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Monster Energy AFTERSHOCK Lineup Announced! SLIPKNOT, FAITH NO MORE, MARILYN MANSON, DEFTONES & 30+ more!

The Monster Energy Aftershock Festival in Sacramento, CA has been announced with official dates and listed performers. 2015 marks the fourth year the Aftershock festival has presented today’s current and classic names in hard rock and metal, and this year continues the tradition with Slipknot, Faith No More, Deftones, Shinedown, Jane’s Addiction, Marilyn Manson, Coheed & Cambria, Stone Temple Pilots, Breaking Benjamin, Seether, Bring Me The Horizon, All Time Low, Sleeping With Sirens, Eagles of Death Metal, Black Veil Brides, and many more.

The addition to an amazing lineup that will feature something for every rock fan across four stages in two days is probably one of the most exciting inclusions to a festival in years: NXT. The Orlando based developmental field for WWE features some of the best professional wrestlers from around the world (Japan, Ireland, UK, US, etc.) and brought them to one organization and present a full production show with high energy, fan interaction, amazing lights and stage spectacles, and a current wrestling product that fans of the sport can get behind. Seeing Finn Balor’s entrance is worth admission alone.

This year’s Aftershock is scheduled to his Oct 24th and 25th at Gibson Ranch just outside Sacramento. Some of the performers have spoken about Aftershock and their excitement.

Corey Taylor of Slipknot says, “We are really looking forward to playing AFTERSHOCK in Sacramento! A lot of great bands—can’t wait to see everyone, from Manson to Clutch. Sacramento won’t know what hit it when me and my friends are through.”

DeftonesChino Moreno says, “We’re looking forward to being one of the headliners at AFTERSHOCK this year and performing in our hometown. It’s always special to return to the city that made us.”

The daily band lineup for Monster Energy AFTERSHOCK is as follows:

  • Saturday, October 24:
    Slipknot, Shinedown, Marilyn Manson, Breaking Benjamin, Seether, Bring Me The Horizon, Black Veil Brides, Clutch, Hollywood Undead, P.O.D., Sevendust, Pop Evil, All That Remains, Helmet, Snot, Beartooth, Turbowolf, Art of Dying, Temperance Movement, Kill It Kid, Devour The Day, September Mourning, Stars In Stereo, Raveneye

 

  • Sunday, October 25:
    Faith No More, Deftones, Jane’s Addiction, Stone Temple Pilots, Coheed and Cambria, All Time Low, Death From Above 1979, Eagles of Death Metal, Sleeping With Sirens, Yelawolf, Failure, Glassjaw, Suicidal Tendencies, Issues, The Sword, Highly Suspect, ’68, Red Fang, One OK Rock, Madchild, Neck Deep, Pink Slips

Regularly priced weekend tickets go on sale Monday, June 1 at 10:00 AM PT at www.AFTERSHOCKConcert.com/Tickets and www.flavorus.com. Ticket prices will be as follows:

  • 2-Day General Admission: $114.50
  • Single Day General Admission: $64.50
  • Single Day VIP: $119.50

I cannot recommend this lineup or experience enough. This many bands + NXT Live + THAT MANY CONCERT GIRLS is something that everyone should get behind. If you are even remotely close to Sacramento in the end of October or are able to make the trip, then get your VIP tickets and go. It will be a weekend worth saving up for and remembering.

You can find more details at the following sites:

 

NXT! NXT! NXT! NXT! NXT! NXT! NXT!

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All Time Favorite Albums: The Mars Volta – Frances The Mute

A series looking at my all time favorite albums.  This video is dedicated to 2005’s Frances The Mute by The Mars Volta.

https://vimeo.com/129066959

Album Review: Twenty One Pilots – Blurryface

Everyone’s favorite alternative snow-mask wearers return to show their Blurryface.

https://vimeo.com/128101346

 

Text Review:

Every now and then you get a creative group who over the course of a few years becomes a phenomenon and commands a legion of fans, all without sacrificing identity or giving into trends and sales patterns.  It does not happen as often as it should, but there are still musicians who maintain their merit through continuing to hold to two things: their own individual music, and their own individual personality.

The two men of Twenty One Pilots may be the perfect example of musicians in the alternative rock scene not only having the time of their lives, but being entirely creative and individual as they want.  After a relatively short time since the group’s formation in 2009, these Ohio natives have literally become one of the most sought after music acts in the industry and to this day have some of the best concert sales throughout the US and Europe.

After several featured songs from 2013’s Vessel, they have toured with bands like Neon Trees and Walk The Moon and now run their own headlining shows throughout full sized arenas.  Needless to say, expectations are high for the next full album.

When making a album artists may have different focuses for the process.  In the press release for Blurryface, Tyler Joseph said, “The one thing Josh and I always had in mind when we were making this record was: How is this going to look and feel live?  We were so influenced by the live show.  A lot of the writing came from wanting to Create something that we would actually love playing in front of people every night.”

Words like creativity and individuality sound great when describing music and their artists, but do not add up if the finished project doesn’t represent that.  So our first look at the new album Blurryface came in the song Tear In My Heart, which undeniably had the feel of two masked men on stage playing their hearts out.

If you are at all familiar with Twenty One Pilots then you can identify Tear In My Heart as their song after 20 seconds into the track.  If ever there was a perfect example of a 21st century love song then this song would be it.  The piano keys and powerful drums all come through strong with a beautiful chorus that is robust and vibrant.  It’s obvious why this song should have been the track to get people excited about Blurryface.

My only real complaint with the song is what many people have already said online in that the bridge, or the driving in a car sing-a-long REALLY takes you out of the song.  While the song would have undeniably been way to short without this section, I can’t help but shake the feeling that the song feels disjointed because of this off road venture into a mini song before jumping head first back into the original music.

Regardless of the nitpick and my own personal opinion, this song still stands out as a fully trademarked style by Twenty One Pilots.  And that may be their greatest strength: regardless of the style of song they choose, from alternative rock, to hip hop, to reggae, to island sing-a-long, the image of these two men are drenched in the rhythm of each song they write.

I love the energy in the choruses within Blurryface.  Songs like Heavydirtysoul, We Don’t Believe What’s On TV and Polarize all capture the same power that Tear In My Heart possesses.  It’s the electronic rhythm infused with the piano that stand out, but it’s the vocals and masterful drumwork by Josh Dun that meld everything together.

The only downside to having so many different styles in the same album is that it can be difficult to flow from track to track.  Not every song will be for every listener.  That being said though, it is undeniably unique and interesting to play this album from beginning to end and marvel that the pure talent and creativity level that is featured throughout here.  Even if not every song is something to connect with and you may feel like skipping one style, you are almost guaranteed to find another song you love shortly after.

To restate Tyler Joseph’s quote, they made this record with the mindset of how these songs would come off live.  After listening to Blurryface it is undeniable that their focus paid off in huge waves.  Each song on this album can easily be imagined by these two jumping into the pit mid-song just to have the crowd sing along for them.

Overall, Blurryface is the perfect example of what two artists are capable of when they aren’t restricted and don’t have to hold back.  Even if every song isn’t something that every alt-rock fan will love, it’s undeniable that there is something here for everyone, including the die-hard twenty one pilots fans.

Regretting The Past: Creed – Weathered

After a Diamond Certified selling album, some of the smelliest butts in butt-rock follow it up with a Weathered mess.

https://vimeo.com/127681940

Album Review: Faith No More – Sol Invictus

After 18 years, Faith No More return to the light and bring Sol Invictus.  Can the ingenious minds of yesteryear conquer the day once again?

https://vimeo.com/127382981

 

Text Review:

There is a line from “The Sandlot” that goes “Heroes get remembered, but legends never die.”  Back in 1989, Faith No More released their album The Real Thing which shook the music world with a huge awakening.  To this day, songs like Epic are still played on rock radio.

A band like Faith No More falls into a category like Primus, where they have such a unique identity that it is almost impossible to identify what sub genre they belong in because they are so singular, but they clearly are a staple of rock.

So, after 18 years from their most previous release Album of the Year, Faith No More decided that going on a reunion tour and playing for the crowd just wasn’t enough.  And after practicing and working back to the quality they are known for, they announced that “The Reunion Tour is over; in 2015 things are going to change.”

While I cannot speak for everyone, I think that many fans and listeners will go into Sol Invictus hoping that it captures even a fraction of the intensity and passion that they exuded in the late 80’s and early 90’s.  It’s very rare to recapture lightening in a bottle, and especially after doing it once already almost two decades earlier.  What we received this past March was the album’s first single Superhero.  With this superhero came a new hope for what was to come.

My excitement started when I heard the alternating screaming of “Go” from different voices.  It instantly had the sound and personality of Faith No More from years ago and quickly led to what is a great song both lyrically and musically.

The piano notes and hearing “Leader of Men” stands out so triumphantly in this song and it ends which the same madness and intensity as it begins.  Out of the ten tracks on this album, I don’t think they could have picked a better choice than Superhero to get people excited for what’s to come.

After listening to all of Sol Invictus a few times it dawned on me that this album was the creative work from truly brilliant minds waiting patiently to perform something special.  That perseverance paid off.  Songs like Separation Anxiety and Superhero bring in the volume while Rise of the Fall and Matador prove they can still bring in the melody.

Separation Anxiety is that dark and gritty style that features Mike Patton’s vocals beautifully while the bass and drums carry this song on a deep rhythm that sucks you into the song and puts you into a rage.   It’s eye-opening like many of the songs from Faith No More have come to be labeled as throughout the decades.

There will be many fans who are hoping for more of an “EPIC” style album, but in reality every song from a band like this is an individual entity.  This album carries the tradition of delivering a fearless intensity that was set many years ago, and prove that despite years of inactivity, you can still stand at the front of the game.

Say whatever jokes you want about age and rock needing a new youthful generation to revive the genre back to the top.  The truth is that it doesn’t matter what stage of life the musicians are in, so long as the music is good.  Faith No More just nailed that message into the wall.

Overall, anyone who at any point enjoyed listening to Faith No More will love Sol Invictus.  It sounds like Faith No More took their ability out of a time capsule and continued where they left off.  It’s something special, and something worth getting excited about.

Photos: WORLD GONE

My photos of World Gone at Welcome To Rockville!  All photos were taken by Luke Spencer in Jacksonville, FL on 4-25-2015.

Jacksonville’s own World Gone opened Welcome To Rockville and brought with them an elaborate apocalyptic setup.  Their masks were done by the same designer of Gwar’s gear.

Photos: IN FLAMES

My photos of In Flames at Welcome To Rockville!  All photos were taken by me in Jacksonville, FL on 4-26-15.

They blew everyone away…

Photos: ’68

My photos of ’68 at Welcome To Rockville!  All photos were taken by me in Jacksonville, FL on 4-26-2015.

’68 opened the Jack Daniels stage on day two of Rockville to the early crowd.  The performance included a fantastic tribute to At The Drive-In and telling the crowd they were AC/DC.

Interview: PERIPHERY

Matt, Misha, and Spencer stop by before a hurricane to talk about their new albums, playing video games, wearing banana hammocks, and showing Chris Jericho their privates!

https://www.youtube.com/watch?v=4xJiJ70_Zd8

https://vimeo.com/126875627

You can see my live photos of Periphery at Welcome To Rockville here = http://rockedreviews.net/photos-periphery/

Album Review: Anti-Flag – American Spring

Political activists and punk icons Anti-Flag deliver their ninth full album discussing wealth injustice, war, and a myriad of topics. After eight full albums over 20 years, how does American Spring deliver in 2015?

https://vimeo.com/126799913

 

Text Review:

Great rock n’ roll doesn’t have to be mindless and socially conscious tunes don’t have to be dull. That is the opening line to the press release for the ninth full album of Anti-Flag one of the most well known political activist bands in the world.

It can be very rewarding to listen to a band who has more of a message than tearing up hotel rooms with a woman you just met the night before. Music has been a form of expression, and in this case protest, for decades and Anti-Flag may be one of the longest lasting bands to wield is this style as an audible weapon.

American Spring highlights many of the current social ailments that are afflicting our society. Throughout fourteen tracks, Anti-Flag tackle modern polarizing topics such as class war, anti-poverty, drone strikes, and “corporatocracy”.

For many rock and punk fans from a generation ago Anti-Flag will instantly bring a wave of nostalgia, and for good reason. It is the lively and energetic volume behind a fast rhythm. American Spring continues that tradition over 20 years after the band’s inception.

I could go on for an hour about the past of Anti-Flag, their influences and accomplishments, but right now I want to look at 2015. American Spring, opening with the song Fabled World, proves that Anti-Flag have just as much focus and thought as they ever had.

Just from the opening line and guitar build you can tell this song was meant to be listened to loudly. The guitar riffs are clean and rhythmic and the combination of intensity and melody in Justin Sane’s voice carries this song as something to scream with loud enough for the neighbors to complain.

Outside of the music in Fabled World, I think the line “We live in a fabled world” greatly summarizes many of the themes in American Spring. With all the injustices and conflicting infrastructures in the world, it can be hard to fight when we are constantly told how “great” we have things.

Even though Anti-Flag is known for their energy and volatile presence, they are more than capable of bring down the mood. So much so that it’ll make you think much less about the music and more on what condition your own life is.

Hearing the line “I can’t get away from all of the poison, from all of the pain” can strike a chord in even the most unemotional and oblivious listener. The paradox is that it is placed in a faster pace than a line like this may be used to hearing. It is a welcome change in today’s rock scene and proof that punk is still a sub-genre that is as alive as it can be.

While some topics and songs may not be able to connect with each listener, it is undeniable that you can understand where the thought and concern is coming from in each track; just as it is undeniable that Anti-Flag are still capable of performing energetically in 2015.

There is nothing wrong with an album that is meant to be fun and celebrates life by describing how good a party was or destroying a house by rocking out to hard. But there is something to be appreciated when a band takes their time to spread awareness about issues that are severaly affecting lives. Anti-Flag may be some of the best at that format.

Overall, American Spring continues the legacy of Pennsylvania’s activist heroes. Whether you hear this album as a nostalgia trip from years back, or something to scream with, it’s difficult to deny the passion that is presented here in many different elements.