Home Blog Page 320

Album Review: Testament – Brotherhood Of The Snake

Testament return with a rhythm and progression in its thrash on the new album Brotherhood Of The Snake.

https://vimeo.com/189179050

 

Text Review:

You cannot say thrash is dead in 2016 with many of the biggest names in the sub-genre of metal releasing albums this year including the legends like Metallica, Megadeth, Anthrax, and Testament.  Since their formation in 1983, Testament has been a name held in high regard along the likes of the Big Four and now we have their eleventh studio album Brotherhood Of The Snake.  And 29 years after their debut album The Legacy, Testament plan to get loud and fast as the Brotherhood Of The Snake will be a return to the 80’s style thrash album.  Testament is a band who have written albums with success that progress in styles going from fast to heavy and then to deep, so to hear Chuck Billy and company are going full board, it’s hard not to get excited to hear what comes.

That’s not to say that there isn’t a progression at all in the album.  In fact, there is a rhythm and transition even with all the volume.  As explained by Chuck Billy: “If a Testament fan knows our history or has followed our last couple of records, they’ll hear the progression.  Everything is right there and in-your-face. That’s the way it should be with us.”  As for the writing on Brotherhood Of The Snake, we have more than enough to dive into than just random anger.  Some of the album is inspired by the old Ancient Aliens TV show where aliens visited Earth thousands of years ago and were the ones who helped shaped culture and progression on our planet.  So, take thrash, add ideas like aliens and creation, and you have Brotherhood Of The Snake.

Chuck Billy’s statement about there being a rhythm even with all the volume was backed up and you can hear it just from the opening few tracks.  Right out of the gate in the first nine minutes you are given just about everything you could want from Testament.  Just listening to the title track will give you more than enough material to understand what you are will be mostly getting when listening to this album.

This title track is killer.  You can easily tell this will be a concert staple for Testament for the foreseeable future.  The drumwork from Gene Hoglan is absolutely crushing and the riffs from Alex Skolnick and Eric Peterson come in clear and don’t clash.  The rhythm section is strong in the bass and Chuck Billy carries this song to a high note.  This is a concert anthem that will incite riots at festivals next year.

There have been many breaks and changes in Testament over the years for a myriad of reasons.  After hearing a song like this from the band though you get the impression that the members, especially those who have been in Testament since inception, haven’t lost a step in their signature and style.  They can still be as ferocious as they were 30 years ago.  This album definitely has a consistent speed throughout most of the tracks and the title track is the pace.  Even in an occasional song like “Born In A Rut” where the tone gets more low and heavy, the speed is picked back up in “Centuries Of Suffering” and “Neptune’s Spear”.  The consistent fast pace and loud intensity is the standard on the album, which many people were expecting and hoping for.

The flow through over five minutes of “Neptune’s Spear” gets into your pulse and this is the type of song where everyone in the band shines.  After three minutes when you think the bridge and solo are going to lead to a close, the track retracts back to the style from the beginning.  It creates this alerting sensation when listening that pulls you deeper into the song.  Even if not every song hit’s it’s mark like Seven Seals or Canna Business which is reminiscent of an angry garage session, the album still has many highlights that last and give a lot of replay value.  The previously mentioned rhythm is present is almost the entire album and even for the few tracks that are skippable, there are others that you will be listening to for a while.

It shows a lot of tenacity when a band can keep running through many changes and a long hiatus over the course of decades and still be as powerful and well regarded as they were in their youth.  A lot of thrash legends have given or are planning to give us something fun to listen to this year and now Testament have contributed to that.  Overall, Brotherhood Of The Snake delivers what it sells in a heavy thrash album filled with rhythm and progression.  It’s another solid entry from Testament who are still proving to a new generation what metal can be about, even if it includes alien conspiracy theories.

 

8/10

Riffage: Korn (featuring Corey Taylor) – A Different World

The Dom & I look at A Different World and adjust to our future nightmares after seeing it.

Check out The Dom’s channel by clicking here!

https://vimeo.com/188538682

Album Review: Korn – The Serenity Of Suffering

Korn return with the intention of being heavier than the band has been in years with The Serenity Of Suffering.

https://vimeo.com/188317535

 

Text Review:

In October 1994 Korn released their debut self-titled album and 22 years later the band is still intact and going strong.  From Follow The Leader to finding God to finding Skrillex (of all people), Korn have had an amazing career in every way imaginable.  Whether you are a fan of Nu-metal or not, you can’t deny that Korn has stood the test of time in that sub-genre and stand a head above many other nu-metal bands that have fallen by the wayside.  And after co-headlining separate tours in 2016 with Rob Zombie and Breaking Benjamin, Korn now give their twelfth studio album The Serenity Of Suffering.  Throughout Korn’s touring in 2016 Jonathan Davis has been promoting and selling his excitement for the new album and it really does come across as genuine.   While Korn has had different variances throughout the past years dabbling in EDM and dubstep, it’s this new album that might make longtime fans happy.  According to Brian Welch, “We want everybody to be smiling at the end of the process.  So we do have other things to consider, but we’re gonna come out heavier than anyone’s heard Korn in a long time.”

After 11 previous albums many Korn and nu-metal fans are going to have a specific favorite time period and album of the band’s that they hold dear.  But with the statement that Korn are going heavier than they’ve been in a long time, which for many older fans may not have heard in a while, can be something to get excited for who long for their reign in the 90’s and weren’t in love with the more recent venture in The Path Of Totality.  In typical Korn fashion, the new music will not be about sunshine and rainbows and with song titles like “The Hating” and “Die Yet Another Night”, it shouldn’t come as a surprise.  When you listen to the album you are quickly given two examples of Korn getting heavy and dark with the songs “Insane” and “Rotting In Vain”.

“Rotting In Vain” was released back in July of this year and according to Jonathan Davis is a song about being stuck in bad situations.  The slapping bass from Fieldy comes in clear and while the verses feel slightly quieter as a buildup the chorus still feels strong and haunting.  The heaviness doesn’t come in until a little over two minutes with the guitar riffs from Head and Munkey behind Davis’ scat singing.  While this may not be the heaviest song Korn has done, it definitely feels heavier than what has been presented over the last few albums.  “Rotting In Vain” is reminiscent of “Make Me Bad” in several ways with the rhythm and build into the chorus.  Davis’ voice comes in clear through his singing and his bombastic embellished wordless shouts give that signature feel to what Korn is known for.  The heaviness that Head was talking about comes in blasts throughout the album.  It isn’t a consistent barrage but rather it goes in and out.  While the opening two tracks are heavy, following tracks like “The Hating” and “Everything Falls Apart” have slower quieter moments that give a good opposition to the louder side.  While they aren’t as heavy, they still feel like they belong in Korn’s ever growing discography.

It’s kind of like adding a tiny bit of salt when baking cookies.  It makes the sugar taste sweeter by comparison.  These slower moments in some of the tracks add to the mood and dark tone in the album while making the heavier moments stand out.  As The Serenity Of Suffering goes on, you hear several examples of this.  The ambient mood set by the guitars create a solid background that all leads to a breakdown where everyone loses it.  It’s those bridges and breakdowns in the album that do come abruptly however.  They tend to sound so much heavier and more overpowered than the rest of the track that it becomes disjointing to the song.  Sometimes it works great, but other times they sound like two different parts laid on the same timeline.  That being said, there are still more strong points in the album to make listeners happy, including the stand out track featuring Corey Taylor.

While The Serenity Of Suffering may not be the heaviest album in Korn’s 20+ year career, Head’s words about this album being heavier than anything they’ve done in a long time holds true.  It may not stand along their greatest moments of their self-title, Life Is Peachy and Follow The Leader, but the album still has many tracks that hit hard and deep.  Overall, The Serenity Of Suffering should satisfy just about any longtime Korn fan, especially if said fans have been wanting something louder than the band’s previous few entries.  If you enjoyed A Different World and Rotting In Vain, you may find more songs you like in this album, whether or not you are able to scat sing along with Jonathan or not.

Album Review: Amaranthe – Maximalism

Amaranthe bring a variety of styles in the band’s fourth album Maximalism.

https://vimeo.com/188165425

 

Text Review:

One singer is the standard.  Two singers make it unique.  Three singers make it unprecedented.  However, since 2008 Amaranthe have found a way to make a three vocalist band not only work, but excel in the rock and metal scene.  And now they are bringing their fourth full album Maximalism that aims to continue crossing multiple sub-genres.  It was clear that after of all things, a Myspace Demo, got the attention of many record labels that Amaranthe had something special.  Male and female vocals, death growls, guitar solos, keyboard effects, there are many elements involved in the bands format.  Normally putting this many ingredients in the same soup can cause a mess, but Amaranth might be one of the rare exceptions to make it work.

Now comes Maximalism, Amaranthe’s fourth full album.  And as you might expect from a band with such a unique lineup, the new album will have many different styles and surprises in this 12 track album.  In an interview promoting Maximalism, guitarist Olof Morck said:  “We are genuinely thrilled with the new material… fused with an even broader range of genres than before…there’s everything here including stadium rock, innovative pop and danceable super-hits. Expect these tunes to enter your mind on a permanent basis!”  Hearing that there are so many styles involved on top of an already full roster can be a lot to take in.  The band’s proclaimed “bleeding Edge” in modern metal has been promised to be kept intact, but with the added prospect of a broader genre range it appears we’ll get a vast intake of style.  When listening to the first released song titled “That Song”, there actually appeared to be not much of an enormous difference from what has been done in the past, outside of maybe being a little slower paced.

“That Song” definitely feels very far from the bleeding edge metal style.  The drum rhythm that comes in clear from the opening seconds keeps this track strong even with the very melodic singing from both Elize Ryd and Jake Lundberg.  Even the chorus itself has a sing-a-long vibe that’s easy to get stuck in your head.  As far as modern rock tracks go, “That Song” really nails it down to a formula that makes you want to hear it again.  Unlike many other albums in today’s rock market, Maximalism does not rely on one style and then lock in the cruise control.  In the first three songs on the album you get a strong kickstart with three different styles of song and a showcase of what every member of the band can contribute.  When Olof said “there’s everything here”, he wasn’t kidding around or blowing smoke.  It’s that front loaded blast on the beginning of Maximalism that will sell you on this album.  “Maximize”, “Boomerang” and “That Song” are the strong tracks on the album and they brought to the very front for a reason.  When you get to the chorus of a song like “Boomerang” after hearing all three vocalists contributing at their best, it’s hard not to be involved in what you are listening to.

Boomerang was the track that opened my eyes to Amaranthe and what they are capable of doing.  It feels like everyone in the group is heard and this three-and-a-half-minute song goes by fast.  The three singers all alternate at a perfect pace and the chorus highlights the experience.  As far as rock tracks go it’s hard not to see this as a fun listen and even harder to not hit the replay button.  As the album goes on there are many different variations from what Amaranthe may be known for.  The synthensized keyboard and growling in “Break Down & Cry” sounds very different than the moving “Limitless” that features more of Elize Ryd.  There are a few questionable moments like the Na Na Na chant in “On The Rocks” or the literal mic drop in “21”, but these moments are quickly forgotten when listening to the rest of Maximalism.

If you are going into Maximalism looking for a heavy metal album you will more than likely be disappointed.  However, if you are going into this album looking for a lot of variety in tracks from several musicians who can deliver a lot of modern rock and impressive hooks, than Amaranthe have exactly what you are looking for.  Overall, Maimalism is an album that will give you a decent amount of replay value regardless of which style from Amaranthe you prefer.  How it stands up to the band’s past works is up for debate, but the band has more than proven they are capable of offering something different from the voices and instruments of six talented musicians.

8/10

Photos: MOTIONLESS IN WHITE on the Nocturnal Underground Tour in Jacksonville, FL 10/12/2016

Photos of Motionless In White on the Nocturnal Underground Tour.  All photos taken by Luke Spencer in Jacksonville, FL on October 12, 2016.

Click any photo below to open the gallery.

Photos: SILVER SNAKES on the Nocturnal Underground Tour in Jacksonville, FL 10/12/2016

Photos of Silver Snakes on the Nocturnal Underground Tour.  All photos taken by Luke Spencer in Jacksonville, FL on October 12, 2016.

Silver Snakes opened the Nocturnal Underground Tour while supporting their latest album Saboteur which was released earlier this year.  Silver Snakes has also spent time opening for Coheed & Cambria earlier this year making it a busy 2016 for the Los Angeles based band.  You can find more information on the band on Silver Snakes’ Official Facebook Page.

Click any photo below to open the gallery.  Scroll below to see the band’s music video for “Red Wolf” and my review of their latest album Saboteur.

https://www.youtube.com/watch?v=KRobA536GWQ

Album Review: Battle Beast – Battle Beast

A look back at Battle Beast’s 2013 self-titled album.

https://www.youtube.com/watch?v=_NNEDjf_oRA

https://vimeo.com/187466516

Regretting The Past: Fall Out Boy – Save Rock And Roll

If by “Save” they really meant “Remove Ourselves From” then yeah they totally saved rock and roll.

Photos: BREAKING BENJAMIN on the Nocturnal Underground Tour in Jacksonville, FL 10/12/2016

Photos of Breaking Benjamin on the Nocturnal Underground Tour.  All photos taken by Luke Spencer in Jacksonville, FL on October 12, 2016.

Breaking Benjamin are currently co-headlining the Nocturnal Underground Tour with Korn.  Opening their set with their hit “So Cold” from 2004, Benjamin Burnley and company performed for over an hour in Jacksonville.  The band is promoting their latest album Dark Before Dawn which can now be streamed for free on Amazon Prime.

Click any photo below to open the gallery and scroll below the photos to see the official video for the song “Failure”.

Photos: Korn at the Nocturnal Underground Tour in Jacksonville, FL 10/12/2016

Photos of Korn on the Nocturnal Underground Tour.  All photos taken by Luke Spencer on October 12, 2016 in Jacksonville, FL.

Less than two weeks away from their new album The Serenity Of Suffering, Korn are co-headlining the Nocturnal Underground Tour with Breaking Benjamin in select cities.  Korn played for over an hour featuring songs from their upcoming album and introduced some of the new music by releasing their giant album cover banner.  Jonathan Davis was particularly energetic and excited and you could tell in his performance (especially for the new songs).  The crowd was so into it that one woman even started taking her clothes off while sitting on her friend’s shoulders and screaming in joy until security detained her.  When in Florida…

You can find the remaining tour dates and more info on the new album by visiting Korn’s Official Facebook Page.  Click any of the photos below to open the gallery and scroll below the photos to see the insane music video for the new song “A Different World” featuring Corey Taylor.