Since 2000, Fearless Records have promoted a lot of bands with punk and metalcore bands covering pop, 90’s, crunk, and more. This video looks at 10 GREAT Punk Goes…Covers
10 GREAT Punk Goes… Covers
Punk Goes… is a series of albums released by Fearless Records in which punk rock bands perform covers of songs from other genres. As of 2019, the series consists of nineteen compilation albums.
Thanks to everyone that made suggestions for what covers to include on the 10 GREAT Punk Goes…Covers list. There were a couple I hadn’t heard before I started doing research. Next time will be the worst of Punk Goes… Covers and I’m hoping it won’t be as brutal as I anticipate.
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“The “Punk Goes…” compilation series, launched in 2000 by Fearless Records, features punk rock bands covering songs from other genres. For example, I Prevail covered Taylor Swift’s “Blank Space” in the “Punk Goes Pop Vol. 6” album. The series has released nineteen compilation albums, including “Punk Goes Acoustic,” “Punk Goes Christmas,” “Punk Goes Crunk,” and more, with each album showcasing a unique theme or musical style. The series has been a platform for bands to showcase their creativity and has garnered a dedicated following over the years.” (Perplexity)
Rock band New Years Day is thrilled to share their powerfully defiant new single “I Still Believe,” out now and streaming here. The song comes from the band’s forthcoming 5th studio album, Half Black Heart, set to be released on March 1, 2024. Pre-order/pre-save Half Black Heart now, here: https://newyearsday.lnk.to/HalfBlackHeart.
“The first song we wrote for our new album was actually ‘I Still Believe.’ It was during the summer of 2020, amidst the challenges of the Covid pandemic, when it felt like all our previous efforts and all the work we had put in the years prior were in vain,” shares Ash Costello.“Personally, I felt lost and uncertain about what lay ahead. However, a voice within me urged me to persevere, to never give up, and to maintain faith that things would eventually fall into place as they were meant to. I realized the importance of not overthinking and simply embracing the present moment. ‘I Still Believe’ is a heartfelt anthem dedicated to anyone in need of a reminder that with unwavering self-belief, anything is possible.”
New Years Day announced Half Black Heart in late 2023, following the release of “Vampyre” and “Secrets”. The record also features the band’s 2022 hit “Hurts Like Hell”. Last fall they also embarked on The Kiss of Death Tour with In This Moment and Ice Nine Kills, in addition to being featured on WWE NXT’s Halloween Havoc. Fans can catch New Years Day back on the road this spring with Lacuna Coil. They’ll also be performing at Welcome To Rockville and Sonic Temple Art & Music Festival. For a full list of dates, please see below or visit: nydrock.com.
About New Years Day:
Kerrang! Magazine counts New Years Day among an elite handful of bands inspiring the next generation. Led by “the vibrant force of nature that is frontwoman Ash Costello,” New Years Day unleash anthems of discontent and empowerment, delivered with gothic flair and theatrical bombast.
It’s a sound that crashed into the Mainstream Rock Top 40 for the first time in 2019 with a top 15 rock radio charting single “Shut Up” followed up by the cathartic “Hurts Like Hell,” which finished 2022 as one of SiriusXM Octane’s Top 25 songs of the year. Each successive victory is a celebration of hard-fought creative freedom, unstoppable determination, and dedicated fans. Throngs of diehards and newcomers alike sing and sweat along with New Years Day, at festivals, in clubs, or on tours with Halestorm, Falling In Reverse, Motionless In White, Ice Nine Kills, and In This Moment.
Saints and sinners, victims and victors. In sound and vision, New Years Day walk the line between darkness and light. The band’s duality comes to fruition on Half Black Heart, an unrepentant and unashamed album championing discovery, from the darkest secrets to one’s inner strength.
Unrestrained fury collides with arena-ready glamor, confrontational DIY passion, and melodic hooks. “Hurts Like Hell,” “Vampyre,” “Bulletproof,” “Fearless,” the title track, and the rest of Half Black Heart join an already impressive catalog of songs, like “Come for Me,” “Skeletons,” “Kill or Be Killed,” and “Shut Up.” Fans have streamed “Angel Eyes” more than 14 million times on Spotify alone.
Victim to Villain (2013), Malevolence (2015), and Unbreakable (2019) deeply resonate with listeners who cherish them as timeless keepsakes, marking different times in their own personal evolution. It’s because Costello, who skillfully conjures horror and comic book aesthetics as allegory, is one of them.
In cinematic music videos, transcendent live performances, and daily interaction (virtual or in-person) with like-minded misfits, this band makes pleasure from pain. Even when it hurts like hell.
Half Black Heart Tracklisting:
1. Vampyre 2. Half Black Heart 3. Hurts Like Hell 4. Secrets 5. Fearless 6. Bullet Proof 7. Burn It All Down 8. Enemy 9. I Still Believe 10. Unbreak My Heart 11. So Sick 12. Creature of Habit
Upcoming Tour Dates:
5/2 – Wilmington, DE @ The Queen 5/3 – Asbury Park, NJ @ The Stone Pony 5/4 – Reading, PA @ Reverb 5/6 – Norfolk, VA @ The NorVa 5/7 – Charlotte, NC @ The Underground 5/9 – Daytona Beach, FL @ Welcome to Rockville 5/11 – Nashville, TN @ Brooklyn Bowl Nashville 5/13 – Fort Smith, AR @ Temple Live 5/14 – Wichita, KS @ TempleLive at Wichita Scottish Rite Center 5/16 – Columbus, OH @ Sonic Temple Art & Music Festival
A video discussing the apparent end of Rage Against The Machine, recorded live on Twitch. Discussion about the band, Tom Morello at the Rock Hall, and covering the Chicago performance in 2022.
The End Of Rage Against The Machine
“I know a lot of people are waiting for us to announce new tour dates for all the canceled RATM shows,” he wrote on his personal social media. “I don’t want to string people or myself along any further. So while there has been some communication that this may be happening in the future… I want to let you know that RATM (Tim, Zack, Tom and I) will not be touring or playing live again. I’m sorry for those of you who have been waiting for this to happen. I really wish it was…” -Brad Wilk
Abort The Supreme Court | Rage Against The Machine
“Rage Against the Machine, a legendary rock band, was formed in 1991 in Los Angeles and consists of members Zack de la Rocha, Tom Morello, Brad Wilk, and Tim Commerford. In 2022, they embarked on their highly anticipated reunion tour, which was unfortunately cut short due to Zack de la Rocha’s injury. The band had to cancel their European tour as a precautionary measure, and later, their North American dates as well.
Sadly, drummer Brad Wilk announced in January 2024 that Rage Against the Machine will not be touring or playing live again. Despite the cancellation of their 2022 tour, the band’s legacy and impact on the music industry remain undeniable. They were inducted into the Rock & Roll Hall of Fame, further solidifying their status as a groundbreaking and influential group.” [Perplexity]
After several years of not being accessible, Saud Ahmed, vocalist of The Holy Guile, has made the band’s music available for streaming on Spotify, Apple Music, and many more services.
Deathcore act The Holy Guile rose to prominence in the mid 2010’s after The Crimson Armada called it quits. The band released a four-song EP entitled Guardians 2.0, which songs landed on The Holy Guile’s debut record FSU in 2013. Characterized by frenetic guitar runs, monstrous breakdowns, and succinct production, it became a fast favorite in the genre. This was followed up by OG in 2014, injecting some compelling raps while maintaining the winning formula.
A few years passed and it appeared The Holy Guile project was no more, as Ahmed pursued a software engineer career. Fast forward to the final days of 2023 and Saud posted in a Facebook group that the albums would return after more than 5 years of them being visible but not playable on streaming services. A moment that felt almost too good to be true for longtime fans of The Holy Guile, it was cathartic to see both records back out of nowhere, as previously the only way to listen was if you had a CD or through YouTube.
The Holy Guile’s return to streaming services was warmly welcomed in comments sections: “I was literally talking about what a gem the holy guile was with a friend the other day” and “We hyped as f*ck, was literally listening to them on YouTube last night”, and “Immediately went to listen to sour d” were gut reactions from excited fans. Where some bands fade from memory after time, others are memorable enough to stick in people’s heads several years past. It was awesome to see ENEMY AC-130 ABOVE cover “The Celebration” recently, which sparked my memories of the band flooding in.
It’s always a win to see lost media come back into the fray, as we recently saw the same with The Browning’s first two albums being stuck in their old label’s grasp only to return ceremoniously. In the case of The Holy Guile, it’s stellar to have these songs so easily available as after all these years, there’s still a cult following of the group despite them not extensively touring or being active for quite a long time. Never say never in the world of music. If you need me, I’ll be streaming FSU over and over and over again.
Breaking down the Slipknot discography starting with the self-title and compromising where to put each album in a tier list from gold to trash. Recorded live on Twitch, this video is all about Slipknot and discussing each studio album.
Slipknot Discography | Tier List
Five Songs To Get Into Slipknot
“Slipknot is an American heavy metal band known for its attention-grabbing image, aggressive musical style, and energetic live performances. The band rose to fame with their self-titled debut album in 1999 and gained further popularity with their 2001 release, “Iowa.” Slipknot has released seven major albums, including their eponymous debut album in 1999, “Iowa” in 2001, “Vol. 3: (The Subliminal Verses)” in 2004, “All Hope Is Gone” in 2008, “.5: The Gray Chapter” in 2014, “We Are Not Your Kind” in 2019, and “The End, So Far” in 2022.
“Slipknot’s self-titled album is brash, “Iowa” is broken, “Vol 3: (The Subliminal Verses)” is unison, “All Hope Is Gone” is militant, and “.5: The Gray Chapter” is regretful. The band’s tone and masks have changed with each album, symbolizing their evolution as individuals. Slipknot’s albums are known for their unique sound, evocative storytelling, and relentless pursuit of artistic authenticity.” -Perplexity
This year had a ton of variety and many bands pulled through to give us some great music. This video looks at the Top 10 BEST Albums Of 2023. Watch the video below for a full breakdown of each entry, or scroll below to read an excerpt from the video for each album.
Probably the most difficult album for Foo Fighters to make turned out to be their best in a decade. But Here We Are, dedicated to Taylor Hawkins and Virginia Grohl, is the cathartic, expressive, and in some ways inspiring album that Foo Fighters had to find out the hard way they were capable of making.
The title track and “Under You” have those huge sing-along moments but it’s the slower and more sincere moments in “The Glass” and the 10-minute “The Teacher” that add depth and make the tributes feel personal to everyone, even those who never met Taylor Hawkins and Virginia Grohl. The delicate music flow in these tracks truly gives the air of making something unique to their loved ones.
Foo Fighters “Under You”
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9.) Baroness Stone
The color scheme might be gone but Baroness still has plenty of ideas to work with. STONE is the groove-filled sludge metal excellence John and company have been executing for years, but this time it feels like a new page has turned. This is Baroness unbound from formats and formulas, but instead working with raw creativity.
The rhythm section is crushing and stands out in the right moments, and the combined guitar work from John and Gina repeatedly stands out. STONE is proof that Baroness knows how to steer their ship into uncharted waters and come out sounding great.
Baroness “Last Word”
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8.) Dying Wish Symptoms Of Survival
Classify this as deathcore, metalcore, hardcore, a combination, or whatever you want, Dying Wish does it all well. Not only an amazing sophomore release from the Oregon five-piece but an impressive display of range with that vicious attitude. The drumming stands out through the heaviest tracks and Emma Boster proves her singing range in the cleaner moments.
It’s fierce and at times extreme with how intense the volume and anger get, but it’s all times and calculated precisely to make each element of the band stand out. Unrelenting is the best word to describe Symptoms Of Survival. Dying Wish is still an unstoppable force.
Dying Wish “Watch My Promise Die”
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7.) Drain Living Proof
It’s difficult to have joyous fun and a big goofy grin when listening to music that’s heavy and thick like this, but Drain proves it’s possible. Living Proof is not even half an hour but that also adds to the charm of this album because you want to play it all as a relentless rush of symbols and riffs and makes you feel like high-fiving someone as soon as it’s over.
When you get to “Evil Finds Light” is the point where you need to make sure you aren’t around anything breakable in the house because it’s most likely going to shatter. Drain created a tightly made package that has plenty of full-run time replay value. It’s so much fun, it is almost worth rushing security to get on stage.
Drain “Living Proof”
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6.) Horrendous Ontological Mysterium
Ontological Mysterium, which is fun to say, is filled with transitions, speed changes, genre changes, and jam sessions to the point of losing track of where you are in that crazy Mysterium. It’s proggy and groove-filled and screaming of death and it all just blends smoothly.
As heavy and dark as Horrendous gets, it’s never TOO much to the point of being overwhelmed. Just under 38 minutes and enough time to breathe in between rounds of onslaught. As a result of all that, it’s hard to find ANYTHING similar to what Horrendous can combine in one nine-track album.
Horrendous “Cult Of Shaad’oah”
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5.) Blondshell Blondshell
Singer-songwriter Sabrina Teitelbaum proves that indie and alternative have a new killer performer with creative songs and catchy lyrics that are as witty as Teitelbaum and Blondshell are great names. Blondshell the album is bluesy and gritty when the moment requires which adds more to Blondshell’s hand.
This self-titled debut packs a lot of talent and style that is lacking in the alternative world, especially when it comes to subject matter. Take topics like toxic relationships and sobriety, and then turn the attitude and volume up at a moment’s notice. The clever writing along with emotional swelling moments become massive.
Blondshell “Salad”
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4.) Slowdive Everything Is Alive
Describing Slowdive as shoegaze sounds appropriate, but after you experience Everything Is Alive and take everything in, you realize it’s so much more that gazing into space. This album doesn’t allow you to phase out with background music but grabs your attention while pulling you in the music, swaying arms and all.
Only eight tracks but they all complement each other as well as showcase what Slowdive can create. Everyone contributes from the different vocals to imaginative instrument work and synths. The guitar tones are immaculate, the changing moods all sound natural, and again, you get pulled in from the opening minute when the first lyrics hit. This is distinct shoegaze with layered elements and endless replay value.
Slowdive “Alife”
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3.) Creeper Sanguivore
Grandiose riff and synth-filled rhythms, all while Will and Hannah sing their hearts out. It’s becoming clear they could just sing Wikipedia entries on the most boring topics ever and they could make it work. There are so many selling points from the singles like “Cry To Heaven” to the huge opening track “Further Than Forever”.
What SHOULD be total cheese ends up being completely engaging. Vampire bites and all. Sanguivore delivered uniquely and it’s incredible to think that Creeper hasn’t tried this approach before as the style fits them like a black leather glove. Creeper continues to impress.
Creeper “Cry To Heaven”
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2.) Sufjan Stevens Javelin
The all-encompassing songwriter who can bring in an orchestra or just use one acoustic proved himself with Javelin. If there was ever an album that sells Sufjan Stevens being around for the long haul, it was this 2023 entry. Stevens continues to prove his music depth as a songwriter.
Stevens opened himself up a bit on Javelin, letting his personal events take focus which isn’t something he has done lightly in the past, if ever. The intimate expressions in “Will Anybody Ever Love Me” and “S*** Talk” give so much personality and voice that it’s hard not to relate to the emotions and feelings, as well as feel for them.
Javelin is as heartbreaking as it is triumphant and expressive. The music makes you feel like you are listening to something big in scope and important as a piece of art. This album needs to be heard and respected as such a welcomed album this year.
Sufjan Stevens “Will Anybody Ever Love Me?”
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1.) Sleep Token Take Me Back To Eden
As divisive an album could be in the heavy music world. Take Me Back To Eden slowly took over much of the music buzz in the beginning of 2023 when singles were being released in pairs. Then when the full album came out in May, Sleep Token became inescapable. You were going to listen to Vessel, and rock, metal, alternative, and everything in between would not be the same.
Take Me Back To Eden is creative, has hooks, has diversity, has range, memorably distinct tracks, a narrative, and sounds amazing live as well as on record. it checks so many boxes of what people LOOK FOR in a great album. But it’s still massively divisive for many previously listed reasons. Maybe that’s just more proof of Sleep Token’s success.
Take Me Back To Eden is an album that people can point to that defined music in a positive way for 2023. A band trying something different with multiple genres and making it great.
The Nordic collective had a lot to celebrate in 2023. Maria Franz, Chritsopher Juul, Kai Uwe Faust and their band of warriors continued to tour in support of their latest album Drif, which Metal Hammer called “a carefully woven tapestry of ideas” and “a natural evolutionary step for a band who understand the unique power of story and song”.
They performed their spellbinding ritual at European summer festivals before heading across the Atlantic for a successful U.S. tour.
Last week, people around the globe watched Heilung perform at The Game Awards.
The Nordic collective premiered “Seidh” in front of a star-studded audience at The Peacock Theater in downtown Los Angeles on Thursday, December 7. This song will appear on the soundtrack for Senua’s Saga: Hellblade II, which is scheduled for release in 2024. Heilung wrote the full soundtrack for the game in collaboration with Ninja Theory.
Since its inception in 2015, the enigmatic ritual collective Heilung has been paving melodic paths to the past with their unique and mystifying sound. Evading all conventional genre tags and the confines of any specific labels, the group aptly self-describes their sound as “amplified history,” emphasizing their ability to connect modern society with the rudiments of humanity’s beginnings through music. Heilung once again journeys back in time with its new chapter, ‘Drif;’ however, unlike previous offerings that centered around prehistoric northern Europe, album number three will explore other great rudimentary civilizations outside of Europe.
“All the songs on ‘Drif’ have their own stories,” adds Heilung throat singer and one of the band’s three composers, Kai Uwe Faust. Each has its place and sense of belonging, with inspiration not only from Northern Europe, but from the ancient great civilizations,” explains the band. “We took the ancient surrounding advanced civilizations in account, because our ancestral Nordic civilizations did not just pop up, exist and disappear in isolation. Already in the Bronze Age, we found silk on German land that was imported already from the far, far East 3000 years ago. From the Viking age, we found beads that were brought there from present-day Syria high up in the Northern mountains.
“Centrally important concepts, still in extensive use today, like the number Zero and all the mathematical universes deriving from it, the use of iron and the general concept of settling all originate from traditional high civilizations outside the north and still fundamentally changing our ancestor’s world.
“With singing these primordial songs we want to give tribute to these cultures, reconnect to the beginnings and remember that we all, from East to West, from past to present, are connected through the exchange of ideas and inspiring each other.”
Meaning “gathering,” ‘Drif’ serves as more than merely a gateway that bridges history with modern day society, but is also a statement of the strength in unity and togetherness, which will come as no surprise to those who have experienced Heilung’s live ritual, in which every ceremony starts with a reminder that “we are all brothers.” “‘Drif’ means ‘gathering,’’ explains Heilung. “A throng of people, a horde, a crowd, a pack. In symbiosis with the album title, ‘Drif’ consists of a flock, a collection, a gathering, a collage of songs, that much like little flames were seeking towards each other, to join, to bond, to create, and be greater together.”
While Heilung features authentic and archaic instrumentation that ranges from rattles and ritual bells to human bones and throat singing, their captivating brand of music is far from primitive. Producer and founding member Christopher Juul implements subtle electronic elements that elevates the musical atmosphere and provides a more in-depth and layered soundscape.
“This album has very clearly dictated its own path. Our attempts to tame it were repeatedly fruitless, and once we came to this realization, the creative flow surged forward with immense force. So much so that sometimes it felt like the songs wrote themselves,” the band adds.
Heilung’s success has been unprecedented, achieving milestones in its few short years of existence that many do not see in a lifetime. The collective already had rapidly been growing a buzz upon the self-release of their first full-length, ‘Ofnir,’ in 2015, but their dizzying upward trajectory really took off from the moment they set foot on the stage at Castlefest in 2017 for the now-legendary debut of their live ritual. Luckily for those who were not fortunate enough to bare witness to this magical event, the full ceremony was captured on film, having since been viewed by tens of millions of fans across the globe.
As Heilung trekked across Europe and brought their mystifying experience to new audiences, talk of this new band and their stunning ceremony made way to Season of Mist label owner Michael Berberian, who quickly offered the band a record contract after seeing their undeniable musical impact for himself.
By 2019, Heilung launched their second full-length record, ‘Futha,’ which contrasted the masculine and battle-heavy themes of their debut with a feminine counterpart that celebrated fertility and female energy. Upon the first week of the record’s release, it graced the Billboard charts with coveted numbers, debuting at #3 on the Heatseekers Charts and #4 on the Billboard World Music Chart, placing on a total of seven Billboard charts while meeting critical-acclaim from the press on a global scale.
Having already made its way around Europe, Heilung announced its first ever North American tour for the start of 2020, which sold out entirely within 72 hours of ticket on-sale. The band later returned to the United States and performed their live ritual for a sold out audience of 10,000 people at the historic Red Rocks Amphitheatre in Morrison, CO (USA), further solidifying their early legacy status.
By this time, the band’s music started to appear in places outside the confines of music venues, videos, and vinyl. From hit television series like ‘Game of Thrones’ and ‘Vikings’ to video game giants like ‘Conqueror’s Blade VII: “Wolves of Ragnarök’ and ‘Senua’s Saga: Hellblade II’ to the blockbuster Robert Eggers film ‘The Northman,’ Heilung’s music has risen far above the underground and has transcended into a greater world. Even a global pandemic couldn’t slow down Heilung’s success; it only strengthened them and gave them the gift of time to complete work on album number three, ‘Drif.’
According to Greek philosopher Pythagoras, three is a divine number, signifying harmony, wisdom, and understanding. He also believed it to be the number of time – past, present, future; birth, life, death; beginning, middle, end. Purposefully or not, ‘Drif’ embodies this philosophy, putting forth a divine work of art that ties together the beginning of civilization with the modern world today. Make no mistake, Heilung still does not represent any modern political or religious ideology, but rather delivers a humbling reminder of where we came from. “Remember, we are all brothers. All people, beasts, tree and stone and wind, we all descend from the one great being that was always there, before people lived and named it, before the first seed sprouted.”
Riot Fest is announcing 2024 festival dates and a holiday presale on December 14th at noon, while supplies last. In 2024, Riot Fest will be taking place September 20-22, with the powerhouse lineup fans have come to expect. The event moves to the later weekend next year, to alleviate traffic congestion within the Little Village and North Lawndale communities during the celebrations for Mexican Independence Day.
A variety of ticket tiers will be available, from general admission to premium tiers offering VIP dedicated entrances, exclusive lounges featuring plush, shaded seating, complimentary open bars and an array of curated food options, as well as separate cordoned viewing areas at the main stages. Layaway payment plans are available for the budget-minded music fans. Details can be found at: https://www.tixr.com/groups/riotfest/presale2024
I was able to work Riot Fest 2023 and it was fantastic. I can’t say enough good things about the people who run the event and the attendees that made Riot Fest a great environment last year.
Riot Fest will be giving away tickets at their first public Christmas office party, Friday, December 15th at Logan Arcade for music lovers who want to gather for some holiday spirit(s). All party goers have to do is beat Riot Mike in a game of his choice! Ticket giveaways will also be happening for Riot Fest app users hourly from noon-5pm on the 14th. Riot Pop! will be giving away tickets at @DrinkRiotPop on Twitter as well.
Riot Fest’s Beyond the Fest community initiative has been hard at work as well on the annual holiday gift program, in partnership with 24th Ward Alderwoman Monique Scott. Riot Fest will be distributing hundreds of toys to students of Sumner Math and Science Community Academy on Dec. 18th and Crown Community Academy of Fine Arts on Dec. 19th. This season, Riot Fest in partnership with Douglass Park Advisory Council is also hosting a coat/warm outerwear drive to help collect coats, hats and gloves for the Douglass Park community.
As longtime festival fans know, Riot Fest is a music festival with a wide variety of pastimes, including a carnival with rides, an arcade, a skateboard ramp, food & artisan vendors and even a wedding chapel.
Tickets: riotfest.tixr.com/presale2024 General Info: RiotFest.org
CREEPER‘s larger-than-life and darker-than-death new album Sanguivore is out now via Spinefarm. Get it here.And finally, the band will crash American shores for a tour with Black Veil Brides, Dark Divine, and Ghostkid in Spring 2024.
The BLEEDERS TOUR 2024 kicks off on April 25 at the Fillmore in San Francisco, making stops across the U.S. in Salt Lake City, Minneapolis, Nashville, and more before wrapping up in Los Angeles at The Belasco on May 25. All dates are below.
The general on-sale begins Friday, December 15 at 10am local time at this location.
CREEPER ON TOUR: WITH BLACK VEIL BRIDES, DARK DIVINE, + GHOSTKID: 4/25 — San Francisco, CA — Fillmore 4/27 — Las Vegas, NV — Sick New World 4/28 — Salt Lake City, UT — The Depot 4/29 — Denver, CO — Ogden Theater 4/30 — Kansas City, MO — The Truman 5/2 — Minneapolis, MN — Fillmore 5/3 — Chicago, IL — Concord Music Hall 5/4 — Green Bay, WI — Epic 5/5 — Detroit, MI — Royal Oak Theater 5/7 — Albany, NY — Empire Live 5/8 — Boston, MA — House of Blues Boston 5/9 — Richmond, VA — The National 5/10 — Raleigh, NC — The Ritz 5/13 — Atlanta, GA — Buckhead Theater 5/15 — New York, NY — Palladium Times Square 5/16 — Philadelphia, PA — Fillmore 5/18 — Nashville, TN — Marathon Music Works 5/20 — San Antonio, TX — The Aztec Theatre 5/21 — Houston, TX — RISE 5/22 — Dallas, TX — The Factory 5/24 — Tempe, AZ — The Marquee 5/25 — Los Angeles, CA — The Belasco
Brand of SacrificeAnnounce Signing To NUCLEAR BLAST RECORDS
Drop Brand New Single“PURGE” Stream HERE | Watch HERE
Canadian deathcore wrecking crew, BRAND OF SACRIFICE, are ending 2023 with a gargantuan bang as they announce their signing to legendary record label, Nuclear Blast Records. To celebrate this iconic new partnership, the band have released phenomenally heavy new single, “Purge”. The glorious new serving of brutality comes accompanied by a stunning, cinematic music video, the caliber of which has become somewhat for a calling card for the band.
Speaking on the brand new track, BRAND OF SACRIFICE frontman, Kyle Anderson shares
“”Purge,” powerfully delves into the complexities of addiction, weaving a narrative of struggle, but also resilience. It is an ode to personal transformation, showcasing the journey towards becoming one’s best self amidst life’s challenges.”
BRAND OF SACRIFICE dropped their critically acclaimed EP, ‘Between Death & Dreams‘, earlier this year. Spawning a string of huge singles – “Exodus“, “Dynasty“, “Between Death & Dreams” and “Blinded“. Preceding the EP, was their 2021, chart-topping breakthrough album, ‘Lifeblood‘ that appeared in multiple year-end ‘Best of’ lists and lead the charge for the ongoing deathcore revolution that’s been sweeping through the underground over recent years, leading to a meteoric resurgence in the genre’s popularity. For both releases, the band partnered with Blood Blast Distribution, sister company to Nuclear Blast Records, making today’s signing news a natural progression in BRAND OF SACRIFICE epic quest to conquer the world of heavy music. Speaking on their new label deal, Anderson continues
“We’re very excited to be kicking off the new era of Nuclear Blast Records with ‘Purge’! Having worked with Blood Blast for most of our previous releases and campaigns, we’re looking forward to building upon that success within the same powerhouse umbrella”
With a colossal new partnership underway with Nuclear Blast Records, this next chapter of BRAND OF SACRIFICE promises to be even more relentlessly furious, ground-breaking and genre re-defining that what has come before. Keep it locked for more news from the Demon King and his cohorts in 2024.