“Video game soundtracks have become an integral part of the gaming experience, transporting players into immersive worlds and enhancing the overall gameplay. Two iconic examples that showcase the power of video game music are the soundtracks for Tony Hawk’s Pro Skater 2 and Twisted Metal.
The Tony Hawk’s Pro Skater 2 soundtrack is widely regarded as one of the best in gaming history, featuring a diverse mix of punk, ska, and hip-hop tracks that perfectly captured the rebellious spirit of the franchise. Songs like “Superman” by Goldfinger and “You” by Bad Religion have become staples of the series, resonating with players and cementing the game’s status as a cultural phenomenon.
Similarly, the Twisted Metal series is renowned for its intense, adrenaline-fueled soundtracks that complement the high-octane vehicular combat. The original Twisted Metal’s soundtrack, with its heavy metal and industrial influences, set the tone for the series’ dark and gritty atmosphere, while later installments continued to deliver memorable musical compositions that enhanced the gameplay experience.
These examples demonstrate the profound impact that video game soundtracks can have, elevating the overall experience and leaving a lasting impression on players. As the gaming industry continues to evolve, the importance of exceptional audio design and musical composition will only grow, captivating audiences and solidifying the status of soundtracks as an art form in their own right.” (Perplexity)
The sophomore album is a mission statement as much as it is a band’s best chance to express themselves in a large body of work to their fanbase. In an industry that is heavily shifting towards singles and EPs, diehards like me crave quantity from bands that have proven consistent quality. For With Sails Ahead, I’ve seen just that for the five years I’ve been following them. From their close friendship with pulses. to an intimate live performance halfway across the country in Chicago, With Sails Ahead has kept my attention in the long wait ahead of Infinite Void, and now their time has come for its release. How does this New Jersey group fare in album number two?
It’s easy to compare a band to another band, but not for With Sails Ahead on Infinite Void. Influences for this group range as far as Hail the Sun to Protest the Hero, marrying mystifying guitar harmony with a proggy song structure that deviates from the norm. In the mix is vocalist Sierra Binondo, who can so easily switch from a graceful melody to an impassioned shout in tracks like opener “every day the sky falls” with gusto. Tack on guitarists Joe Warner-Reyes and Santino Costa trading riffs and leads across verses/choruses and it becomes an involved, impressive post-hardcore listen. The grooves coincide with chugs in “Darting Eyes”, and the tempo really picks up in “Ryn” – bringing in synth and the best bridge on Infinite Void.
Lead single “Swear Words” is With Sails Ahead’s best offering to date – a singalong chorus in the band’s first “love song” with the right tinge of choas in the middle made it hard to not put on repeat when it first dropped. A gorgeous guitar interlude at the end of Lemongrab kept my interest at the halfway point of Infinite Void, whereas the lyric that stuck with me the most comes in “Peach Tea (Obituary)”: “Got no common sense to see The outcome so clearly, What if chasing happiness unlocks the bad ending?” The vocal harmony in the bridge of “Picture Perfect Pixels” is another standout moment on this stacked record.
“Oblivion” and “what if i fall” both show off how Sierra can scream as well as she sings – a jack of all trades in the vocal booth. Layered onto the heavier side of WSA, the back half of Infinite Void holds up to the single-heavy first half. Bringing in Kevin Torres of Poeta for “In Search Of” adds an exciting layer to With Sails Ahead’s songwriting, elevating the already-strong track. Instruments shine in the second half of “Catastrophe” which flows into closer “is this really it” – a somber, definitive sendoff to Infinite Void. As a whole, this is something With Sails Ahead should be proud of – a focused, diverse album that will surely turn a few heads when it releases Friday, April 26th.
This is a calmer, restrained Pearl Jam that still has as much focus and direction as you can imagine. Dark Matter relishes in setting a steady mood. Less wild and fired-up overall than previous releases. The steady mood however is smooth and at times hypnotic in the best ways. Vedder’s voice becomes calming while still having volume. This is much less jam band with huge solos and bridges and more of an experience with five friends sitting down and performing from their hearts. The fired-up moments still exist, such as in the amazing song “Running”, but it’s the reserved songs such as “Scared Of Fear” and “Wreckage” that define Dark Matter with attitude and reflection. As is standard, guitarwork is fantastic from Gossard and McCready. I wish they would have shown off a little more in the run time, but I can’t be upset with what we’ve been given. As Pearl Jam ages, the anger and intensity may be restrained but the writing, direction, soul, it’s still there in the matter. 7/10.
“Pearl Jam, the iconic Seattle-based rock band, is set to release their highly anticipated 12th studio album “Dark Matter” on April 19, 2024. The album is expected to continue the band’s legacy of powerful, introspective rock music that has captivated fans for decades. As the band prepares to embark on a massive world tour in support of “Dark Matter,” the album is poised to solidify Pearl Jam’s status as one of the most influential and enduring rock acts of their generation.” (Perplexity)
Everyone who wanted something extra sludgy and gritty will get what they need and then some. Gather The Storm is a continuation of the backbone of High On Fire‘s style over the years. The riffs are top notch and go on for long periods of time, the final track “Darker Fleece” reaching almost 10 minutes. “Burning Down” and “Trismegistus” show Matt Pike at his fiercest. Put that loud growl of a vocalist with some of those riffs and it’s meteorite heavy. High On Fire is normally classified as stoner metal but this is the metal that would rile up even the most stoned burnout. Gather The Storm changes speeds and volume with just enough variation to also keep it from getting repetitive. It’s an enormous, thundering storm and it’s exactly what High On Fire knows how to deliver. 8/10
“Cometh The Storm, the ninth full-length album from the acclaimed heavy metal band High On Fire, is a powerful and captivating release that solidifies the group’s status as one of the most influential and respected acts in modern metal. Featuring the band’s signature blend of crushing riffs, thunderous rhythms, and frontman Matt Pike’s gritty vocals, the album delivers a relentless sonic assault that immerses listeners in a world of dark, primordial energy. With its epic compositions and intense, atmospheric production, Cometh The Storm showcases High On Fire’s mastery of their craft, cementing their reputation as one of the most vital and innovative forces in heavy music today. This album is a must-listen for fans of the band and anyone seeking a truly immersive and powerful metal experience.” (Perplexity)
The Podcast That Rocked for 4/16/24. Discussion on Tilian leaving Dance Gavin Dance, Maynard James Keenan waring against cell phones, Justice Dept VS Live Nation, and more.
Discussion Topics: -Tilian leaves Dance Gavin Dance -Maynard James Keenan explains his stance against cell phones -Justice Department VS Live Nation in anti-trust lawsuit -20th Anniversary Tour from Underoath
Bye Gavin Bye | The Podcast That Rocked on YouTube
“Tilian Pearson, the longtime vocalist of the post-hardcore band Dance Gavin Dance, has parted ways with the group after 12 years of collaboration. The band announced the decision in a statement, citing creative differences and diverging life paths as the reasons behind the split. Pearson also released his own statement, expressing gratitude for the “lush and enigmatic experience” of making music with the band and their dedicated fanbase. He revealed that he is currently working on a new solo album and plans to perform live shows to support it later this year. The departure comes after Pearson previously took a break from the band in 2022 due to allegations of sexual misconduct and substance abuse issues, though he later rejoined the group. As Dance Gavin Dance moves forward with a new era, fans eagerly anticipate the band’s future musical direction without Pearson’s contributions.” (Perplexity AI)
Multi-platinum rock band CHEVELLE will be heading back out on the road this summer.
In addition to appearances at Incarceration and Rock Fest, the band will embark on a headline run that kicks off July 21 in Omaha and runs through August 10 in Madison. Tigercub will serve as support. All dates are below.
The general on-sale is set for Friday, April 19 at 10am local time. Get tickets here.
Chevelle are working hard on new music, with more details forthcoming. Stay tuned.
Over the course of their career, the Chicago rockers Chevelle have generated nearly half-a-billion streams, notched seven No. 1 hits, and sold out shows worldwide. Their catalog spans the double-platinum Wonder What’s Next, which boasts the double-platinum smash “The Red” and the platinum hit “Send The Pain Below.” This Type of Thinking (Could Do Us In) attained platinum status, while Vena Sera was certified gold. Chevelle have landed four Top 10 debuts on the Billboard Top 200, including Sci-Fi Crimes [2009], Hats Off to the Bull [2011], La Gárgola [2014], and The North Corridor [2016]. The latter two each captured the #1 slot on the Top Rock Albums Chart. Latest album NIRATIAS is out now.
CHEVELLE ON TOUR: WITH TIGERCUB: 7/19 — Mansfield, OH — Inkcarceration Festival* 7/20 — Cadott, WI — Rock Fest* 7/21 — Omaha, NE — Steelhouse Omaha 7/23 — Waukee, IA — Vibrant Music Hall 7/24 — Tulsa, OK — Tulsa Theater 7/26 — Memphis, TN — Graceland Soundstage 7/27 — Biloxi, MS — Beau Rivage Theatre 7/28 — Birmingham, AL — Avondale Brewing Co. 7/30 — Asheville, NC — Rabbit Rabbit Asheville 7/31 — North Myrtle Beach, SC — House of Blues Myrtle Beach 8/2 — Wallingford, CT — Dome at Toyota Oakdale Theatre 8/3 — Montclair, NJ — The Wellmont Theater 8/5 — Pittsburgh, PA — Stage AE 8/6 — Buffalo, NY — Buffalo RiverWorks 8/8 — Toronto, ON — HISTORY 8/9 — Grand Rapids, MI — GLC Live at 20 Monroe 8/10 — Madison, WI — The Sylvee 9/28 — Louisville, KTY — Louder Than Life* *Festival Date // No Tigercub
Underoath announced the 20th Anniversary Tour Expansive North American, EU & UK Headlining Tour
VIP Packages Include Exclusive Meet and Greet, Vinyl, Comic Book, and more.
Underoath | Aftershock 2018
To celebrate the 20th anniversary of their influential studio album, They’re Only Chasing Safety, Underoath announces The 20th Anniversary Tour, hitting the EU, UK and US this summer and fall. The band will perform the album in its entirety, followed by a unique fan-voted set every night.
Underoath says, “Twenty. Years. This is going to be like nothing we’ve ever done. They’re Only Chasing Safety in full every night plus *another* set of songs voted on by each city. Every song from every album over the past 20 years will be on the table. Let’s get nuts.” The band is offering VIP package tickets from Wed, April 17th at 10 am local time through Friday, April 19th at 9:30 am local time at https://underoath777.com/pages/tour.The package includes one GA ticket; a conversation with Underoath in which they will answer fan questions, tell stories, and discuss the impact of They’re Only Chasing Safety on their career; an informal hang with the band and individual photo with the full band; a VIP-exclusive 20th Anniversary edition of They’re Only Chasing Safety on vinyl; a 24-page, full color, standard-sized They’re Only Chasing Safety comic book by Sumerian Comics; and merchandise shopping prior to doors opening to the public. Both the vinyl and the comic book will be shipped to VIPs prior to the tour.
Numerous presales will also be held on Wednesday, April 17, and Thursday, April 18th, with the General on-sale kicking off on Friday, April 19th, at 10:00 AM local time. Fans can go to that same link to sign up for presale access. All tour dates will go live with “Sign Up” buttons that will lead to a presale signup through Seated. Automated email and text reminders will be sent to signups 30 minutes ahead of the presale starting with the password and direct link to tickets.
20th Anniversary Tour Dates 6/1 – Fort Worth, TX – So What?! Music Festival 6/7 – Nuremberg, GER – Rock Im Park 6/8 – Nurburg,GER – Rock am Ring 6/10 – Hamburg, GER – Markthalle Hamburg 6/11 – Berlin, GER – Metropol 6/12 – Warsaw, POL – Proxima 6/13 – Hradec Kralove, Czechia 6/13 – 15 – Interlaken, SWITZERLAND – Greenfield Festival 6/16 – Paris, FR – La Machine du Moulin Rouge 6/17 – Amsterdam, NETH – Melkweg 6/19 – Copenhagen, DEN – Copenhell Festival 6/20 – Dessel, BEL – Graspop Metal Meeting 2024 6/22 – Lyon, FR – Slam Dunk France 6/24 – Briston, UK – O2 Academy Bristol 6/25 – Birmingham, UK – O2 Institute2 6/26 – London, UK – O2 Forum 6/27 – Manchester, UK – O2 Ritz Manchester 7/13 – Charleston, WV – West Virginia is For Lovers 9/18 – Norfolk, VA – The NorVa 9/20 – New York, NY – The Palladium 9/22 – Wallingford, CT – The Dome 9/24 – Pittsburgh, PA – Stage AE 9/26 – Philadelphia, PA – Franklin Music Hall 9/27 – Worcester, MA – The Palladium 9/28 – Baltimore, MD – Rams Head Live 9/29 – Columbus, OH – Kemba Live 10/1 – Detroit, MI – The Fillmore 10/2 – Indianapolis, IN – The Egyptian Room 10/4 – Milwaukee, WI – The Eagles Ballroom 10/5 – St. Louis, MO – The Pageant 10/6 – Birmingham, AL – Furnace Fest 10/8 – Kansas City, MO – The Midland Theater 10/9 – Minneapolis, MN – Myth 10/11 – Denver, CO – The Summit 10/13 – Salt Lake City, UT – The Complex 10/15 – Seattle, WA – Showbox SODO 10/16 – Portland, OR – Revolution Hall 10/19 – Las Vegas, NV – When We Were Young 10/20 – Las Vegas, NV – When We Were Young 10/22 – Santa Ana, CA – The Observatory 10/25 – Sacramento, CA – Ace of Spades 10/27 – San Diego, CA – SOMA 10/28 – Phoenix, AZ – The Marquee 10/30 – Dallas, TX – Southside Music Hall 11/18 – Austin, TX – Stubbs 11/19 – Houston, TX – House of Blues 11/20 – Oklahoma City, OK – Diamond Ballroom 11/23 – Cincinnati, OH – Megcorp 11/24 – Chicago, IL – The Salt Shed 11/26 – Des Moines, IA – Val Air Ballroom 11/27 – Green Bay, WI – Epic Center 11/29 – Grand Rapids, MI – 20 Monroe 11/30 – Cleveland, OH – Agora Ballroom 12/1 – Toronto, ONT – History 12/3 – Buffalo, NY – Riverworks 12/4 – Sayreville, NJ – Starland Ballroom 12/6 – Stroudsburg, PA – The Sherman Theater 12/8 – Richmond, VA – The National 12/9 – Asheville, NC – The Orange Peel 12/10 – Charlotte, NC – The Fillmore 12/13 – Tampa, FL – Jannus Landing
“Underoath, the acclaimed metalcore band, is set to embark on a highly anticipated 20th anniversary tour for their seminal album “They’re Only Chasing Safety”. The tour will celebrate the album’s enduring impact and the band’s continued success, as they have remained a driving force in the genre for nearly two decades. Fans can expect a setlist packed with fan favorites from the album, as well as a glimpse into Underoath’s musical evolution, with the inclusion of tracks from their more recent releases. The tour is sure to be a nostalgic and energetic experience for both longtime fans and newcomers alike, solidifying Underoath’s status as one of the most influential and revered bands in metalcore.” (Perplexity)
3X Grammy Award-nominated NOTHING MORE return with their fifth album, CARNAL, on June 28 via BETER NOISE MUSC. The album features 15 songs with the San Antonio, TX-born quartet’s most focused, adventurous, and intense music to date, including their current radio single “IF IT DOESN’T HURT” which is currently in the Top 10 at #9 on the Active Rock radio charts and rising. Recorded with Grammy-nominated producer WZRD BLD (Disturbed, Motionless In White, A Day To Remember) with mixing and mastering by Zakk Cervini (Limp Bizkit, MGK, Bring Me The Horizon), CARNAL unites NOTHING MORE’s trademark introspective philosophical lyrics and unapologetically massive anthems with in-your-face rockers designed for an all-encompassing audience. Pre-order CARNAL now via digital download, CD, vinyl, and cassette tape at https://nothingmore.ffm.to/carnal.
“‘CARNAL’ feels like a perfect encapsulation of what NOTHING MORE has always been,” says guitarist MARK VOLLELUNGA. “From progressive introspection to steady-state rock ‘n roll, we felt like we’ve achieved the exact balance wanted for this next installment.”
“It’s a beautiful blend of memorable guitar riffs, illustrious chord progressions and heart wrenching lyrical performances all to the beat of a drum that palpitates with syncopated obsession,” states bassist DANIEL OLIVER. “There’s truly something for everyone on this record.”
NOTHING MORE have today released their new compelling and defiant track “HOUSE ON SAND” featuring I Prevail vocalist Eric Vanlerberghe. Stream/download “HOUSE ON SAND (feat. Eric V of I Prevail)” across all digital platformsHERE.
“Sometimes you lose sight of your purpose in life and wander off of the path you were on,” says frontman JONNY HAWKINS on “HOUSE ON SAND”. “Years later you find yourself in a life that does not match the vision you once had for yourself. Trapped, you are left with a choice…betray your inner voice, or trust it; continue on and play it safe, or turn back and start again… I’m starting again.”
In regards to working with VANLERBERGHE, HAWKINS states: “I’m so honored and excited to have Eric screaming his heart out with me on this song!”
“Almost a year ago, the boys in NOTHING MORE sent me this demo and asked if I’d consider hopping on it,” shares VANLERBERGHE. “I checked it out and for the next few weeks, I had the chorus engrained in my brain. The song really resonated with me. I think this track, as well as the rest of their record, is NOTHING MORE’S best work and I’m honored to be a part of it.”
CARNAL Track Listing:
1. | CARNAL | 2. HOUSE ON SAND (feat. Eric V Of I Prevail) 3. IF IT DOESN’T HURT 4. ANGEL SONG (feat. David Draiman) 5. FREEFALL 6. BLAME IT ON THE DRUGS 7. | HEAD | 8. EXISTENTIAL DREAD 9. | HEART | 10. DOWN THE RIVER 11. GIVE IT TIME 12. | SIGHT | 13. STUCK (feat. Sinizter) 14. RUN FOR YOUR LIFE 15. | SOUND |
Since their emergence in 2003, NOTHING MORE have continuously topped the active rock radio charts including nine #1 singles and over a half dozen Top 10 singles including “TIRED OF WINNING” from their 2022 album SPIRITS. To date, the band—JonnyHawkins (vocals), MarkVollelunga (guitar), Daniel Oliver (bass), and Ben Anderson (drums)—have amassed a total of 788 million streams and 150 million video views.
NOTHING MORE have won over audiences across the globe with their commanding performances of which Loudwire proclaimed: “it’s their famously vivacious live shows that truly enthrall, especially when they pull out some of bassist Daniel Oliver’s self-made gadgets. For instance, there’s the ‘Scorpion Tale,’ an extremely heavy beast made of metal scraps whose Ableton software permits singer Jonny Hawkins to alter multiple timbres (such as guitar, bass and vocals) while riding it. Then, you have the ‘Drumtron/Bassinator,’ a rotating bass stand connected to drums that allows for three-man bass solos.”
NOTHING MORE will head out on a co-headlining tour across North America this spring with Wage War and special guests Veil of Maya and Sleep Theory (4/16 – 5/18) followed by a set of direct support shows with rock icons Godsmack (6/23-6/26). They’ll also appear this fall at festivals including Louder Than Life, Aftershock and MMR*B*Q. For full dates, tickets and VIP upgrades, please visit https://nothingmore.net.
NOTHING MORE 2024 TOUR DATES:
4/16 Charlotte, NC – The Fillmore *
4/17 Birmingham, AL – Avalon Brewing Company *
4/18 New Orleans, LA – The Fillmore *
4/20 Austin, TX – Stubb’s ^
4/22 Grand Junction, CO – Amphitheater at Las Colonias Park (outdoor) *
4/24 Riverside, CA – RMA *
4/25 San Diego, CA – Observatory Northpark %
4/26 Las Vegas, NV – Brooklyn Bowl *
4/28 Albuquerque, NM – REVEL *
4/30 Kansas City, MO – The Midland Theatre *
5/1 Des Moines, IA – Val Air Ballroom *
5/3 Green Bay, WI – Epic Event Center *
5/4 East Moline, IL – The Rust Belt *
5/5 Omaha, NE – The Astro *
5/7 Madison, WI – The Sylvee *
5/8 Grand Rapids, MI – 20 Monroe Live *
5/10 Bethlehem, PA – Wind Creek Event Center *
5/11 Columbus, OH – Kemba Live ^%
5/12 Pittsburgh, PA – Stage AE %
5/14 Norfolk, VA – The NorVA *
5/15 Raleigh, NC – The Ritz *
5/17 Indianapolis, IN – The Egyptian Room *
5/18 Bloomington, IL – The Castle Theatre ^%
7/23 Johnston, PA – 1st Summit Arena at Cambria County War Memorial #
7/25 Gilford, NH – BankNH Pavilion #
7/26 Bangor, ME – Maine Savings Amphitheater #
9/21 Camden, NJ – MMR*B*Q 2024 &
9/27 Louisville, KY – Louder Than Life &
10/13 Sacramento, CA – Aftershock Festival &
*co-headlining with Wage War, Veil of Maya & Sleep Theory
The 2020s have seen something of a new coming from the side of metal that leans towards chaos and discord. Whether it’s Better Lovers nabbing nonstop festival spots straight after their inception, The Callous Daoboys paving their way into international tours, or even Dillinger Escape Plan reuniting for a 25-year Calculating Infinity celebration, it’s a joy to see the experimental/mathy exploits of this sect of -core bear such fruit.
Amongst this resurgence is Greyhaven, a sonically-charged group that’s impressed with records This Bright and Beautiful World and Empty Black over the last 6 years. Even if they’ve left my rotation here and there, this four-piece eventually makes their way back and I never regret picking them up again. Now off the heels of signing to Solid State Records, the group has teamed up with best-in-the-biz Will Putney and Stereo Grief is out – does it stack up with the rest of their discography?
As Greyhaven bursts out of the gate with the lyric “All I want right now is death” in “Past Material”, it’s more than clear Stereo Grief is an EP out for blood. The rumble of double-bass throughout the verses complements the panic chords and vitriol within vocalist Brent Mills’ words. When the band isn’t gut-punching the listener with these distraught runs, the gritty melodic choruses in tracks like “Confined Collapse” are enough to elicit mic-grabbing moments at any Greyhaven show on their upcoming shows with Better Lovers, SeeYouSpaceCowboy, and Foreign Hands.
Lead single “The Welcome Party” best represents the unique approach Greyhaven brings to this side of heavy music. Tempo-changes abound and guitar leads showcased, it’s some of the best of what the band has to offer and is turning heads across the scene on a stacked April 12th release day. The follow-up in “Sick and Lavish” broadcasts in its second verse just how well Greyhaven can flip a switch from intense frenzy to prime-focused post-hardcore like it’s nothing. Everything in Stereo Grief comes to a head in closer “An Inverse Self-Reflection”, as Mills shares: “The prior four tunes are dark and negative. This wraps up on a positive note. You realize, ‘Everything was bad, but I have the ability to make things better. It’s up to me.’ The house swallows you up, but it’s over and you can take the wisdom and make a change. That’s the whole message.”
It took a few listens and focusing on the lyricism for me to realize Stereo Grief is actually a concept EP. Mills mentions, “On the EP, this character is traveling through a house where he watches all of these versions of himself. He experiences good and bad moments as well as regret.” This projected introspection really adds something to the listen; an already sonically-compelling instrumental is bolstered with this involved character study across eighteen minutes. That merit makes up for each song feeling a bit indiscernible from each other – a nitpick if anything, as Greyhaven has crafted a replayable, worthwhile EP in Stereo Grief.
Fifth full album from Utah’s proggy, post-hardcore, fill in the genre Eidola that opens up huge in the first half of this album. The first half of Eviscerate is a freight train. Well timed speed changes, great back and forth between singers, the post-hardcore elements all shine. The second half is where the album runs out of steam and it resembles another metalcore album. You’ll hear glimpses of creativity in songs like “Kali Yuga”, but most of the album banks on stock chugs and unchanging volume. This is a band that has plenty of potential and creativity and Eviscerate shows that off in some tracks like “No Weapon Formed Shall Prosper” and “A Bridge Of Iron And Blood”. There is good stuff on Eidola’s latest. The biggest problem is that between filler and material we’ve heard from many other groups, Eidola doesn’t so much Eviscerate throughout the album, but rather barely papercut. 6/10.
Best Tracks: “No Weapon Formed Shall Prosper” “A Bridge Of Iron And Blood”
Eidola Eviscerate Album Review
Eidola “No Weapon Formed Shall Prosper”
Eidola “A Bridge Of Iron And Blood”
“Eidola, the alternative metal band fronted by Chris Volz of the nu-metal group Flaw, has recently signed with Eclipse Records and announced the release of their new album “Darkness” on January 05th, 2024. The band, which also features bassist Weed, guitarist E.T., and drummer Tosha Jones, originally met with Eclipse Records in 2019 and have been working towards this partnership for several years. The first single from the album, “Whiskey”, is set to be released on October 07th, 2023. Eidola is excited to work with the Eclipse Records team to bring their “alien hard rock music to the masses”. Fans of Flaw and alternative metal can look forward to the release of “Darkness” and the opportunity to hear Chris Volz’s powerful vocals on this new project.” (Perplexity)
