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ShipRocked 2024 Lineup: I Prevail, Killswitch Engage, Beartooth and more

Shiprocked 2024
Music Lineup Announced
For Sold Out ShipRocked 2024

I Prevail, Killswitch Engage, Beartooth, Highly Suspect,
Code Orange, Badflower & More

Confirmed For Carnival Magic Cruise From Miami To The Caribbean,
Visiting Bimini (The Bahamas), Ocho Rios (Jamaica) & Grand Cayman
February 4-10, 2024

Join The Wait List At www.ShipRocked.com

The dynamic music lineup for ShipRocked 2024 will be led by I Prevail and will also featureKillswitch EngageBeartoothHighly SuspectCode OrangeBadflower, a special solo performance from Johnny Stevens of Highly Suspect and more February 4-10, 2024 onboard Carnival Magic. The 14th sailing of ShipRocked departs from Miami, Florida, stopping in three new ports for the ultimate rock music cruise vacation: Bimini, The Bahamas; Ocho Rios, Jamaica; and Grand Cayman.

Click here for a video on the
Top 10 BEST Debut Metal Albums!

After record breaking attendance of over 4,000 guests in January 2023 and an expanded 6-day itinerary, staterooms for ShipRocked 2024 sold out in an unprecedented 3 days, well before the music lineup was announced. A waitlist is available at www.ShipRocked.com.

Here’s what some of the 2024 ShipRocked artists had to say about next year’s cruise:

Brian Berkheiser / I Prevail: “ShipRocked is an institution. And the fact we get to headline is a blessing. We are definitely ready to give all the ShipRockers a kick ass show! And defend our Family Feud title! See y’all there!”

Jesse Leach / Killswitch Engage: “Killswitch Engage, and our appropriately named High Seas Crew, are stoked to be a part of this event, and to play alongside some killer bands! We’ve always been about having a good time at our live shows, so this seems perfect.”

Caleb Shomo / Beartooth: “We’ve played ShipRocked a few times, and every time it’s hard to grasp how much of a family everybody feels like out there. Many attendees are returning customers, which is a good sign of a great event. Playing out in the open water is a pretty wild feeling; nothing can come close to that. We can’t wait to come back and rock the boat!”

Badflower: “ShipRocked is the epitome of rock n’ roll. And year after year it has become a family reunion with fellow bands and fans that have become friends…A true communal atmosphere and a lot of f*cking fun.”

Dorothy Martin: “So excited to be joining the upcoming ShipRocked cruise stopping in the Bahamas, Jamaica and the Cayman Islands and can’t wait to jam with my Black Sheep in paradise! See you soon!” 

The initial music lineup for ShipRocked is as follows: I PrevailKillswitch EngageBeartoothHighly SuspectCode OrangeBadflower, as well as Black Stone CherryBRKN LoveCassyetteCatch Your BreathCrobotDayseekerDead Poet SocietyDorothyEva Under FireFrom Ashes To NewScene QueenTigercubThe Warning, Winona Fighter, Yonaka and more. The music lineup also features special performances by The StowawaysShipRocked’s fan favorite all-star band–and Johnny Stevens of Highly Suspect.

ShipRocked producer and creator Alan Koenig of ASK4 Entertainment said, “I say this literally every year, but SR24 might just be my favorite (initial) lineup yet!  We work hard to provide a big tent for the incredible range of talent that exists in the world of rock music, and I couldn’t be more proud and excited about the variety of artists who will be vacationing harder with our guests in February!”

A floating music festival, a rock & roll summer camp held in the dead of winter, a family reunion for the growing number of ShipRockers who have forged lifelong relationships out of a shared passion for music (and an occasional bucket of beer) – ShipRocked is the premier rock music vacation, offering dozens of performances and unique collaborations, artist-hosted events and activities, theme nights, and ample opportunity for fans and bands alike to unwind and create new friendships in tropical paradise.

The ShipRocked community is very supportive of charitable efforts, especially the annual ShipRocked Cancer Sucks! onboard charity auction. During the 2023 cruise, the auction raised an incredible $125,000 for cancer research.

Throughout the year, ShipRocked’s community of “ShipRockers”–as well as others from around the world–are staying connected via “Making Waves – The ShipRocked Podcast,” which launched in 2020 and is available for free through iTunes, Spotify and Google Podcasts. “Making Waves” features interviews with ShipRocked alumni artists, as well as other top music artists, actors and entertainment industry experts. It’s distributed via Sound Talent Media / Evergreen Podcasts and is hosted by Chad Nicefield and Justin Press.

For more information on ShipRocked, visit:
Website: www.ShipRocked.com
Facebook: www.facebook.com/GetShipRocked
Instagram: https://instagram.com/shiprocked

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Shiprocked 2024 Lineup

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From Google Bard:
“ShipRocked is the perfect way to experience a music festival in a unique and exciting setting. With its all-inclusive package and variety of activities, it’s the perfect vacation for rock and metal fans of all ages.

Here are some tips for planning your trip to ShipRocked 2024:

  • Book your cabin early. ShipRocked is a popular event, and cabins sell out quickly.
  • Purchase your tickets early. Tickets for ShipRocked are also in high demand, and they tend to sell out quickly.
  • Pack light. You’ll be doing a lot of walking on the ship, so you’ll want to pack light.
  • Bring comfortable shoes. You’ll be doing a lot of walking on the ship, so you’ll want to bring comfortable shoes.
  • Bring sunscreen. The sun can be strong at sea, so you’ll want to bring sunscreen to protect your skin.
  • Bring a hat. A hat will help protect your face from the sun.
  • Bring a camera. You’ll want to capture all of your memories of ShipRocked.
  • Bring a positive attitude. ShipRocked is a party, so you’ll want to come with a positive attitude and have fun!”

Sevendust Unleashes New Single “Everything”

SEVENDUST Unleash Debut Single and Music Video for “Everything”
from Upcoming 14th Album, Truth Killer Scheduled for Release on July 28 via Napalm Records
Now Available for Pre-Order HERE

Currently On Tour with Alter Bridge with More Dates in August and Others to be Announced

With excitement brewing after the release of their teaser track, “Fence,” GRAMMY® Award-nominated SEVENDUST are back with “Everything,” the debut single from Truth Killer. The song is the second piece of music from their 14th studio album, slated for worldwide release on July 28 via Napalm Records. The single is currently impacting active rock radio with early adopters already adding the single upon receipt.

The band – Lajon Witherspoon, Clint Lowery, John Connolly, Vince Hornsby and Morgan Rose – have filmed a performance music video that also brings the hypnotic album cover to life. The video was directed by J.T. Ibanez (P.O.D., Loveless, Orianthi).

Sevendust “Everything”

From the introspective opening of “I Might Let The Devil Win” to the classic SEVENDUST sound of “Fence,” the twelve songs on Truth Killer demonstrate that the band sounds as relevant today as they did on their 1997 self-titled debut. “Truth Killer,” “Everything” and “Holy Water” combine elements of the classic SEVENDUST sound with modern updates, pointing their lyrical lens at the world today and showcasing the musical diversity that has won the band a legion of loyal fans. The first song released was the album closer, “Fence,” accompanied by a claymation music video directed and animated by Ollie Jones. 

With a reputation as being one of the best live bands and recently making headlines as the band you “don’t ever, ever, ever want to go on after,” SEVENDUST is currently on tour opening for longtime friends Alter Bridge. The tour resumes in August with the addition of Mammoth WVH as well with more dates to be announced in the future.  As a band who loves to bring the music to their fans live, 2023/2024 will be busy years for SEVENDUST. More information on all upcoming tour dates and ticket and VIP info can be found here: https://sevendust.com/pages/tour

SEVENDUST 2023 Tour Dates:
May 11 – Louisville, KY – The Louisville Palace *
May 13 – Las Vegas, NV – Sick New World 2023
May 14 – Chattanooga, TN – The Signal *
May 16 – Pensacola, FL – Pensacola Saenger Theatre *
May 17 – New Orleans, LA – Fillmore New Orleans *
May 19 – Dothan, AL – The Plant *
May 20 – West Greenville, SC – The Foundry at Judson Mill #
Aug 1 – Buffalo, NY – Outer Harbor Event Complex *
Aug 2 – Asbury Park, NJ – Stone Pony Summer Stage *
Aug 4 – Charles Town, WV – The Event Center at Hollywood Casino *
Aug 5 – Grantville, PA – Hollywood Casino Outdoors *
Aug 7 – Richmond, VA – Virginia Credit Union LIVE! *
Aug 8 – Cleveland, OH – Jacobs Pavilion *
Aug 10 – Quebec City, QC – Agora Port de Québec *
Aug 12 – Mashantucket, CT – The Premier Theater (at Foxwoods Resort Casino) *
Aug 13 – Johnstown, PA – 1st Summit Arena *
Aug 17 – Fayetteville, AR – JJ’s Live *
Aug 19 – Corpus Christi, TX – Concrete Street Amphitheater *
Aug 20 – San Antonio, TX – Boeing Center at Tech Port *
Aug 22 – Memphis, TN – Orpheum Theatre *
Aug 23 – Cincinnati, OH – Andrew J Brady Music Center *
Aug 25 – Grand Rapids, MI – GLC Live at 20 Monroe *
Aug 26 – Milwaukee, WI – The Eagles Ballroom *
Aug 28 – Fargo, ND – Outdoors at Fargo Brewing *
Aug 29 – Minneapolis, MN – The Fillmore *
Aug 31 – Council Bluffs, IA – Harrah’s Stir Concert Cove *
*Opening for Alter Bridge

SEVENDUST online:
WEBSITE FACEBOOK TWITTER INSTAGRAM TIKTOK YOUTUBE

Mighty Mastodon & Giant Gojira Destroy Richmond | The Mega-Monsters Tour

Do you believe in monsters? Most of Richmond didn’t until last night when the Mighty Mastodon & Giant Gojira had a massive onslaught at Virginia Credit Union Live. What’s left is mostly destruction but a surprising amount of happy metal fans who saw the chaos firsthand at The Mega-Monsters Tour.

Troy Sanders said that this was the largest crowd Mastodon had ever played for in Richmond, a city that was helpful in launching Mastodon’s career. This performance was the visual entry to stoner and psychedelic metal that entranced the crowd at Virginia Credit Union Live through over an hour of hypnotic visuals and jam sessions.

Mighty Mastodon Destroys Richmond | The Mega-Monsters Tour 2023

Along with the Mighty Mastodon was the Giant Gojira wreaking havoc in the east. Gojira had the spectacle of pyro, smoke guns, and confetti, and the French metal juggernauts were also joined by Richmond’s own Randy Blythe of Lamb Of God. This was a big surprise for the crowd as this was an unannounced appearance.

Giant Gojira Destroys Richmond | The Mega-Monsters Tour 2023

Click here for a video on the
Top 10 WORST Metal Albums Ever
(according to Google Bard)

Opening for the mega-monsters was one of the more popular names in metal, Lorna Shore. The formal address from Will Ramos was quickly forgotten as the impactful screaming through the band’s symphonic deathcore style ripped through the venue. The biggest shock was the look on the venue staff’s faces as they weren’t expecting such a sound.

This was one of the more enjoyable metal shows I’ve been to in years. The crowd was packed at the venue but it was a focused group all wanting to hear these bands play. The venue and stage were perfect for this setup so the bands, labels, and publicists all nailed it with venue choice. Richmond has a much larger metal audience than the rest of the United States may give credit, and last night showed that as over 50% of the audience had metal t-shirts on for different bands. That’s not including the Mastodon, Gojira, and Lorna Shore merch that was already worn and being sold that night.

The Mega-Monsters Tour highlights a better side of metal from the stage. Mastodon and Gojira are well-traveled and well-respected names that both know exactly how to deliver a consistent show. Each band played for an hour and there wasn’t the typical banter or time-filling that other bands rely on to make a performance seem longer. Mastodon and Gojira have the material that any metal audience would know and want to hear. The drumming from Mario Duplantier and screaming from Joe Duplantier always got cheering. The growl from Troy Sanders created crowd energy in every song. This tour was monstrous, and it left the fans going home happy.

The Mega-Monsters Tour 2023 will continue later this summer going from Ohio to Colorado in the United States.

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From Google Bard:

The Mega-Monsters Tour 2023 is a co-headlining concert tour by American heavy metal bands Mastodon and Gojira, with support from American deathcore band Lorna Shore. The tour will begin on April 18, 2023, in Portland, Oregon, and will conclude on September 16, 2023, in Salt Lake City, Utah.

Mastodon is an American heavy metal band from Atlanta, Georgia, formed in 1999. The band consists of Troy Sanders (bass, vocals), Brent Hinds (guitar, vocals), Bill Kelliher (guitar), and Brann Dailor (drums, vocals). Mastodon has released seven studio albums, all of which have been met with critical acclaim. The band’s most recent album, Hushed and Grim, was released in 2021 and debuted at number one on the Billboard 200 chart.

Gojira is a French heavy metal band from Bayonne, formed in 1996. The band consists of Joe Duplantier (vocals, guitar), Mario Duplantier (drums), Christian Andreu (guitar), and Jean-Michel Labadie (bass). Gojira has released seven studio albums, all of which have been met with critical acclaim. The band’s most recent album, Fortitude, was released in 2021 and debuted at number six on the Billboard 200 chart.

Lorna Shore is an American deathcore band from New Jersey, formed in 2010. The band consists of Austin Dickey (vocals), Adam DeMicco (guitar), Erik Rutan (guitar), Will Ramos (bass), and Austin Archey (drums). Lorna Shore has released three studio albums, all of which have been met with critical acclaim. The band’s most recent album, To The Hellfire, was released in 2022 and debuted at number 11 on the Billboard 200 chart.

The Mega-Monsters Tour is a must-see for fans of heavy metal music. The two headlining bands are both at the top of their game, and Lorna Shore is a rising star. This is a tour that is sure to be filled with heavy riffs, pounding drums, and soaring vocals.”

L.S. Dunes Announce Summer Tour

LS Dunes
photo credit: Nick Demarais

L.S. Dunes — guitarist Frank Iero, guitarist Travis Stever, vocalist Anthony Green, bassist Tim Payne, and drummer Tucker Rule — have announced an extensive run of new summer tour dates across North America.

The acclaimed post-hardcore band, fresh from two sold-out Southern California club dates in early April, has added visits to major U.S. cities beginning July 9, with a show at the Basement East in Nashville, TN.  

The tour includes topflight venues such as The Opera House in Toronto on July 13, NYC’s Irving Plaza on July 17, Saint Andrew’s Hall in Detroit on July 22, Portland’s Crystal Ballroom on August 1, and The Showbox in Seattle on August 2, before returning to California for a string of shows that include The Fonda Theatre in Los Angeles on August 6, The Fillmore Auditorium in San Francisco August 9, and The Garden Amphitheatre in Garden Grove, CA on August 11. 

A message from L.S. Dunes’ Tucker Rule: “Lost Souls! Beat the heat and trip out with LSD this summer! Comin’ to a city near you!” 

ARTIST PRESALE: Wednesday, May 10 @ 12:00PM Local time. 
(Artist Presale Code – PASSWORD: Lostsouls)
ONSALE: Friday, May 12 @ 12:PM Local time.  
(For tour and ticket info, information, visit here.)

Find show recaps from the band’s recent gigs at Pappy + Harriet’s in Pioneertown HERE and L.A.’s 1720 Club HERE.

L.S. DUNES ON TOUR:
5/28 — Atlantic City, NY— Adjacent Music Festival 
7/6 — Jacksonville, FL — Sad Summer Fest
7/7 — Clearwater, FL — Sad Summer Fest
7/9 — Nashville, TN — The Basement East
7/11 — Portsmouth, VA — Sad Summer Fest
7/12 — Baltimore, MD — Sad Summer Fest
7/13 — Toronto, CAN — The Opera House
7/15 — Providence, RI — The Strand
7/17 — New York NY — Irving Plaza
7/20 — Pittsburgh, PA  — Mr. Smalls Theatre
7/21 — Cincinnati, OH — Bogart’s
7/22 — Detroit, MI — Saint Andrew’s Hall
7/24 — Milwaukee, WI — The Rave Bar
7/25 — Des Moines, IA — Wooly’s
7/26 — Omaha, NE — The Waiting Room
7/28 — Fort Collins, CO — Washington’s
7/30 — Boise, ID — Knitting Factory
8/1 — Portland, OR — Crystal Ballroom
8/2 — Seattle, WA — The Showbox
8/6 — Los Angeles, CA — The Fonda Theatre
8/9 — San Francisco, CA —  The Fillmore
8/11— Garden Grove, CA  — The Garden Amphitheatre

In addition to the new dates, L.S. Dunes’ previously announced shows include the Adjacent Music Festival in Atlantic City, NJ on May 28, and five shows on the Sad Summer Festival tour: Jacksonville and Clearwater FL, on July 6 and 7; Alpharetta, GA on July 8; Portsmouth, VA on July 11; and Baltimore, MD on July 12. 
 
Produced by Will Yip (Turnstile, Circa Survive, Quicksand), Past Lives navigates themes of fearlessness, dependency, nonconformity, and impermanence in a boundary pushing synthesis of post-hardcore and punk that has established L.S. Dunes as one of the rock’s most compelling new arrivals. From the gripping, theatrical opener “2022” and the blazing “Bombsquad” to the pummeling, expansive “Permanent Rebellion,” the searing title track “Past Lives,” and the disarming album closer, “Sleep Cult,” Past Lives is an electrifying and emotional ride. 

Follow L.S. Dunes:
Website | Facebook | Twitter | Instagram

Veil of Maya – [m]other | Album Review

Six years is no small amount of time to wait for a band’s next record. You’d think that would edge Veil of Maya fans and leave them dying for the follow-up to 2017’s False Idol. Luckily, this Chicago metal act has stayed busy releasing singles and touring extensively whilst the pandemic shook the music industry. While there’s an argument to be made about artists experiencing success going the singles route instead of albums, I breathed a sigh of relief when [m]other was announced. For a band that’s mingled with deathcore, djent, mathcore, etc., I find it hard to pin Veil of Maya down to any one genre – you’ll never know what to expect when you hit play on a new song from them, aside from knowing it’ll be a complex, nuanced listen that’s hard to keep up with. So, was the six-year wait worthwhile?

[m]other starts out with two non-singles in “Tokyo Chainsaw” and “Artificial Dose”. Within the first five seconds of the former, you’ll know Veil of Maya is delivering a no-nonsense, fast-as-hell record as the first breakdown kicks things off. Any doubters that think Veil of Maya is “soft” after the addition of clean vocals can rest assured that [m]other contains some of the group’s heaviest tracks to date. With guitars, bass, and bass pedal in perfect symmetry, the chugging riffs that have made the band so memorable are positively relentless in the opener and prove to be an instant earworm on-pace with previous singles. “Artificial Dose” continues in a massive way, as vocalist Lukas Maygar injects melody into this piece’s chorus, whereas the switch flips to a brutal verse seamlessly, something Veil has gotten so strong with over the years.

“Godhead” is a lyrically-spearheaded affront on religious delusion and features a climactic low unclean that still manages to give me goosebumps; this is heavy Veil of Maya at its peak and borders on the chaos seen within acts like Tony Danza Tapdance Extravaganza and Dillinger Escape Plan. “[re]connect” provides the most melodic riffage heard in [m]other, as longtime guitarist Marc Okubo hasn’t missed a step since 2004. Other original member, drummer Sam Applebaum, is far from a standard four-on-the-floor performer on [m]other, too; this is evident in “Red Fur”, as the off-beat snare hits, inventive fills, and ability to sync with the other instrumentals are an auditory delight.

Avoiding the “same-sounding-song” issue handily, [m]other‘s next track, “Disco Kill Party” swoops in with bouncy synth and a sing-along chorus that stuck in my head more than any other song on Veil of Maya’s new album. Talk about a breakdown, too – this unhinged, virtuosic run only makes the song that much better, an easy highlight placed square in the middle of the album to quell any long-listen fatigue. You’ll soon feel like you’re in Stranger Things through the intro of “Mother Pt. 4”, as this five-minute journey has so much going on that it surely won’t feel like it’s the longest on the record by a full minute. This is furthered with grand-scale lyrics such as “What are we soon to face? / Deep space, pressurized intake / Deprive me of oxygen / No, not again / Grab ahold / And brace for impact / Deep into oblivion”.

“Synthwave Vegan”, notwithstanding being the weirdest song title in a while, is [m]other‘s leading single – with authority. “Bury them out in the valley” is the first thing uttered and the mindset one should take in the shortest track’s unrelenting, breakneck pace. Fans of early Veil of Maya are going to revel in “Lost Creator” which sounds like it’s straight off of id or even The Common Man’s Collapse, while still corroborating the new sound’s formula here and there. It’s hard to call a non-single a favorite seeing as I haven’t had nearly as much time with it, but “Lost Creator” is an instantaneous, unabashed favorite. Album closer “Death Runner” isn’t a power ballad, or thematic closure – it’s just more groovy, barnstormer guitar riffs, layered within divine drums and vocal prowess, the winning formula that Veil of Maya proves “if it ain’t broke, don’t fix it” after two decades of fine-tuning a premier metal sound.

It’s so rare to see an album without filler, an album where non-singles meet and even exceed singles, and captivate the listener from front to back – but Veil of Maya has managed to do just this in [m]other. After watching five separate album cycles as a fan, this is Veil of Maya’s best work to date; from songwriting to production to lyricism, the six years since False Idol have proven to be a worthy wait and [m]other will be exactly what I perceive most Veil of Maya fans to have been craving and impatiently waiting for.

Rating: 5/5

Follow Veil of Maya on Facebook, Twitter, Instagram, and TikTok!

Top 10 WORST Metal Albums Ever (from Google Bard)

With the increase of AI accessibility, I decided to ask Google Bard questions about bad metal albums. This video looks at the Top 10 WORST Metal Albums Ever (from Google Bard). 

Top 10 WORST Metal Albums Ever (from Google Bard)

Bard is a conversational generative artificial intelligence chatbot developed by Google, based on the LaMDA family of large language models.   

St. Anger is the eighth studio album by American heavy metal band Metallica, released on June 5, 2003. 

Virtual XI is the eleventh studio album by English heavy metal band Iron Maiden, released on 23 March 1998. 

Diabolus in Musica is the eighth studio album by American thrash metal band Slayer, released on June 9, 1998, by American Recordings

Infestissumam is the second studio album by the Swedish rock band Ghost

We’ve Come for You All is the ninth studio album by American heavy metal band Anthrax

Supercharger is the fourth studio album by American heavy metal band Machine Head.   

Near Death Experience is the fourth album by New York hardcore band Cro-Mags

Octagon is the eighth studio album by Swedish extreme metal band Bathory.   

Metal Black is the eleventh studio album by heavy metal band Venom

Assassins: Black Meddle, Part 1 is the fourth full-length album by American band Nachtmystium.   

Click here for a video on the
Top 10 BEST Debut Metal Albums!

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Rage Against The Hall | The Podcast That Rocked

The Podcast That Rocked for 5/5/23. Discussion on Rage Against The Machine and the 2023 Rock And Roll Hall Of Fame, Aerosmith saying Peace Out, Abbreviated Metallica, and more. 

Rage Against The Hall | The Podcast That Rocked
The Podcast That Rocked on Spotify

Discussion Topics: 
0:00 – RATM in RORHOF  
2:05 – Iron Maiden NOT in RORHOF 
2:25 – Aerosmith says Peace Out 
3:17 – Paul Stanley walks back statement  
4:08 – Metallica’s 72 Seasons gets 15 minutes cut  
4:47 – Shinedown & Spiritbox  
5:43 – New songs from BMTH and Poppy 
6:43 – Ted Nugent canceled by Alabama 
7:21 – Billboard Rock Top 3 
8:11 – Thank you YT Members & Patrons

Metallica 72 Seasons Re-Edited

Click here for a video on the
Top 10 BEST Debut Metal Albums!

Bring Me The Horizon “LosT”
Linkin Park “Lost”
Shinedown, Papa Roach, Spiritbox | The Revolutions Live Tour

Thanks to everyone who listened. Still trying to improve the podcast in any way I can so any suggestions are welcome. I don’t want to overload the podcast with filler or make unnecessary changes, but I know there is always room for improvement. The rest of May will be a little out of the ordinary as I’ll be out of town for two weekends, but I’ll figure out a way to record things early. New Music Nights are still scheduled as of now on Twitch at 7PM EST.

MisterWives announce fourth LP ‘Nosebleeds’

MisterWives
Photo credit: Matty Vogel

Today, New York City/Los Angeles-based alt-pop group MisterWives announce their highly anticipated fourth studio album Nosebleeds due out July 14 and available for pre-order now. Plus, the band announces the Don’t Look Down Tour with Bishop Briggs across North America this fall with tickets on sale now via misterwives.com/tour. Alongside the announcements, the band shares the booming, tenacious title track out everywhere now and its accompanying video, which premiered exclusively via Rolling Stone.

Nosebleeds, highly anticipated fourth studio album by MisterWives, propels the group into all new territory, this time, equipped with bravery, confidence and strength. Through a decade-long career, of tremendous highs and lows, the forthcoming project meets the band at their most evolved as they turn their pain into power. Over ten compelling tracks, the band digs deeper than they ever have before, capturing the nuances of life’s highs and low and re-defining what it means to succeed and to fail.

In an interview with Rolling Stone, who raves this is “their best music yet,” frontwoman Mandy Lee explains, ‘Nosebleeds’ encompasses both meanings of the word–feeling high up and beat down–a response to the punches that leaned into the messy middle without fast forwarding to a silver lining. Learning along the way that the journey is both heavy and delicate, vulnerable and strong, betrayal and trust, ugly and beautiful.” On the forthcoming album, the band opens up about their struggles, and what it takes to stick together after so many years. “Being a band for ten years and still standing despite the amount of times we’ve been dropped, a bandmate quitting during the pandemic, a divorce–the perfect storm for how bands historically fall apart–felt like a pretty big triumph and moment to allow ourselves to create our fourth record with no limitations and without feeling boxed into what others might expect from us.”

Unafraid to fall apart, the album observes the band piece themselves back together, better than ever before. With a new MisterWives era on the horizon, Lee adds, ‘Nosebleeds’ was a homecoming to truth and freedom of self-expression and in doing so, we find ourselves in new territory both sonically and lyrically that unlocked our most raw and empowering music yet.”

“Nosebleeds,” the title track of the album, sees the band aim to let go of outside judgement and criticism and find a deep-rooted confidence on their own. Lee says, “Written during the pandemic and right in the thick of numerous sucker punches, ‘Nosebleeds’ was one of the first songs I wrote for the album before realizing it would later become the song to spark the overarching theme of the record. Being kept high up in the nosebleeds and on the outside of where you want to be has been a recurring dynamic in my life, especially in an industry that has profited off moving the goalpost or cutting ties if you don’t conform to how they see fit.”

It was the creation of the track that unleashed newfound energy, freedom and creativity, leading to the powerful forthcoming project. Lee continues, “‘Nosebleeds’ was the first step in letting go of all the naysayers and letting in uninhibited acceptance of myself without outside approval. Not shying away from that radical feeling we matched the music in tone with distorted guitars, gritty synths and a pulsing beat that helped give my voice the confidence I needed to start this next chapter and to keep going.”

Alt-pop singer-songwriter K.Flay, who helped write the track, was thrilled to contribute and join Lee in unlocking new creative freedom and confidence. K.Flay adds, “This song is about shedding self consciousness, about what it feels like to watch yourself, to know yourself, but hold back judgment. To be in the moment. I think Mandy is in a space of freedom right now and it was so exciting to tap into that. I absolutely love working together!”

The accompanying bold music video, directed by Jax Anderson, follows Lee as she comes face to face with her inner child, a version of Lee who was free from the weight of others’ opinions, before life left scars, and aims to protect her. Providing insight into the striking music video, Lee says, “The ‘Nosebleeds’ music video takes you on the journey of trying to protect and get back to your inner child–the person you were before life dragged you through the trenches. Being thrown around through obstacles and suffocated by the endless spiral of suffering, doubt, and opinions of others, I find a younger version of myself I’ve been chasing amidst the chaos.”

Lee’s inner child ultimately attempts to guide her back to who she once was as the twisting and turning visual mirrors life’s trials and tribulations. “Through symbolism of movement she teaches me how to get back to who I was before the world told me who to be.” Lee aims to escape through a doorway that looks like an escape from the madness only to find herself thrown into a never-ending staircase symbolizing the journey to healing will always be a continuous one. We chose to end this scene dressed in the same clothes from the crowd of people to represent how often we feel isolated in our pain when in reality our struggles are a lot more similar than we may think.”

Anderson was thrilled to team up with the band, stating, “I’ve always been a huge fan of MisterWives and I was crazy excited when they asked me to direct this video. Their lyrics are so personal and they’re absolutely incredible live. ‘Nosebleeds’ is such a banger, I just wanted to do the track & their band justice!”

The previously shared unapologetic, anthemic track “Out Of Your Mind” sees the band step out of their comfort zone, embrace uncomfortable feelings and take more artistic risks. They’re choosing both “truth” and “dare.” PAPER Magazine, who premiered the track, wrote, “MisterWives is stepping into a new era of punk, angst and fury with the release of their single “Out Of Your Mind,” a bloodthirsty breakup diatribe…Mandy Lee’s vicious hook…infuses the pop-punk track with head-banging messages of empowerment.” Set in a rage room, the accompanying video was directed by Matty Vogel and sees lead singer Lee break free from the confines of harsh expectations and regain her artistic liberty. In celebration of the single’s release, the band teamed up with Consequence to present a fan exclusive event at Rage Cage in Brooklyn, NY. Select fans who entered the contest were able to join the band to let out their anger, participate in a Q&A and even hear some unreleased snippets.

Like their eager fans, Variety is ready for new MisterWives, writing, “MisterWives are entering a new era in their nearly decade-long career.” Atwood Magazine lauded the band’s relentless dedication to their craft and loyal fan base, “They have never wavered to fit into a mold, and they have always delivered a genuine and one-of-a-kind experience through their songs and the shows that go with them.”

Finally, the new MisterWives era is here, this time, equipped with renewed energy, newfound creative freedom and glowing determination. The once technicolor days of the band are now drenched in the blackness of sacred anger, as they embrace their whole selves with their most self-assured release to date, the good, the band, the ugly and the angry.

See MisterWives live with Bishop Briggs throughout North America on The Don’t Look Down Tour beginning on September 8 in Nashville, TN. The tour will make its way through the East Coast including New York, NY on September 15 at Pier 17 and stop in Toronto, ON on September 19. The band will then move through the Midwest with a stop in Chicago, IL on September 22 and move West to Denver on October 1 with two Texas dates to follow. On October 10, MisterWives will play The Wiltern in Los Angeles, move through San Francisco, CA and Portland, OR and conclude in Seattle, WA on October 15. Get tickets now via misterwives.com/tour.

Nosebleeds, the fearless fourth studio album by MisterWives, is due out July 14 and available for pre-order now. The tenacious title track and its accompanying video is out everywhere now via Photo Finish Records. Don’t miss MisterWives live throughout North America with Bishop Briggs on The Don’t Look Down Tour with tickets on sale now here. Connect with MisterWives on InstagramTwitterYouTube, and Facebook, and stay tuned for much more to come from the band.

MisterWives & Bishop Briggs

The Don’t Look Down Tour

North America Fall 2023

Sept. 8 – Nashville, TN – Brooklyn Bowl

Sept. 9 – Atlanta, GA – Tabernacle

Sept. 10 – Charlotte, NC – The Fillmore Charlotte

Sept. 12 – Washington D.C. – The Anthem

Sept. 15 – New York, NY – Pier 17

Sept. 16 – Philadelphia, PA – The Fillmore Philadelphia

Sept. 17 – Boston, MA – Roadrunner

Sept. 19 – Toronto, ON – History

Sept. 20 – Detroit, MI – Majestic Theater

Sept. 22 – Chicago, IL – Salt Shed

Sept. 23 – Madison, WI – The Sylvee

Sept. 24 – Minneapolis, MN – First Avenue

Sept. 26 – Indianapolis, IN – Egyptian Room at Old National Centre

Sept. 27 – Columbus, OH – Kemba Live!

Sept. 29 – St. Louis, MO – The Pageant

Sept. 30 – Kansas City, MO – Grinders KC

Oct. 1 – Denver, CO – The Mission Ballroom

Oct. 4 – Houston, TX – House of Blues Houston

Oct. 6 – Dallas, TX – House of Blues Dallas

Oct. 9 – Phoenix, AZ – The Van Buren

Oct. 10 – Los Angeles, CA – The Wiltern

Oct. 11 – San Francisco, CA – The Warfield

Oct. 13 – Portland, OR – Roseland

Oct. 15 – Seattle, WA – Showbox SoDo

Follow MisterWives:
Website | Facebook | Twitter | Instagram | Bandcamp | YouTube | TikTok

Unearth – The Wretched; The Ruinous | Album Review

Trevor Phillips said that this album would be heavier than anything in the band’s catalog. One thing I can confirm, this is definitely heavy. Explosive heavy metal from Unearth. An album with a concept following how we are ruining our world and the future. The drum fills and guitar riffs are intense. This new album fits right into the wheelhouse of what Unearth has laid out already. Fierce growls and solos for days. The title track, “Eradicator”, “Call Of Existence”, are the meat and potatoes of what Unearth fans want and it’s a massive serving. This is an example of a band leaning into what they do best, this time aggressive heavy metal meets hardcore, and delivering that as loud as possible. Not wretched at all 8/10.

Unearth The Wretched; The Ruinous Album Review
Unearth “The Wretched; The Ruinous”

Unearth is an American metalcore band from Boston, Massachusetts. Formed in 1998, the group has released seven studio albums.

Click here for a video on
10 Wild Grammy Wins In Rock & Metal!

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From Google Bard:

“Unearth is an American metalcore band from Boston, Massachusetts. Formed in 1998, the band has released eight studio albums, two live albums, and one compilation album. They have sold over 1 million records worldwide.

Unearth’s music is characterized by its heavy guitars, melodic vocals, and aggressive drumming. The band’s lyrics often deal with personal struggles, social issues, and religious themes.

Unearth is considered to be one of the pioneers of metalcore. They were one of the first bands to combine elements of hardcore punk, death metal, and melodic metal. Unearth’s music has influenced many other metalcore bands, including As I Lay Dying, Killswitch Engage, and All That Remains.

Unearth has toured extensively throughout their career. They have played at major festivals such as Ozzfest, Download Festival, and Summer Slaughter. The band has also toured with some of the biggest names in metal, including Metallica, Slayer, and Lamb of God.

Unearth is a respected band in the metal community. They have been praised for their musicianship, their songwriting, and their live performances. Unearth is a band that continues to push the boundaries of metalcore. They are a band that is not afraid to experiment with their sound. Unearth is a band that is here to stay.”
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Unearth The Wretched; The Ruinous Album Review

LAMB OF GOD Announce 2023 Headlining Tour

Lamb of God
photo credit: Travis Shinn

Lamb of God will be hitting the road this summer for their exclusive 2023 headline tour featuring special guests Ice Nine Kills, Suicide Silence, The Acacia Strain, Frozen Soul and more across select dates. Produced by Live Nation, the 8-city tour kicks off on August 10 at The Wellmont in Montclair making stops across the U.S. in St. Louis, Oklahoma, Las Vegas, Riverside and more.

TICKETS: Tickets will be available starting with artist presale beginning Tuesday, May 2. Additional presales will run throughout the week ahead of the general onsale beginning Friday, May 5 at 10am local time at LiveNation.com

VIP: VIP Merch and Early Entry packages will be available beginning Tuesday, May 2. For more information visit LambofGod.com

LAMB OF GOD 2023 TOUR DATES: 
Thu Aug 10 – Montclair, NJ – The Wellmont %
Mon Aug 14 – St. Louis, MO – The Factory %
Fri Aug 18 – Corpus Christi, TX – Concrete Street Amphitheater @%
Mon Aug 21 – Oklahoma City, OK – Criterion %$
Fri Aug 25 – Las Vegas, NV – Pearl Concert Theater at Palms Casino Resort %#
Sun Aug 27 – Riverside, CA – Riverside Municipal Auditorium %#
Wed Aug 30 – Flagstaff, AZ – Pepsi Ampitheater @% *
Mon Sep 11 – Pikeville, KY – Appalachian Wireless Arena ^ *

% With support from The Acacia Strain
@ With support from Ice Nine Kills
$ With support from Frozen Soul
# With support from Suicide Silence
^ With support from The Black Dahlia Murder, After The Burial and Alpha Wolf
* Not A Live Nation Date

Follow Lamb of God:
Website | Facebook | Twitter | Instagram