As long as there are rock songs, there will be awful cover songs from bands not knowing what they are doing. This video looks at 10 TRASH Rock Cover Songs.
“When it comes to rock cover songs, not all attempts at reimagining classics end in success. In fact, some covers are so misguided that they become infamous for their sheer audacity and lack of finesse. One notable example is the ill-fated cover of “Last Resort” by Papa Roach, a song that, while popular in its original form, can be particularly challenging to reinterpret. However, there are other covers that stand out for their egregious missteps.
Motley Crue’s attempt at covering the Beastie Boys’ iconic “Fight For Your Right” is a prime illustration of this. Known for their punk-infused energy and rebellious spirit, the Beastie Boys’ original is a staple of 80s hip-hop and rock fusion. Motley Crue’s version, however, strips the song of its original grit and humor, replacing it with a glam-rock aesthetic that feels out of place and lacking in authenticity. This cover, along with others like Duran Duran’s disastrous take on Public Enemy’s “911 Is a Joke” and Limp Bizkit’s cringeworthy rendition of George Michael’s “Faith,” highlights the risks and pitfalls of covering beloved songs without a deep understanding of their original context and spirit.
For fans of rock music, these covers serve as cautionary tales about the importance of respecting the source material and the delicate art of reinterpretation. Whether it’s the misjudged genre shifts or the lack of emotional resonance, these bad rock cover songs remind us that not every attempt at paying homage ends in a memorable or enjoyable listening experience. If you’re curious about more examples of these musical missteps, exploring lists of the worst rock cover songs can provide a mix of entertainment and educational insight into what not to do when covering a classic.” (Perplexity)
The Podcast That Rocked for 10/29/24. As I Lay Dying lose several members, Ghost say no to cell phones, and more.
Are As I Lay Dying Done? | The Podcast That Rocked on YouTube
Are As I Lay Dying Done? | The Podcast That Rocked on Spotify
Discussion Topics: -Several members of As I Lay Dying leave; album removed from streaming –Ghost announce 2025 tour dates; ban cell phones -Sonic Temple 2025 lineup announced -When We Were Young 2025 lineup announced -Alex Van Halen wants to use AI Eddie -Tool announce Tool Live In The Sand Festival –Rock Am Ring & Rock Am Park 2025 lineups announced -New tours, albums, more.
“In a dramatic turn of events, the metalcore band As I Lay Dying has been hit by a significant exodus of members over the past week. Bassist and clean vocalist Ryan Neff was the first to announce his departure on October 19, 2024, citing personal and professional reasons after two years with the band. This was swiftly followed by the exit of tour manager Alex Kendrick on October 22. On October 24, guitarist Ken Susi and drummer Nick Pierce also revealed they were leaving the band, with both members expressing that their personal morals had been tested to a breaking point. Susi, formerly of Unearth, and Pierce emphasized their gratitude for the support they received but felt compelled to distance themselves from the band to maintain their personal health and integrity. These departures have led to the cancellation of As I Lay Dying’s European tour, leaving only frontman Tim Lambesis and guitarist Phil Sgrosso remaining in the band as they prepare for the release of their new album, Through Storms Ahead, on November 15.” (Perplexity)
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Are As I Lay Dying Done? | The Podcast That Rocked #Podcasts
Modern progressive leaders JINJER have announced their powerful, long-awaited fifth studio album, Duél, set to be released on February 7, 2025 via Napalm Records! Technical grooves and heavy progressive passages, brutally clear vocals and skillful growls by matchless vocalist Tatiana Shmayluk have garnered the Ukrainian outfit millions of cross-platform streams and views worldwide, as well as revered renown with fans and critics alike. JINJER have traversed glorious paths of tireless touring and extremely successful album releases, including their most recent chart-topping studio album, 2021’s Wallflowers. Duél showcases the band at the very top of their game and marks yet another matchless milestone in the world of modern metal!
After releasing their breathtaking single and video “Someone’s Daughter”, followed by the heavy-hitting single “Rogue” earlier this year, JINJER now unleash another untamed beast with their new track “Kafka”. Dominated by Tatiana’s remarkably clear vocals, “Kafka” is a heavy and slow tamper, digging deep under one’s skin just to break right through with venomous growls in the end.
Tatiana Shmayluk on “Kafka”: “Being an artist is sometimes beautiful but most of the time it’s brutal… as our art is dissected word for word and ripped apart note by note, we‘re expected to be on point all-the-time … and when we aren’t, we are scandalized. A true artist is vulnerable but the crowd is most often plagued with vultures who pick at every single move you make. It’s a slippery slope when music means the world to us but how quickly praise turns into prosecution… We are all Kings and Queens for a day but most of the time it feels like a Kafka novel for a lifetime. It‘s exciting but surreal and absurd at the same time …”
While JINJER’s previous album, Wallflowers, was slightly more alluring and contained noticeably more clean vocals, Duél now takes on a much more aggressive tone. This is proven by songs like “Rogue”, “Green Serpent” and “Dark Bile”, with their brutal and hefty breakdowns. Fans of super-talented vocalist Tatiana Shmayluk’s clear vocals also get their moments, as tracks such as the opener “Tantrum” show the potential of the frontwoman’s outstanding vocal prowess. Duél presents itself way more cruelly – and JINJER are more vicious than ever before. “Fast Draw” is a wild death metal beast with grooving drums from Vlad Ulasevich, Roman Ibramkhalilov’s one-of-a-kind riffs and Eugene Abdukhanov’s trademark bass wizardry – showing what this band does best: brilliant state-of the-art modern metal.
On Duél, JINJER continue their long-lasting collaboration with accomplished producer Max Morton, who co-produced, mixed and mastered the album. This new masterwork lives up to JINJER’s reputation as metal visionaries, once more showing that the band refuses to follow any set rules in their genre, but choose their own path of creativity.
Eugene Abdukhanov, JINJER bassist on the new album: “First of all, it‘s hard to believe that we’re about to release our fifth full length album! After all the releases we’ve made, finally having Duél in our hands and ready to be shared with the world, makes us very proud that our band still hasn’t run out of creativity and inspiration. The fact that we still challenge ourselves to release the best music we have ever made with each new release, is what keeps JINJER moving forward. This upcoming album was the longest songwriting process we’ve ever had and it took almost two years to complete. We worked very hard with every free minute we weren’t on tour, recording demos over and over again and always searching for the perfect sound for guitars, bass and drums. It was also the first time that Tatiana did vocal pre-productions, so it’s safe to say that none of our releases were so well thought out and calculated as this one. It pulverizes the boundaries of the modern progressive metal genre but still remains sophisticated, exciting and extreme all at the same time. We took up the challenge to expand our musical horizons even wider than before in order to cement Duél to be the next step in JINJER‘s musical growth and hopefully the evolution of metal music in general.”
Music Cassette RED (White Print) – strictly limited to 150 copies worldwide – Napalm Records Mailorder exclusive
1CD Jewel Case
Digital Album
JINJER LIVE 2024/25
Over the past 15 years, JINJER has attained remarkable milestones, touring globally and captivating millions at prestigious festivals like Wacken Open Air and Download UK. They’ve headlined sold-out shows across Europe and North America, and have thrilled audiences in destinations like Dubai, Philippines, Türkiye, Japan and South Africa. As they continue their journey this year, JINJER is set to make a major impact on the music scene. Having previously shared stages with the likes of Arch Enemy and Cradle Of Filth, they are ready to kick off as support of Sepultura’s farewell tour in Europe, and conclude their tour with a headline run through Latin America.
Celebrating Life Through Death – European Farewell Tour 2024 JINJER as special guest for Sepultura w/ Obituary (Main Support) & Jesus Piece (Opener) 30.10.24 FR – Paris / Zenith Paris 31.10.24 DE – Offenbach am Main / Stadthalle 01.11.24 DE – Hamburg / Inselpark Arena – SOLD OUT 02.11.24 DE – Cologne / Palladium – SOLD OUT 03.11.24 NL – S-Hertogenbosch / Sepulfest 05.11.24 BE – Brussels / AB Box – SOLD OUT 06.11.24 LU – Esch-Sur-Alzette / Rockhal 08.11.24 UK – Manchester / Manchester Academy – SOLD OUT 09.11.24 IE – Dublin / Olympia Theatre – SOLD OUT 10.11.24 IE – Belfast / The Telegraph Building – SOLD OUT 11.11.24 UK – Glasgow / Barrowland – SOLD OUT 12.11.24 UK – London / Hammersmith Apollo 14.11.24 CH – Zurich / The Hall 15.11.24 DE – Ludwigsburg / MHP Arena 16.11.24 DE – Munich / Zenith 17.11.24 HU – Budapest / Barba Negra Red Stage 19.11.24 DE – Leipzig / Haus Auensee 20.11.24 AT – Vienna / Gasometer 21.11.24 PL – Katowice / Spodek 22.11.24 DE – Berlin / Columbiahalle – SOLD OUT 23.11.24 CZ – Prague / O2 Universum – SOLD OUT 24.11.24 CZ – Prague / O2 Universum
Latin America Tour 2024 + special guests: HEAVEN SHALL BURN 30.11.24 BR – Porto Alegre / Opiniao 01.12.24 BR – Curitiba / Tork and Roll 03.12.24 BR – Belo Horizonte / Mister Rock 05.12.24 BR – Brasilia / Toinha 07.12.24 BR – Rio De Janeiro / Circo Voador 08.12.24 BR – Sao Paulo / Terra SP 10.12.24 AR – Buenos Aires / Teatro Flores 12.12.24 CL – Santiago / Teatro Caupolican 14.12.24 CO – Bogota / Calle 13 15.12.24 CR – San Jose / Pepper’s Club 18.12.24 MX – Guadalajara / C4 * 19.12.24 MX – San Luis Potosí / Centro de las Artes * 20.12.24 MX – Mexico City / Circo Volador * *no Heaven Shall Burn
Tourdates 2025: 19.-25.01.25 US – Miami, FL / Shiprocked 12.02.25 JP – Tokyo / ReNY Alpha 13.02.25 JP – Osaka / Meta Valley 14.02.25 JP – Aichi / ReNY Limited 16.02.25 TW – Taipei / Legacy 18.02.25 PH – Manila / SM Sky Dome 21.02.25 AU – Brisbane / Fortitude Music Hall 23.02.25 AU – Sydney / Hordern Pavilion ** 25.02.25 AU – Melbourne / Festival Hall ** 26.02.25 AU – Adelaide / Hindley St Music Hall ** 28.02.25 AU – Perth / Metro Freo ** 02.03.25 NZ – Wellington / San Frap 03.03.25 NZ – Auckland / Powerstation ** plus support: KITTIE
Festivals 2025 06.-08.06.25 DE – Nuerburg / Rock am Ring 06.-08.06.25 DE – Nuremberg / Rock im Park 25-28.06.25 NO – Oslo / Tons Of Rock … to be continued …
Three-time Grammy-nominated hard rock heavyweights and platinum-selling band Killswitch Engage — Jesse Leach, vocals; Adam Dutkiewicz, guitar; Joel Stroetzel, guitar; Mike D’Antonio, bass; and Justin Foley, drums —are returning to the road this winter and spring.
Fresh off a 25th anniversary performance headlining the vaunted New England Metal & Hardcore Fest last month, the band will embark on a headline run in March. It’s their first tour of North America since late 2022, as the band has been busy working on new material.
The tour features support from Kublai Khan TX, Fit For a King and Frozen Soul, and kicks off on March 5 in Nashville and runs through April 12 in Portland, Maine. All dates are below.
“Excited is an understatement for the way that I feel about this tour,” says Leach. “We will be playing a solid amount of new songs, as well as old. That alone makes me very stoked. On top of all that, the lineup we have chosen is a powerful and eclectic blend of hardcore and metal with Kublai Khan TX, Fit For a King, and Frozen Soul. It is going to make for a really great live experience for everybody who comes to check out this tour. I feel like the band is firing on all cylinders and the timing for this tour couldn’t be more perfect. This will be a tour to be remembered…mark my words.”
KILLSWITCH ENGAGE ON TOUR: WITH KUBLAI KHAN TX, FIT FOR A KING, + FROZEN SOUL: 3/5 — Nashville, TN — The Pinnacle 3/6 — Chesterfield, MO — The Factory 3/8 — Fayetteville, AR — JJ’s Live 3/9 — Oklahoma City, OK — The Criterion 3/11 — El Paso, TX — Don Haskins Center Arena 3/13 — Las Vegas, NV — The Theater at Virgin Hotels Las Vegas 3/14 — Reno, NV — Grand Theatre at The Grand Sierra Resort 3/15 — Wheatland, CA — Hard Rock Live 3/17 — Garden City, ID — Revolution Concert House 3/18 — Seattle, WA — The Paramount 3/19 — Vancouver, BC — PNE Forum 3/21 — Penticton, BC — South Okanagan Events Centre 3/22 — Tsuut’ina, AB — Grey Eagle Resort & Casino 3/24 — Winnipeg, MB — Burton Cummings Theatre 3/27 — Peoria, IL — Peoria Civic Center 3/28 — Waukee, IA— Vibrant Music Hall 3/29 — La Vista, NE — The Astro 3/30 — Kansas City, MO — The Midland Theatre 4/1 — Grand Rapids, MI — GLC Live 20 Monroe 4/3 — Corbin, KY — The Corbin Arena 4/4 — Pittsburgh, PA — Stage AE 4/5 — Philadelphia, PA — Franklin Music Hall 4/6 — Greensboro, NC — Greensboro Special Events Center 4/8 — New Haven, CT — College Street Music Hall 4/9 — Buffalo, NY — Buffalo RiverWorks 4/11 — Laval, QC —Place Bell 4/12 — Portland, ME — Cross Insurance Arena
The band’s latest album Atonement is out now via Metal Blade Records.
Revolver celebrates Killswitch Engage’s 25th anniversary with this issue. In new, exclusive interviews, the band members tell the story of Killswitch Engage in their own words — from the group’s humble beginnings to the dramatic lineup changes to their rise to the top of the New Wave of American Heavy Metal movement.
This 100-page deluxe magazine is thicker than a standard issue of Revolver, without any ads, features embossed type, and UV coating on its covers, as well as rare, all-access photography throughout.
The Killswitch Engage special collector’s issue comes with two alternate, collectible covers — a band cover with photography by Travis Shinn and an illustrated cover by the group’s own bassist and resident visual artist Mike D’Antonio.
All of the below items will be available as a bundle or a la carte and all items are exclusive in honor of the band’s impressive 25-year history.
*2 special collector’s edition covers *New vinyl re-pressings of: Alive or Just Breathing, The End of Heartache, As Daylight Dies, Incarnate, Atonement (each limited to 1K or less; wax colors to come) *LP boxset *25th Anthology tee *25th Anthology hoodie *25th Anthology slipmat *Exclusive skateboard deck with 25th Anthology design *18″x24″ flocked, blacklight 25th Anthology poster *Pint glass set with etched logos
Orlando, Florida-based group Not Enough Space has officially signed with Thriller Records, taking their music career into a new light. With this announcement, the band is thrilled to share their newest single, “Primitive,” accompanied by a music video. Available on October 25th via Thriller Records, this new track explores the theme of a false sense of hope in the toxicity of relationships.
On the new release, Not Enough Space shares their excitement:
“We are excited to announce that we are dropping our newest single ‘Primitive’! We have worked so hard on this song and hope that you all enjoy it! This is our first single in a year and we have a lot of amazing things coming behind the scenes that we can’t wait to share with you!! Thank you all so much for the love and support!! See you soon!!”
Not Enough Space “Primitive”
“Primitive” delves deep into the painful realities of being trapped in a toxic relationship, where both partners feel unable to leave, clinging to memories and false hope. The themes of the song expose a cycle of suffering and attachment, capturing the emotional turmoil of staying in a relationship that is long past its breaking point.
Not only does the song dive into deep emotional territory, but it also breaks boundaries sonically. A standout moment in the track has already earned it the label “moan core,” a nod to the bold choices made by the band that further cements their reputation for pushing the limits of modern metalcore.
Vocalist Lizzie shares, “’Primitive’ is about feeling trapped in a toxic relationship with a significant other. Both parties feel that they cannot leave because they’re holding onto memories and their false sense of hope that maybe one day things will get better.”
Not Enough Space is set to tour with The Funeral Portrait and label mates Dark Divine this fall 2024. 10/18 – Rapid City, SD @ Aby’s 10/19 – Sioux City, IA @ The Marquee 10/20 – Lincoln, NE @ 1867 Bar 10/23 – Grand Rapids, MI @ The Pyramid Scheme 10/24 – Milwaukee, WI @ The Rave Bar 10/27 – Toronto, ON @ The Hard Luck 11/03 – Worcester, MA @ The Palladium (Upstairs) 11/05 – Brooklyn, NY @ The Meadows 11/06 – Pittsburgh, PA @ Crafthouse 11/10 – Chattanooga, TN @ Barrelhouse Ballroom 11/11 – Greensville, SC @ The Radio Room 11/12 – Tampa, FL @ The Orpheum 11/13 – Winter Park, FL @ Conduit 11/17 – Atlanta, GA @ The Masquerade (Hell)
Emerging from the vibrant music scene of Orlando, Florida, Not Enough Space is redefining the modern rock and metal landscape. This five-member band—comprising powerhouse vocalists Lizzie Raatma and Liv Mitchell, guitarist Tristan Kaos Green, bassist Jacob Sawyer, and drummer Maurice Jones—seamlessly fuses poignant verses with fierce sonic soundscapes to create an electrifying sound that resonates with fans across the rock and metal genres.
Recently signed to Thriller Records, Not Enough Space is poised to take their career to the next level. With their music gaining significant traction, they have surpassed 10 million streams across various platforms. Their standout track, “No Way Out,” has become a fan favorite, further solidifying their place in the scene. The band has carved out a unique niche within the metalcore and post-hardcore genres, touring with renowned acts like Attila, Born Of Osiris, Traitors, Woe Is Me, Outline In Color, and Extortionist. They have solidified their reputation as a must-see live act alongside bands such as Archers, I Set My Friends On Fire, Cane Hill, Famous Last Words, Prison, Colorblind, Versus Me, and Kingdom Collapse.
Recently, Not Enough Space announced an upcoming tour with The Funeral Portrait and Dark Divine, showcasing their ambition to expand their reach within the music community. This announcement follows a successful run with Woe Is Me and Outline In Color, which has further solidified their reputation in the industry. As they continue to grow and evolve, Not Enough Space remains dedicated to connecting with their listeners and making their mark in the rock and metal scene.
With a sound that resonates with fans of Asking Alexandria, Pierce The Veil, Deadlands, A Day to Remember, The Devil Wears Prada, and Veil of Maya, Not Enough Space is making waves as they continue to grow. Their dedication to evolving as artists and connecting with their audience is evident in every performance. As they continue to push the boundaries of their sound and explore new musical territories, one thing is clear: they are just getting started. Keep an eye on this rising force as they take their music across the nation, proving that in the world of metal and hardcore, there’s always Not Enough Space for their unique brand of sound.
Band Members: – Lizzie Raatma (vocals) – Liv Mitchell (vocals) – Tristan Kaos Green (guitar) – Jacob Sawyer (bass) – Maurice Jones (drums)
Modern metal band Mirrorcell has officially signed with InVogue Records, marking a major milestone in their career. releasing Reflecting The Inner Self. To celebrate the announcement, the Missouri-based group has announced the release of their latest EP, Reflecting the Inner Self on October 25th via InVogue Records. This new EP, featuring the standout track “Tongues“—an exploration of control, manipulation, and intense emotional entanglement. Accompanied by a gripping music video, “Tongues” serves as the focal point of the EP, showcasing the band’s cinematic approach to storytelling.
On the new EP, vocalist Nate Cell comments:
“’Reflecting the Inner Self’ is an amalgamation of all the singles we have released through the course of 2024. This EP not only encompasses our overall tone and aesthetic as a band. But also what we are capable of by bending genres and being diverse in our sound.”
“Tongues” is a dark, visceral journey through toxic attachment and power dynamics. From a lyrical perspective, it tells a story of being trapped in a relationship where manipulation and pain become intertwined with intimacy. Painting a vivid picture of someone losing themselves in the overwhelming power dynamics, while grappling with a sense of helplessness. Yet, there is an undeniable allure that keeps them bound to this destructive connection. With themes of control, attachment, contradictory emotions, and a struggle with identity, Mirrorcell leaves the interpretation of their music to the listener.
Emerging from Missouri, modern metal band Mirrorcell is more than just a new band to have on your radar—it’s a reflection, a mirror to the complexities we often avoid. Formed in 2022, the band emerged quietly, like a shadow cast in the wake of a chaotic world. Frontman Nate Cell had a vision to create: a mirror cell refers to a compartment or enclosure housing a mirror, typically found in places like dressing rooms, bathrooms, or even personal spaces. But beyond its utilitarian purpose, a mirror cell becomes a space for contemplation and self-exploration. When we gaze into its reflective surface, we are met not only with our physical appearance but also with a chance to look inward.
In collaboration with Nate, co-writers Caleb Freihaut (The Funeral Portrait) and Ben McGuiness, who has worked with Landon Tewers, Emarosa, and Waterparks, have brought a unique sonic edge to the group. Their debut single, “Bleach”, released in August 2023, rapidly established the band in a scene with visceral punch and captivating imagery. The song itself was more than simply an introduction; it was a statement that Mirrorcell is ready to carve their own path. Their music is driven by an explosive visual style that is greatly influenced by the cinematic world, combining a gritty and emotive tone with an almost filmic quality to their sound and imagery.
Inspired by iconic bands from the 1990s and 2000s, such as Deftones, Nine Inch Nails, and Björk, as well as modern metal trailblazers like Code Orange, Loathe, and Vein.fm, Mirrorcell constructs a dense, aggressive, and ethereally atmospheric soundscape. Their songs contain a weight that reflects the challenge of introspection, confronting issues of identity, demands of existence, and a frequently eerie component of growth.
Their upcoming EP, Reflecting the Inner Self, is a potent reflection on the band’s origins and its future trajectory. Each track offers a window into their evolving musical and personal identities. As the title suggests, it is an introspective path through layers of consciousness. The band is exploring what it means to grow and transform, not just as musicians, but as individuals, and how that evolution translates into their art.
While their sound is unmistakably heavy, it also exhibits a deeper, more complex side that defines who Mirrorcell is. It’s not just about distortion and power; it’s about creating an atmosphere that draws the listener in and forces them to confront their own reflections. In a world where we are continually striving to better understand ourselves, the concept of a mirror cell is essential. A mirror cell is more than just a physical reflection; it symbolizes introspection, self-awareness, and personal development.
The full length debut from Better Lovers who showcase everything that is beautifully chaotic. The combination of so many great bands forming a true supergroup doesn’t lead to egos trying to outshine each other here, but rather a group of slightly sinister musicians knowing how to bring destruction in the best way. The riffs and guitar work are instantly infectious. Greg’s vocals are as powerful as ever while still sounding fresh. Shades of hardcore, mathcore, metalcore, punk, it’s all infused together and present regardless of the pace. A song like “Everything Was Put Here For Me” gets increasingly aggressive while “Love As An Act Of Rebellion” has a strong groove throughout. Both styles work perfectly. It would be highly irresponsible not to check out Better Lovers. I will not apologize for that line because it was put here for me. 8/10.
Best Tracks: “Everything Was Put Here For Me” “Love As An Act Of Rebellion”
Better Lovers Highly Irresponsible Album Review
Better Lovers “Love As An Act Of Rebellion”
Better Lovers “A White Horse Covered In Blood”
“Better Lovers, a band comprising alumni from influential groups like The Dillinger Escape Plan and Every Time I Die, is set to make a significant impact with their highly anticipated debut album, “Highly Irresponsible.” Scheduled for release on October 25, 2024, this album promises to deliver the intense, energetic sound that fans of metalcore and hardcore punk have come to expect from these veteran musicians. “Highly Irresponsible” is a culmination of the band’s unique blend of technical proficiency and raw emotional intensity, making it a must-listen for enthusiasts of the genre. With pre-orders already available, music lovers can anticipate an album that stays true to the characteristics that have made Better Lovers’ members cult stars in the music scene. Don’t miss out on the opportunity to experience the unbridled energy and musical prowess of Better Lovers’ latest release.” (Perplexity)
Rock Coliseum XIX, where Jon, Mark, Crash, and Luke all take suggestions from the live chat and debate over what music is great and what music is so bad we have to make fun of it for a few minutes.
“Experience the electrifying atmosphere of the Rock Coliseum live stream, hosted by Rocked on YouTube. This dynamic event brings together music enthusiasts and critics alike, featuring popular personalities such as @ARTVJon, @SpectrumPulse, and @CrashThompson. Viewers can engage in real-time discussions as the hosts review and react to various rock tracks, offering their unique thumbs up or thumbs down verdicts. With a growing community of fans, each live stream promises insightful commentary and lively interactions that keep audiences coming back for more. Don’t miss out on the latest episodes—subscribe to Rocked’s YouTube channel to catch all the action and join the conversation!” (Perplexity)
Full Music Lineup Announced For Sonic Temple Art & Music Festival May 8-11, 2025
At Historic Crew Stadium In Columbus, Ohio KORN, Bad Omens & Three Days Grace (Thursday), METALLICA, Rob Zombie & Alice Cooper (Friday), LINKIN PARK, Incubus & I Prevail (Saturday), METALLICA, Alice In Chains & Chevelle (Sunday) More Than 100 Bands Will Perform During 4-Day Event
4-Day, 2-Day, Single-Day, and VIP Passes On Sale Now Including New Rock Royalty Reserved Pass With Lounge At SonicTempleFestival.com
The full music lineup has been announced for the fourth year of Sonic Temple Art & Music Festival, including some incredible firsts for the Pinnacle of Rock Festivals in America, held May 8, 9, 10 & 11 at Historic Crew Stadium in Columbus, Ohio.
More than 100 bands will take the stage during the four-day destination event, marking its biggest year ever. The festival will feature a massive lineup of rock royalty including LINKIN PARK with new co-vocalist Emily Armstrong; they will make their debut at Sonic Temple headlining on Saturday in one of the band’s first shows in seven years. As previously announced, Metallica will also appear at Sonic Temple for the first time ever in 2025 for a “No Repeat Weekend” offering two unique headlining sets over two nights (Friday and Sunday).
Thursday night at Sonic Temple will feature headliner Korn, along with Bad Omens and Three Days Grace. On Friday, Metallica will be supported by Rob Zombie and Alice Cooper,and on Saturday LINKIN PARK will be supported by Incubus and I Prevail.Metallica will close out the weekend on Sunday night with Alice In Chains and Chevelle.
“We’re thrilled to finally reveal the full lineup to our fans! Bringing two nights of Metallica to Sonic Temple has been years in the making, and we’re excited to make it a reality,” says Danny Wimmer of Danny Wimmer Presents. “With over 100 bands, including powerhouses Korn, Bad Omens and Incubus, alongside the highly anticipated return of LINKIN PARK, and the reunion of Three Days Grace with Adam Gontier, 2025 is shaping up to be an unforgettable year. We can’t wait to see everyone at Sonic Temple!”
Korn said, “We’re looking forward to coming back and headlining Sonic Temple in 2025 for our friends at DWP, and performing for all of our incredible fans in Columbus, Ohio.”
Other highlights for Sonic Temple 2025 include:
● Three Days Grace: Highly demanded reunion with original vocalist Adam Gontier
● GWAR: Celebrating their 40th anniversary
● Crossfade: First performance in 13 years
● Seven Hours After Violet: One of the first U.S. festival appearances for the new band from System of A Down bassist Shavo Odadjian
● Acid Bath: Very rare reunion performance
● Bullet For My Valentine: 20th Anniversary set of their album The Poison
● Trivium: 20th Anniversary set of their album Ascendancy
Three Days Grace’s AdamGontier said, “I couldn’t be more excited to not only be back together with the rest of the band, but having Three Days Grace joining all our friends and amazing bands at Sonic Temple as our first festival appearance is going to be a very special night.”
The full music lineup for Sonic Temple 2025 is as follows:Metallica, LINKIN PARK, Korn, Bad Omens, Incubus, Alice In Chains, Rob Zombie, Three Days Grace, Alice Cooper, I Prevail, Mastodon, Jimmy Eat World, Acid Bath, Chevelle, Motionless In White, Ice Nine Kills, Bullet For My Valentine, Hollywood Undead, Trivium, Killswitch Engage, Ministry, Cannibal Corpse, Power Trip, Underoath, Asking Alexandria, Suicidal Tendencies, Grandson, Poppy, Arch Enemy, Jinjer, Sevendust, Badflower, Testament, Crossfade, Hatebreed, Of Mice & Men, Quicksand, Hoobastank, Cavalera, Exodus, As I Lay Dying, GWAR (40th Anniversary), Deafheaven, Filter, Health, Citizen Soldier, From Ashes To New, Corrosion of Conformity, Silverstein, The Devil Wears Prada, All Shall Perish, Overkill, Obituary, All That Remains, Memphis May Fire, Fit For A King, Set It Off, Whitechapel, Sunami, Speed, Municipal Waste, The Black Dahlia Murder, Converge, Seven Hours After Violet, Nitzer Ebb, After The Burial, ERRA, Invent Animate, Escape The Fate, The Plot In You, Alien Ant Farm, Nails, Fit For An Autopsy, The Acacia Strain, Bloodywood, TRUST COMPANY, Sick Puppies, Orgy, Jesus Piece, Pain of Truth, Fame On Fire, Armored Saint, Category 7, Gatecreeper, Boundaries, Sanguisugabogg, Shadow of Intent, Silent Planet, Scary Kids Scaring Kids, Framing Hanley, The Funeral Portrait, Upon A Burning Body, Frozen Soul, Caskets, I Set My Friends On Fire, CANDY, AngelMaker, Wind Walkers, Nevertel, Left To Suffer, 200 Stab Wounds, PeelingFlesh, Return To Dust, Silly Goose, Uncured, Dead Heat, and Gridiron.
All Single Day, 2-Day and 4-Day general admission and VIP passes for Sonic Temple Art & Music Festival are on sale now at www.SonicTempleFestival.com where fans can find a range of new pass types for 2025. This includes a brand-new Rock Royalty Reserved Pass with a dedicated lounge and reserved seats for the first time in the history of the festival, as well as commemorative gifts, all of which offers the best way to experience the festival. Full details for the available pass types can be found athttps://sonictemplefestival.com/passes/. Limited quantities of 4-Day Field GA remain available.
Select single day offerings, 4-day Columbus Owners Club, and RV camping passes are sold out. Fans can book an official Sonic Temple festival hotel via Jampack, offering access to nearby hotels, shuttle service and other exclusives.
Sonic Temple passes can be secured starting at $1 down (or 10% of the total purchase), with almost 6 months to pay them off in full. Service fees on all pass purchases include a charity fee for the DWP Foundation, which gives back to local and national charities throughout the year.
In addition to Metallica’s anticipated performances, fans will be able to enjoy a variety of Metallica onsite experiences all weekend long, including the BLACKENED Whiskey Bar and BLACKENED Burger Bar, featuring a collaboration between BLACKENED Whiskey, celebrity chef Chris Santos and Metallica. The BLACKENED Burger Bar is where exceptional spirits, culinary creations, and the power of music collide in a fusion of flavors and rock, receiving rave reviews as the favorite fan experience and food selection of DWP 2024 festivals.
A favorite onsite haunt, The Dive Bar, will also be back, along with the Sonic Temple live art program, which will be bigger than ever in 2025. Featured artists from last year’s art program include Terry Urban (who will be designing a limited-edition hoodie for Sonic Temple 2025), Jay Howell, Monster Steve, Lamour Supreme and AWAL.
Sonic Temple Art & Music Festival is produced by Danny Wimmer Presents, one of the largest independent producers of destination music festivals in America.
The Podcast That Rocked for 10/22/24. Warped Tour returns for three weekends in 2025, When We Were Young fallout, and more.
Warped Tour Returns?? | The Podcast That Rocked on YouTube
Warped Tour Returns?? | The Podcast That Rocked on Spotify
Discussion Topics: -Return of Warped Tour (and some cringe) -WWWY pros and cons from last week -Rock Hall ceremony for Ozzy -TOOL Shouldn’t have waited on streaming -Paul Di’Anno passes -Static-X Documentary -Tours/Albums
“The Vans Warped Tour, a seminal and beloved touring music festival, is set to make a highly anticipated return in 2025, marking its 30th anniversary. After a hiatus since its final cross-country run in 2018, the festival will revive its tradition of showcasing a diverse array of rock, punk, and alternative bands. The 2025 iteration will feature three two-day festivals in key cities: Washington, D.C. at the RFK Campus, Long Beach, California, and Orlando, Florida. This comeback is orchestrated in partnership with live entertainment giant Live Nation, although fans have expressed some skepticism regarding potential increases in ticket prices. Known for launching the careers of iconic bands like Blink 182, My Chemical Romance, and Paramore, Warped Tour promises to once again provide a vibrant platform for both established and emerging artists to connect with their fans. With its rich history and dedicated fanbase, the return of Vans Warped Tour in 2025 is expected to be a significant event in the music festival calendar.” (Perplexity)
