Dan and Ryan of The Amity Affliction take some time at Rock Allegiance to talk about their latest album, their upcoming headlining tour, and the new single “All F***** Up”.
You can see the review of The Amity Affliction’s latest album This Could Be Heartbreak here = https://www.youtube.com/watch?v=lOViNFiMo-E
Photos of Ghost live at Rock Allegiance 2016. All photos taken by Luke Spencer on September 18, 2016 in Philadelphia, PA.
Ghost performed at Rock Allegiance with their new faceless bassist who is rumored to be female. Do I think the bassist is female? …well the person has painted finger nails and a feminine figure so I’m saying yes. The band opened with the new single “Square Hammer” which featured on their new EP Popestar which is available now. Ghost are on tour in the US throughout the fall. Scroll below the photos to see the music video for “Square Hammer”.
Crobot’s guitarist Chris Bishop takes some time at Rock Allegiance to talk about the band’s new album, playing at Bataclan, riding a school bus, and turkey privates.
Photos of Crobot live at Rock Allegiance 2016. All photos taken by Luke Spencer on September 18, 2016 in Philadelphia, PA.
Crobot took the festival stage at Welcome To Rockville and announced that they were in their own backyard at south Philadelphia. The band featured many new songs from their upcoming sophomore release Welcome To Fat City. The music is as hard and funky as the title suggests. After their third song the band welcomed Rob Caggiano of Volbeat to help on guitar to play “Legend Of The Spaceborn Killer” from their debut album Something Supernatural. The band is currently on tour with Sevendust and will be touring with Volbeat later this year. You can find tourdates on their facebook page by clicking here = Crobot on Facebook
Click on any photo below to open the gallery and scroll below the photos to watch the music video for “Not For Sale”.
Photos of Sick Puppies live at Rock Allegiance 2016. All photos taken by Luke Spencer on September 17, 2016 in Philadelphia, PA.
Sick Puppies are currently on tour promoting their newest album Fury and will be hitting the road with Skillet and Evanescence across different tours. Scroll below the photos to see the new lyric video for the single “Where Do I Begin.” You can check out the band’s latest album Fury on Amazon by clicking here = Sick Puppies’ Fury on Amazon
Young Guns attempt to let go of the past and move toward a brighter future with “Echoes”.
https://www.youtube.com/watch?v=LTH4xk569vU
https://vimeo.com/182570397
Text Review:
Last year Young Guns released an energetic and vibrant album titled Ones and Zeros that proved that the UK rockers had more flare than many people may have given credit. Now after spending 2016 on the road and working across the Unites State’s sweaty summer with Warped Tour, the band is releasing their fourth full album Echoes only 15 months after their previous release.
Young Guns success has been growing steadily over the years after successful tours across the world with bands like Breaking Benjamin and having their song Bones be the theme of Wrestlemania. And in a world where bands are made famous after one youtube mashup or American Idol audition, here is a band from the UK who did it all the old fashioned way of travelling the world and writing their OWN music. Where Ones and Zeros was more of an energetic and upbeat vibe, the new album Echoes feels a bit more serious and down to earth. In a quote taken from the band’s Instagram: “Echoes is about letting go of the past and moving on towards a brighter future—we’re ready and are a better, hungrier band than we’ve ever been before.”
That statement of letting go and moving on is reflected in many of the tracks on Echoes and you really feel a progression in style from the previous album to now. In Echoes, you hear a band who sounds more matured and reflective: a group of men who are climbing the next mountain. Even if it’s only been a short time since 2015, there is a more earnest attempt involved currently. From the opening song Bulletproof you are greeted with the familiar rhythm heavy sound from Young Guns and that style stays consistent through most of the album. It doesn’t so much kick the door down, but rather opens it and grabs your attention.
The first single from Echoes was meant to be a big anthem style rock song. While I’m not sure it falls into the category of something you can chant along with Queen style gives a strong rhythm and chorus thanks in part to the vocals of Gustav Wood. At just barely over three minutes the song doesn’t feel too short or too long, but it flows and sets the pace for the rest of the album well. As the track list goes on to other songs like Echoes and Careful What You Wish For, you understand what I said about a band who somehow feels more matured and reflective even though they are still fairly young. Lyrically it all feels deeper and the music is paced to flow rather than loud and furious. It’s a matter of preference of which style you prefer, but Young Guns prove they are capable of more than one speed.
As the album goes on you do feel a bit of a lull in the middle. After a song like Paranoid or Mad World you find you may be losing focus on what you are listening to, but are then picked right back up by song a song like Awakening or Mercury in Retrograde. The album never goes too long with the same song (most tracks in the three-and-a-half-minute range) and there is just a subtle change after a couple tracks to regain interest.
While there feels like a slow break in the center of the album, the beginning and end are definitely the strong points. Tracks like Mercury In Retrograde and Afterglow feel refreshing while still keeping the same overall flow as the majority of the album. Mercury In Retrograde especially has that feature of a well-paced rhythm and bassline that helps highlight the vocals and lets the chorus shine. Echoes was not what I was expecting after such an energetic and uplifting entry in 2015 and then hearing & seeing the band jam at Warped Tour in 2016. But while having the occasional dead space, there is still more than enough to become invested in the listening experience. It’s a different experience than many may expect, but it still can be satisfying if an open mind is kept going in.
Echoes is a fantastic example of an album that will grow on you. On first listen much of it may not sink in while going through the songs, but after repeated listens you’ll realize just how much there is to hear. I won’t say every song is the band at their best, but there are high moments that definitely make you realize just how talented this band is. Overall, Young Guns attempt at moving toward a brighter future is one that shows the band’s ability to become more mellowed and patient. It may not be the energetic and vibrant sound of last year, but long time Young Guns fans will still have enough to hold on to and enjoy in Echoes.
Of Mice & Men sway further from metalcore and straight into nu-metal territory in Cold World.
https://vimeo.com/181963358
Text Review:
Of all the bands in the current rock scene there are few that have such a polarizing opinion within their own fan base as Of Mice & Men. With one side who has been listening since the band’s debut self-titled album in 2010 that demand the harder and more metal based metalcore, and the other side coming in more recently (with many of them being much younger) wanting a more melodic Austin Carlile experience with a nu-metal vibe.
It was in 2014’s Restoring Force where the split in their fan base started as well as a shift in style from the bands previous records. The days of brutal guitars and drumming along with a fierce vocal delivery was slowly being transitioned into singing and a less intense instrumental base. The songs became much more paced and in turn were featured more frequently on the air. Whether or not this was a ploy to gain a m ore mainstream audience by the band or label is up for debate, but now in 2016 we have the newest album titled Cold Word. After a tumultuous past few years for Carlile and company, the band has been able to push through and finally release a new album that they feel represents themselves.
In the world of metalcore you can normally expect to hear a combination of heavy metal and hardcore punk, however as years have gone by MANY bands have been included into the subgenre that blur the lines and redefine what metalcore really is (or was). A band like Of Mice & Men originally fit like a glove into this sub-genre, but now with their latest album Cold World it feels more like they are barely hanging on to the metalcore description and instead doing their own thing.
The album’s first single “Pain” released back in June of this year is a great example of them straying away from the metalcore style and jumping deeper into nu-metal territory. It is undeniably a good song to choose as a single from the new album as it is some of the best that Cold World has to offer. On first listen Pain does have some reminiscent qualities that the band has held for years. There is an intense delivery from Carlile with a strong drum emphasis. The guitar chords resemble that of a horror movie theme. Outside of those unique features, the song Pain sounds like a strong attempt at jumping head first into the nu-metal pool and it feels generic.
The lyrics are not anything to get behind and at some points in the song it truly feels like a teenager writing in his secret notebook about angry he is. Even with the bridge to change the speed at the two-minute mark, the track still doesn’t have much of a punch or give reason to hear it again. It’s a standard angst filled delivery and the track drags on for over three and a half minutes with little to show what the band is capable of.
With that description of the first single and combined what I said about Pain being a good choice as a highlight of the album, it should be a good indicator of what to expect in Cold World in terms of quality and overall enjoyment in the music. Songs like The Hunger and Away feel extremely melodramatic, there are two interludes, there is an awkward album closer with the song Transfigured, and the occasional track like Relentless which will make you question just how good of lyric writers the band actually has.
A song like Relentless is a good example of what you will find yourself coming across in Cold World and really wishing you hadn’t heard. The vocals are extremely loud over a rhythm that doesn’t require that much anger and intensity. It resembles that angry kid writing in his journal just shouting over a generic guitar sequence. It clashes poorly and makes you wish you heard something better from the band. While there are occasional moments where Carlile is singing that the music comes in clear or a particular guitar riff makes it easy to nod your head to, those moments are few over the course of this 44-minute album. And these few moments do not save a bland and status quo nu-metal style album from a band who is capable of better.
I have seen Of Mice & Men several times and combining that with their past works, it is clear that the band is capable of delivering a better album than generic riffs and choruses filled with over the top angry screaming that clashes with the rhythm, track after track. Cold World sounds forced, bland, and generic. While only a few songs are truly harsh to hear, most of Cold World doesn’t give much to enjoy. Overall, Of Mice & Men present an album that will only remind longtime fans of a better time. With more misses than hits this album is undeniably a disappointment for even the younger and newer audience the band has reached. Cold World will not earn repeated plays from diehards fans OR for metalcore lovers.
2x Grammy nominated act, Highly Suspect are pleased to announce their sophomore LP, The Boy Who Died Wolf, due November 18, via 300 Entertainment. The first single from the album, “My Name is Human,” is available now for streaming on YouTube,Spotify, Apple Music, and other digital services. Album pre-orders for The Boy Who Died Wolf are also available on iTunes in North America beginning today.
In an exclusive interview with Entertainment Weekly; band frontman, Johnny Stevens says “I was the boy, and was a wolf,” he explains referencing a hard upbringing in Cape Cod and the last eight years as a band desperate for a break in Brooklyn. “Everything was a fight and a struggle. I killed that part of me, and now the man is left.” The album was recorded in Bogota, Colombia and Brooklyn, New York with Joel Hamilton (The Black Keys, Tom Waits, Elvis Costello), who also worked with the band on their 2015 debut breakthrough record, Mister Asylum which was nominated for 2x Grammys- one for Best Rock Album, and a nomination for Best Rock Song, for their single, “Lydia.”
The 300 Entertainment recording act is one of the music industry’s most exciting artist development stories. Mister Asylum was released in July 2015 to critical praise from FADER, Consequence Of Sound, Rolling Stone, Entertainment Weekly, Blackbook and many more. The album’s first single “Lydia” continues to be a staple at Rock and Alternative Radio, and has also garnered millions of streams for the groundbreaking video which premiered on MTV. Highly Suspect also made their network television debut on Late Night With Seth Meyers last September, as well as a performance on CONAN this past January.
Since the release of Mister Asylum, the band has been on the road tirelessly as a headliner and also opening for acts like Catfish And The Bottlemen and The Struts while playing various festivals around the globe including Lollapalooza, Bonnaroo, the RIDE Festival (w/ Pearl Jam) as well as Reading/Leeds in the UK. They are about to embark on a headlining tour this week which also includes festival stops at Riot Fest and Life Is Beautiful, alongside sold-out shows in major markets like Los Angeles.
CROWBAR DEBUT “FALLING WHILE RISING” SINGLE THE SERPENT ONLY LIES DUE OUT 10/28
NEW TOUR DATES ANNOUNCED
TRACKLIST AVAILABLE
PRE ORDERS NOW LIVE!
September 1, 2016 – Riff lords Crowbar have debuted the first track off their new LP today titled “Falling While Rising,” the first bit of new music we’ve heard from the NOLA trio since 2014. “Falling While Rising is the epitome of Crowbar,” says frontman Kirk Windstein. “The song is heavy, powerful, emotional and full of massive riffs! Hope everyone enjoys it and is ready for the full record!”
“Falling While Rising” is available for streaming and as an iTunes Instant Gratification download. Meaning, fans who preorder the record will receive the song instantly.
Crowbar will release The Serpent Only Lies, on October 28, 2016 via Entertainment One (eOne) in North America and via SPV overseas. “We are so excited about our 11th studio record! The Serpent Only Lies is a powerful follow up,” adds Windstein. “Eliran Kantor did a brilliant job with the artwork! Our first release, “Falling While Rising”, is Crowbar at its finest… HEAVIER THAN EVER!!!”
The Serpent Only Lies will be the follow up to the highly buzzed about Symmetry in Black that sold over 4,000 copies in its first week of release in 2014, the highest of any LPs in the band’s 27 year career, beating out its predecessor, 2011’s Sever the Wicked Hand.