which topped charts and dominated critics’ year-end lists. The EP features previously released standalone single “The Void” along with 5 new tracks for a total of 6 songs.

TRACK LISTING

1. Cellar Door
2. Jaded
3. Too Close / Too Late
4. Angel Eyes
5. The Void
6. Ultraviolet

SPIRITBOX will be touring extensively this fall in support of ‘The Fear of Fear’, having already conquered massive tours in Europe and North America this year. The band recently completed a UK headline run followed by multiple major summer festival shows, and will hit the road for an extensive run of shows across the US with Shinedown and Papa Roach this September/October. Full routing below.

Shinedown +Papa Roach + Spiritbox Tour Dates

Sept. 03 — St. Louis, Mo. @ Hollywood Casino Amphitheatre

Sept. 04 — Kansas City, Mo. @ T-Mobile Center

Sept. 06 — Cuyahoga Falls, Ohio @ Blossom Music Center

Sept. 08 — Burgettstown, Pa. @ The Pavillion at Star Lake

Sept. 09 — Alton, Va. @ Blue Ridge Rock Festival

Spet. 12 — Detroit, Mich. @Pine Knob Music Theatre

Sept. 13 — Syracuse, N.Y. @ St. Joseph’s Health Amphitheater at Lakeview

Sept. 15 — Ocean City, Md. @ Ocean City Bike Fest

Sept. 19 — Gilford, N.H. @ Bank of New Hampshire Pavilion

Sept. 21 — Bangor, Maine @ Maine Savings Amphitheater

Sept. 23 — Mansfield, Mass. @ Xfinity Center

Sept. 24 — Newark, N.J. @ Prudential Center

Sept. 26 — Simpsonville, S.C. @ CCNB Amphitheatre at Heritage Park

Sept. 27 — Atlanta, Ga. @ Lakewood Amphitheatre

Sept. 29 — Tampa, Fla. @ MIDFLORIDA Credit Union Amphitheater

Sept. 30 — Hollywood, Fla. @ Hard Rock Live

Oct. 03 — Franklin, Tenn. @ FirstBank Amphitheater

Oct. 05 — Rogers, Ark. @ Walmart AMP

Oct. 06 — Allen, Texas @ Credit Union of Texas Event Center

Oct. 08 — Houston, Texas @ The Cynthia Woods Mitchell Pavilion

Oct. 09 — San Antonio, Texas @ Freeman Coliseum

Oct. 12 — Phoenix, Ariz. @ Talking Stick Resort Amphitheatre

Oct. 13 — Las Vegas, Nev. @ MGM Grand Garden Arena

Oct. 15 — Irvine, Calif. @ FivePoint Amphitheatre

Oct. 17 — Salt Lake City, Utah @ USANA Amphitheater

Oct. 19 — Albuquerque, N.M. @ Isleta Amphitheater

Oct. 20 — Denver, Colo. @ Ball Arena

Papa Roach + Spiritbox Only

9/10 – Baltimore, MD @ Rams Head Live

9/16 – Wallingford, CT @ Toyota Oakdale Theater

9/17 – Huntington, NY @ The Paramount 

10/2 – Birmingham, AL @ Avondale Brewing Company

10/10 – Lubbock, TX @ The Pavillion

Beartooth Releases New Song “Doubt Me”

Gold-selling, billion-streaming rock band BEARTOOTH — Caleb Shomo, vocals; Zach Huston, guitars; Will Deely, guitars; Oshie Bichar, bass; and Connor Denis, drums — have announced their fifth album The Surface. It will arrive October 13 via Red Bull Records. Pre-order it here.

Like its predecessors, The Surface is an intensely personal and powerful journey for Shomo, who has never shied away from sharing his demons in his music and with his fans. However, the frontman has turned a corner with a more optimistic outlook and demonstrates exceptional growth as both an artist and a human being through the songs that comprise the album.

Today, the band has shared the video for new track “Doubt Me.” Watch it here.

Beartooth “Doubt Me”

The footage in “Doubt Me” captures Beartooth in their most natural state — performing live and unleashed on their instruments with ferocious abandon!

“We all have our own struggles that we deal with quietly,” says Shomo. “Sometimes, it can be hard to explain to the people around you what you’re dealing with. What may be perceived by others as weakness is actually a battle with yourself that you know will be conquered. Being in the thick of serious change is never easy, and being brought down by those who don’t understand can add to the weight. Know that when you’re in those moments, sometimes you need to just put your head down and fight with all you have, regardless of whatever people say you’re capable of at the moment.”

The first single “Might Love Myself” has stormed out the gates and is proving itself to be a hit, as the fastest moving song on the active rock radio charts in the band’s history, landing in the Top 20 within three weeks.

Additionally, all previously released tracks — “Riptide,” “Sunshine!,” and “Might Love Myself” have tallied nearly 50 million total streams thus far.

THE SURFACE TRACK LISTING:
“The Surface”
Riptide
“Doubt Me”
“The Better Me” (Feat. HARDY)
Might Love Myself
Sunshine!
“What’s Killing You”
“Look The Other Way”
“What Are You Waiting For”
“My New Reality”
“I Was Alive”

ABOUT BEARTOOTH:
Caleb Shomo first turned the pain of his struggle with mental health and self-image into music in 2013. Beartooth began as a living document, a diary, a journal of repressed rage and depression. Alone in his basement studio, screaming and singing, playing all the instruments, and self-producing a batch of furious but melodic songs filled with reflection and confession, the Ohio native stared into the abyss, initially with no intention of returning to the heavy music world that burned him as a teen. A decade later, the different pieces of his body of work connect in title, sound, and spirit. As the frontman hits 30, Beartooth’s fifth album, he Surface, completes this era in 2023. Even more importantly, it kicks off a new chapter filled with surprising optimism and just as honest. Depression is a sick, disgusting, aggressive disease below the surface. Shomo stands ready to bask in the light.
 
Like Nine Inch Nails, Beartooth remains a one-person band in the studio. On the heels of the introductory Sick EP (2013), Disgusting (2014) produced the band’s first Gold single, “In Between.” Aggressive (2016) and Disease (2018) expanded on the desperation and pain, each a step closer to a balance between the blood and tears of classic recordings and the shimmer of modernity.  
 
Rolling Stone heralded Beartooth as one of 10 Artists You Need to Know. The rabid response to Shomo’s music demonstrated how many people related to his struggle for self-acceptance. Below (2021) topped the Rock and Alternative charts and several Best Rock/Metal Albums of the Year lists. As of 2023, the Beartooth catalog boasts more than 1 billion streams across all platforms. 
 
Beartooth began as both bomb and balm, an outright refusal to suffer in silence, weaponizing radio-ready bombast, delivering raw emotion mixed with noise-rock chaos. Other bands play the “devastating riffs and catchy hooks” game, but this music is the difference between life and death, and now, a sort of life after death while still here. The band Forbes sees “inching towards a tipping point of becoming the latest arena headliner” is now one step closer. 

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Beartooth “Doubt Me”

10 MORE Artists Who Hate Their Own Songs

A follow-up to a video from 2020, this video looks at 10 MORE Artists Who Hate Their Own Songs.

10 MORE Artists Who Hate Their Own Songs
10 Artists Who Hate Their Own Songs

Click here for a video on the
Top 10 BEST 90s Guitarists!

Dio was an American heavy metal band formed in 1982 and led by vocalist Ronnie James Dio

Gojira is a French heavy metal band from Ondres

Guns N’ Roses is an American hard rock band from Los Angeles, California, formed in 1985.   

Heart is an American rock band formed in 1973 in Seattle, Washington.   

William Martin Joel (born May 9, 1949) is an American singer, pianist, and songwriter. 

Avril Ramona Lavigne is a Canadian singer and songwriter.   

Nine Inch Nails, commonly abbreviated as NIN and stylized as NIИ, is an American industrial rock band formed in Cleveland in 1988. 

Paramore is an American rock band from Franklin, Tennessee, formed in 2004.   

Slipknot is an American heavy metal band formed in Des Moines, Iowa, in 1995 by percussionist Shawn Crahan, drummer Joey Jordison and bassist Paul Gray.   

The Who are an English rock band formed in London in 1964.   

NOMVDIC – People Just Leave | EP Review

The NOMVDIC project is one that hits close to home, not just for me but for anyone who captures the tonalities and words from this unique act. Ingrained with the deepest, darkest depths of the human state, throwing a NOMVDIC track on belts the listener with thought-provoking instrumentals inspired by everything from progressive metalcore to atmospheric black metal. Tack on the bleak, harrowing vocal delivery, and the result is truly one of metal’s best-kept secrets. So with People Just Leave arriving, it’s high-time to visit another thematic journey from this unpredictable group.

Not one for lead-up, People Just Leave introduces the listener to the meticulous chaos in “People”s opening moments with thundering triplets from a commanding snare and fast strums to set an immediate tone. Impassioned yells from vocalist James Lewis beckon, “Release me from your hold, I’m begging” as the stage is set for the themes at play in PJL. The rising action of bleak lyricism and doom-y guitars leads to quite possibly the most massive, well-executed breakdowns I’ve heard in recent memory. It’s not often this tried-and-true passage can raise eyebrows, but the tempo-change, panic notes, and manic mosh call are still giving me goosebumps even after a handful of listens.

Where “People” led with a bang, “Just” opens with a distressing voicemail as the towering guitars make their presence known. It’s soon after that Lewis showcases his vocal range with veracity and succinct lyrics warranting repentance amidst blast beats and more laser-focused instrumental runs. Lewis revealed that his rotation included such acts as Humanity’s Last Breath and Portrayal of Guilt, and the inspiration of these idiosyncratic groups can be felt especially within this midway point of People Just Leave. Another climactic breakdown and it’s evident that the winning formula doesn’t need tampering with for NOMVDIC.

“Leave” brings about chugs and riffs to juxtapose the deliberate, slower pace of the previous two tracks. It brings about the most dire, vulnerable lyrics yet, delivered with a rasp and a sense of desperation. As the song arrive at its most frenetic point, it then ceases on a whim with a delicate, sorrowful bridge into a full-on black metal cavalcade of intensity. The unpredictability is going to throw listeners for a loop in the best way possible. Nomvdic can pull from so many iterations of metal that genre no longer matters – “Leave” transcends a label and instead celebrates how metal can convey emotions in a bevy of facets.

A masterful grasp of metal music, People Just Leave isn’t just a thematic journey, it’s a clear-cut true statement and serves as 14 minutes of emotional release, of envigored vehemence, and a resonance to anyone fed up with others. Backed by Blood Blast Distribution (Brand of Sacrifice, Frontierer), NOMVDIC is slowly but surely receiving well-deserved exposure to a larger audience. It’s certain this Nomvdic EP will stay in my rotation for longer than I can anticipate. A short film on People Just Leave is set for release alongside the EP this Friday. Look to stream the EP in full starting August 25th.

Follow NOMVDIC on Facebook, Twitter, Instagram, and Bandcamp!

We Came As Romans Announce 2023 US Headline Tour

We Came As Romans

After a completely sold-out first leg, metalcore legends We Came As Romans have now announced their return to the road with the ‘Darkbloom II Headline Tour’, a mammoth 30-date run with support from Emmure, Bodysnatcher, and Archetypes Collide. The tour will kick off on October 10th, 2023 in Indianapolis and make its way throughout the USA, culminating in Nashville, TN on November 19th, 2023. Tickets go on general sale this Friday (August 25th) at 10am local time from iamdarkbloom.com Full routing below.

Speaking on today’s news, vocalist Dave Stephens shares:

“After selling out every show of Darkbloom part one earlier this year and seeing the demand for the tour, we wanted to bring it to some of the cities we weren’t able to play. We have worked hard to brainstorm a line up that showcases the diversity of heavy music from Archetypes Collide to Bodysnatcher to Emmure. We have toured with Emmure more times than I can count, but this time will be one of the most exciting for us as it will be their first since late 2019.”

WE CAME AS ROMANS 

DARKBLOOM II TOUR

w/ Emmure, Bodysnatcher, and Archetypes Collide

10-Oct Indianapolis IN Deluxe at Old National Centre

11-Oct Milwaukee WI The Rave

13-Oct Grand Rapids MI The Intersection

14-Oct Cleveland OH House of Blues

15-Oct Joliet IL The Forge

17-Oct Buffalo NY Town Ballroom

18-Oct Toronto ON Danforth

20-Oct Sayreville NJ Starland

21-Oct Hartford CT The Webster

22-Oct Providence RI Fete Music Hall

24-Oct Albany NY Empire Live

25-Oct Harrisburg PA HMAC

27-Oct Norfolk VA The Norva

28-Oct Carrboro NC Cat’s Cradle

29-Oct Columbia SC The Senate

31-Oct Fort Lauderdale, FL Revolution

1-Nov Tampa FL Jannus Live

3-Nov New Orleans LA House of Blues

4-Nov Dallas TX House of Blues

5-Nov San Antonio TX Vibes Event Center

7-Nov Tucson AZ Encore

8-Nov San Diego CA House of Blues

10-Nov Pomona CA Fox Theater

11-Nov Las Vegas NV Brooklyn Bowl

12-Nov Salt Lake City UT The Complex

14-Nov Denver CO Ogden Theatre

15-Nov Omaha NE The Admiral

17-Nov St. Louis MO Red Flag

18-Nov Cincinnati OH Bogart’s

19-Nov Nashville TN Brooklyn Bowl

We Came As Romans released their highly anticipated album ‘Darkbloom’ in 2022 via Sharptone Records. Their first new full length release in five years has spawned a run of massively successful singles including album title track “Darkbloom” and it’s reimagined counterpart “Darkbloom (Reimagined)” featuring deathcore innovators, Brand Of Sacrifice,  “Plagued”,  “Golden”, “Black Hole” and “Daggers. Combined they have clocked up over 5.1 million YouTube views and 50 million streams

Dethklok – Dethalbum IV | Album Review

 

Brendon Small proving once again he is a metal mastermind. This is an 11-track album where nothing feels like filler, it’s all heavy and PERFECTLY in sync on timing and structure. Gene on drumming, amazing rhythm guitars, it’s all structurally sound and keeps up with the Dethklok name. There are comedic points such as opening with the lawnmower noises, but the album NEVER feels like a joke because of how strong the music behind Natan Explosion is. When you get to a song like Bloodbath or the phenomenal closer Mermaider III, you realize Small made sure to send out Metalocalypse on a high note. Dethklok IV is as killer as an Aortic Desectration. So is the new movie Army Of The Doomstar. Check them both out. 8/10.

 
Dethklok – Dethalbum IV | Album Review

Dethklok “Aortic Desecration”

Dethklok is a fictional melodic death metal band featured in the Adult Swim animated television series Metalocalypse, known for its satirical or parodic lyrical themes.

Brendon Small (born February 15, 1975) is an American actor, stand-up comedian, animator, writer, director, producer, and musician known for co-creating the animated series Home Movies (1999–2004, with Loren Bouchard) and Metalocalypse (2006–2013, with Tommy Blacha). He also writes the music, and is the main performer for the virtual melodic death metal band Dethklok, which began as the subject of Metalocalypse but has taken on a life of its own, with four albums and an occasional live touring band, headed by Small. Small has also released two albums under his own name, in a similar musical style to Dethklok.

Click here for a video on the
Top 10 BEST 90s Guitarists!

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From Google Bard: “Dethklok is a fictional melodic death metal band featured in the Adult Swim animated television series Metalocalypse, known for its satirical or parodic lyrical themes. The band is composed of five members: Nathan Explosion (vocals), Skwisgaar Skwigelf (guitar), Toki Wartooth (guitar), Pickles (bass), and William Murderface (drums).

In the Metalocalypse series, Dethklok is depicted as the world’s most popular and successful death metal band. The members of Dethklok reside in a colossal, fortress-like castle elevated high above ground called Mordhaus, which serves as their residence as well as their recording studio. Beyond their extremely wealthy financial status, they also oversee a massive personal organization of devoted workers known as Klokateers, who act as their personal servants, as well as their roadies, security personnel, and private military squadron.”

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Dethklok Dethalbum IV Album Review

Holding Absence – The Noble Art of Self Destruction | Album Review

Bethan Miller

For Holding Absence, artistry is more than just simply lyric-writing or notes on a guitar. The Cardiff, United Kingdom four-piece has made a name for themselves in evoking emotions through their songs, whether it’s the fragility of “Afterlife” or perhaps the guilt within “Birdcage”. Their tunes resonate so well that they comfortably sit at more than a million monthlies on Spotify and are attached to tours with the likes of Dayseeker, Senses Fail, and other genre greats. A band that’s relatively on the newer side, there’s still a deep discography to sift through ahead of The Noble Art of Self Destruction. Shares the band, “Our first album was about love, (the second) about loss, and this album is about the person that’s left at the end of that”, revealing this record to close out a trilogy. Within that theme, does The Noble Art of Self Destruction stick the landing?

In keeping with the containment of The Noble Art of Self Destruction being a sequential end that ties into the delivery from their first two major releases, there’s a certain standard that Holding Absence are expected of at this point. This album can’t stand to have filler/weak tracks, but Holding Absence doesn’t have many to reference; even the non-singles possess high-quality, catchy hooks and melodies. This is evident in the first impression, “Head Prison Blues”, marking the territory of anthemic choruses from Lucas Woodland that goes beyond tugging at heartstring and instead channels sorrow and desperation. Lead single “A Crooked Melody” cements this with lyricism that are less performative and more deep-rooted truths coming from Woodland’s yells.

The Noble Art of Self Destruction is not a happy album, but it’s one where listeners will relate and revel in nonetheless. That continues with “False Dawn”, as the band denotes it as “A somewhat defeatist song about denouncing expectations, and coming to grips with failure.” The bridge in “Scissors” delivered goosebumps to me as this bleak, poignant run is the best moment on this half of the record. Major key is rare for Holding Absence, but last single “Honey Moon”‘s chorus brings about a hopeful tone for a change, as the night sky makes for lyrical imagery in this gorgeous piece.

The instrumentals in “Death, Nonetheless” showcase that even if Holding Absence is a frontman-centric group, the intrinsic talent behind the entourage deserves the spotlight just as much. The Noble Art of Self Destruction carries on with “Her Wings” as I’m led to believe that this band’s bridges are just as prolific as their choruses, as Woodland hits some huge high notes before this track closes out. “These New Dreams” continues that theory as I found my attention was drawn to the bridge as the rest of this track showed some long-listen fatigue, also felt in “Liminal”. “The Angel in the Marble” truly is the standout track, being six minutes of reflection, acceptance, and “I am a puzzle, I am a painting, I am a work of art in the making” being the best way to close the book on this album.

The Noble Art of Self Destruction‘s highest highs far outweigh its few lows, as longtime fans will be rewarded with this trilogy-closer in some of the best tracks Holding Absence has created to this point. “Head Prison Blues”, “Honey Moon”, and “The Angel in the Marble” are going to get several replays from me for 2023 and beyond. This is just one step closer of Holding Absence being a household name in post-hardcore, as their winning formula meets masterful songwriting yet again. While this record is more front-heavy, the album ender cannot be understated. Look to stream The Noble Art of Self Destruction this Friday, August 25th.

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