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CHVRCHES Share New Single “Good Girls”

CHVRCHES have shared their new single “Good Girls”, taken from their forthcoming fourth studio album Screen Violence, set for release on August 27th via Glassnote Records.

“Good Girls” was the second song the band wrote for the new album, setting the lyrical tone for Screen Violence. Frontwoman Lauren Mayberry’s powerful vocal delivers the unapologetic and vital lyrics on the misogynistic ideals inflicted upon women with urgency: “Good girls don’t cry / And good girls don’t lie / And good girls justify but I don’t / Good girls don’t die / And good girls stay alive / And good girls satisfy but I won’t”. 

Discussing the single, Lauren says: “The opening line (killing your idols is a chore) was something I wrote after listening to some friends arguing about the present day implications of loving certain problematic male artists – I was struck by the lengths that people would go to in order to excuse their heroes and how that was so juxtaposed to my own experiences in the world. Women have to constantly justify their right to exist and negotiate for their own space. We’re told that Bad Things don’t happen to Good Girls. That if you curate yourself to fit the ideal – keep yourself small and safe and acceptable – you will be alright, and it’s just not fucking true.”

“Good Girls” follows on from previous single “How Not To Drown” featuring one of the band’s musical heroes, The Cure frontman Robert Smith, released in June alongside the announcement of Screen Violence and premiered via Zane Lowe who interviewed the band for their first ever interview with Smith. The accompanying official video featured both CHVRCHES and Robert Smith, with its claustrophobic, film-noir imagery a continuation of the aesthetic presented with the album’s debut single “He Said She Said”. Following its release, Robert Smith also remixed the single, telling The FADER he wanted his version of the single to “conjure up an irresistible midnight sea with dark mesmeric currents”.

Eager to get back out on the road where the band and their impressive stage production can truly connect with their fans, CHVRCHES will embark on an extensive North American tour beginning this November. Tickets are on sale now, visit www.chvrch.es for more information.

NORTH AMERICAN TOUR DATES:
11/09/21 Houston, TX – White Oak Music Hall
11/10 – 11/12/21 Austin, TX – ACL Live
11/14/21 Dallas, TX – South Side Ballroom
11/15/21 Tulsa, OK – Cain’s Ballroom
11/17/21 Minneapolis, MN – Armory
11/18/21 Milwaukee, WI – The Riverside Theater
11/19/21 Chicago, IL – Byline Bank Aragon Ballroom
11/20/21 Columbus, OH – Express Live!
11/22/21 Pittsburgh, PA – Stage AE
11/23/21 Detroit, MI – Royal Oak Music Theatre
11/24/21 Toronto, ON – History
11/26/21 New York, NY – Terminal 5
11/27/21 New York, NY – Terminal 5
11/30/21 Washington, DC – Anthem
12/01/21 Boston, MA – House of Blues
12/02/21 New Haven, CT – College Street Music Hall
12/03/21 Philadelphia, PA – Franklin Music Hall
12/05/21 Cincinnati, OH – Ovation
12/06/21 St. Louis, MO – The Pageant
12/08/21 Denver, CO – Mission Ballroom
12/09/21 Boulder, CO – Boulder Theater
12/10/21 Salt Lake City, UT – Union
12/11/21 Las Vegas, NV – Brooklyn Bowl
12/13/21 San Diego, CA – Observatory North Park
12/14/21 San Diego, CA – Observatory North Park
12/16/21 San Francisco, CA – Bill Graham Civic Auditorium
12/17/21 Los Angeles, CA – Hollywood Palladium
12/18/21 Los Angeles, CA – Hollywood Palladium

Screen Violence was originally conceived as a name for the band. A decade later, and during a pandemic when the reality of screen violence has never been more pertinent, struggling to make the people you love feel more than the characters on a TV show, and experiencing a world of trauma as if it were another, CHVRCHES revived the term for their forthcoming album title. Narrating the theme of screen violence in three main forms – on screen, by screens and through screens – the album touches on feelings of loneliness, disillusionment, fear, heartbreak and regret. 

Screen Violence was recorded almost entirely remotely between Los Angeles and Glasgow where members Lauren Mayberry, Martin Doherty and Iain Cook self-produced and mixed the album via video calls and audio sharing programs to create something that is unique and special, but inherently CHVRCHES. 

The making of Screen Violence also marked a decade together for the band – a decade whose sound they have helped to create and define from their 2013 breakthrough The Bones of What You Believe and 2015’s Every Open Eye, to their most recent 2018’s Love is Dead.  

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POWERWOLF Releases New Single + Video “Fist By Fist (Sacralize Or Strike)”

This Friday, July 16 2021, the high priests of heavy metal – POWERWOLF – will continue their unique success story and release their long awaited new studio album Call Of The Wild!

Matthew Kiichi Heafy (TRIVIUM), friend and fan of POWERWOLF, has recorded an impressive version of the song “Fist By Fist (Sacralize Or Strike)”. This exciting version of the rousing track seamlessly follows the class of the original and will not only set the scene in excitement, but underlines POWERWOLF‘s international power of impact once again with this top-class feature.

The song will be featured on the exclusive bonus album Missa Cantorem, which will be included in various Call Of The Wild formats. A simultaneously exciting and entertaining journey through the band’s success story, sung by friends and companions of POWERWOLF.

Matthew Kiichi Heafy states:
“It is a tremendous honor to be able to do my rendition of the fantastic ‚Fist By Fist‘ by the mighty POWERWOLFPOWERWOLF has been one of my favorite bands for ages, so this is a privilege of the highest caliber.”

Once again created in cooperation with the honorable producer duo of Jens Bogren and Joost van den Broek, the masterpiece will open a new chapter in the band’s history on July 16, 2021. The eighth studio album will serve both old and newly recruited POWERWOLF devotees with well-known classic trademarks, and equally surprise and delight them at every stage of this wild 11-track ride!

Matthew Greywolf on Call Of The Wild:
“With Call Of The Wild, we are opening a new, exciting chapter in the history of POWERWOLF. The album sounds unmistakably like POWERWOLF and is so much more at the same time: Besides new territory like the Celtic instrumentation in “Blood for Blood (Faoladh)” or the ballad-like “Alive or Undead”, we have raised all our trademarks to a new level. Until now, we never sounded so powerful and wild – in the truest sense of the word. We can’t wait to finally share this beast of an album with you all!”

Call Of The Wild, the follow-up to their 2018 #1-charting studio album Sacrament Of Sin, manifests the band’s inimitable success story and proves once again that they sit unchallenged on the throne of the genre.

Call Of The Wild tracklisting:
01. Faster Than the Flame
02. Beast of Gévaudan
03. Dancing with the Dead
04. Varcolac
05. Alive or Undead
06. Blood for Blood (Faoladh)
07. Glaubenskraft
08. Call of the Wild
09. Sermon of Swords
10. Undress to Confess
11. Reverent of Rats

Various formats (2-CD Mediabook, 3-LP Vinyl Box, 3-CD Earbook, digital) of the new album include the bonus album Missa Cantorem – a cross-section of the Wolves’ success story with newly recorded vocals by friends and companions of the band.

Missa Cantorem (Bonus Album) Tracklisting:
01. Sanctified With Dynamite – feat. Ralf Scheepers (Primal Fear)
02. Demons Are A Girl‘s Best Friend – feat. Alissa White-Gluz (Arch Enemy)
03. Nightside Of Siberia – feat. Johan Hegg (Amon Amarth)
04. Where The Wild Wolves Have Gone – feat. Doro Pesch
05. Fist By Fist (Sacralize Or Strike) – feat. Matthew Kiichi Heafy (Trivium)
06. Killers With The Cross – feat. Björn “Speed” Strid (Soilwork)
07. Kiss Of The Cobra King – feat. Chris Harms (Lord Of The Lost)
08. We Drink Your Blood – feat. Johannes Eckerström (Avatar)
09. Resurrection By Erection – feat. Christopher Bowes (Alestorm)
10. Saturday Satan – feat. Jari Mäenpää (Wintersun)

On their upcoming tour, fans can not only expect brand new heavy metal anthems to be played and chanted along by thousands, but also the biggest and most epic production POWERWOLF has brought to the stage thus far, once again cementing their status as one of the most intense live bands.
2021 marks not only the return of the wolves, but also the return of the heavy metal community to the legendary fields of Wacken. What could be a better setting to celebrate the first holy metal mass under the sign of Call Of The Wild than a headline show at the Bullhead City Festival in Wacken!

POWERWOLF Headline Show
16.09. – 18.09.21 DE – Wacken / Bullhead City

Wolfsnächte 2021
01.10.21 DE – Stuttgart / Schleyerhalle
02.10.21 CH – Zurich / Samsung Hall
04.10.21 ES – Barcelona / Razzmatazz
05.10.21 ES – Madrid / Riviera
07.10.21 FR – Paris / Zenith
08.10.21 UK – London / Roundhouse
09.10.21 BE – Antwerp / Lotto Arena
10.10.21 NL – Amsterdam / Afas Live
12.10.21 IT – Milan / Alcatraz
13.10.21 DE – Frankfurt / Jahrhunderthalle
15.10.21 DE – Munich / Zenith
16.10.21 DE – Oberhausen / König Pilsener Arena
17.10.21 CZ – Prague / Tipsport Arena
18.10.21 PL – Katowice – MCK
20.10.21 HU – Budapest / Arena
21.10.21 AT – Vienna / Gasometer
22.10.21 DE – Berlin / UFO im Velodrom
23.10.21 DE – Saarbrucken / Saarlandhalle

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Twelve Foot Ninja Announce New Album “Vengeance”

Twelve Foot Ninja have announced an immersive multimedia project incorporating the band’s forthcoming album, Vengeance (Oct. 15, Volkanik Music) with a high fantasy novel (“The Wyvern and The Wolf” by Nicholas Snelling), and a graphic novel (“Vengeance,” available now via twelvefootninja.com).

The news arrives with a video for the recently released single, “Start The Fire”.

In the words of the band’s guitarist/producer Stevic Mackay: “’Start The Fire’ drew lyrical inspiration from Todd Phillips and Scott Silver’s portrayal of the Joker. When you start treating people according to broad prejudice, they’re left with little reason not to become what they’re supposedly guilty of already being. It’s a self-fulfilling prophecy.”

The video concept revolves around the threat of total annihilation. The strung-up band is being injected with a copper-based enzyme that, when mixed with human blood, can be extracted to power up current collector fuel cells (purposed for reanimating Primordian bio-technology). The band’s performance is a shared, mutual delusion. It’s all pretty straight-forward, really.”

The maniacal Australian rock-fusioneers snuck back into the world’s eyes and ears last month with the stealthy drop of their single “Long Way Home,” the first taste of new music from the band since their 2016 album, Outlier. That single came with a 2D platformer videogame. Fans who collected all 12 brick phones in the game discovered they could unlock the band’s music video for “Long Way Home.”

True to form, Twelve Foot Ninja aim to pull off something that no other musical act in history ever has before. In addition to the album Vengeance, the band is releasing a literary high fantasy novel called “The Wyvern and The Wolf” written by Nicholas Snelling – both novel and album are available for pre-order now and scheduled for release on Oct. 15, with the first 12 chapters sent to you when you pre-order.

Set in a grim and savage world, “The Wyvern and The Wolf” tells the tale of an orphaned samurai boy named Kiyoshi who is adopted by the ruthless leader of a clan of ninja. Much more than a mere origin story, however, the novel is a tour de force in fantasy fiction and world-building, and represents a unique partnership with Snelling. Published by The Venn Gents, the novel can be pre-ordered now from www.twelvefootninja.com. The original story of the Twelve Foot Ninja was conceived by MacKay and his partner Fiona Permezel. It was that concept which first inspired “The Wyvern and The Wolf.”

Also available now from the band’s website is the graphic novel “Vengeance,” written by Mackay with artwork by George Evangelista. The graphic novel sees the band’s namesake, the Twelve Foot Ninja, journey through alternate dimensions to take on an evil alien entity.

As ambitious and unlikely as this ‘world-first’ multimedia release might seem, Twelve Foot Ninja deem it a vital innovation. In the age of streaming, music has become increasingly under-valued and the plight of the professional musician has become less sustainable. And yet, at the very beginning of the band’s journey, Twelve Foot Ninja planned to expand their offering with a suite of deeply immersive and premium content. Finally, we will start to experience the fruits of that early vision – perhaps a fortuitous move in this uncertain world of snap lockdowns, but certainly a smart way of broadening the band’s already fervent fanbase.

Mackay explains Project Vengeance: “This is an exorcism of content that’s spent a decade in gestation. ‘Catharsis’ is close to what it feels like to finally share Kiyoshi’s story; and I guess respond to all questions pertaining to our name; All this time, so many have thought ‘Twelve Foot Ninja’ was tongue-in-cheek, when in actuality, the story’s genesis occurred a year before the formation of the band. I really hope our fans enjoy the vastness of what we’ve created, and we’re able to continue to surprise people with new methods of storytelling.”

The sheer amount of content might be a ‘world-first’ for a band, but the fact is, breaking records isn’t exactly new for Twelve Foot Ninja. They once held—and may still hold—the world record for most successful crowdfunding campaign of a music video. And since 2014, they’ve amassed a mantlepiece full of awards – from being named ‘Best New Talent’ (Revolver’s Golden God Awards), ‘Best Artist/Song Discovery’ (SiriusXM Liquid Metal Charts), ‘Best Metal Music Video’ (Independent Music Awards) and a highly coveted ARIA nomination for ‘Best Hard Rock Album’. Little wonder, then, that they’ve also clocked up over 42 million spins on Spotify and 22 million plays on YouTube.

Follow Twelve Foot Ninja:
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Ice Nine Kills Drop New Single “Hip To Be Scared”

At a totally sold-out fan event last night at the Mystic Museum in North Hollywood, CA, horror metal titans, Ice Nine Kills announced their long awaited sequel album ‘The Silver Scream 2: Welcome To Horrorwood‘. The fresh slice of horror-themed brutality will be released via Fearless Records on Friday, October 15th and can be pre-saved here.

The first single to be unleashed from the album is “Hip To Be Scared“, featuring Jacoby Shaddix of Papa Roach. The accompanying music video was premiered at the fan event last night and pays homage to the landmark movie based on the Bret Easton Ellis novel ‘American Psycho‘, centered around psychotic investment banker, Patrick Bateman. “Hip To Be Scared” mixes the soaring choruses, clever lyricism, heavy riffs and Broadway-like theatrics that are as much ‘Hamilton‘ as they are horror. The song also tips its hat to an ‘80s pop classic beloved by the murderous protagonist. Watch the video here or by clicking on the image below.

Speaking on his band’s newly announced album, Ice Nine Kills frontman and driving creative force, Spencer Charnas shared,

“True to horror franchise tradition, there is always a sequel…”The Silver Scream 2: Welcome To Horrorwood” follows in the bloody footsteps of its predecessor, paying tribute to 13 more of the most gruesome tales to ever grace the silver screen. In this latest INK offering, the last album and video series is portrayed as a work of fiction. The new story line thrusts the band into a brutal “real world” slaying. The only traces of the crime are 13 songs left behind by the suspected killer…

We can’t wait to share this next chapter with you, and to welcome you to the sinister state of mind that will soon be known the world over as, “Horrorwood”. 

The first stop on the tour is 1980’s New York City’s “greed is good” scene, where a certain hot shot investment banker has a rather violent dirty secret…”

A sequel of franchise proportions to the No. 1 Billboard Hard Rock Album ‘The Silver Scream’, ‘The Silver Scream 2: Welcome to Horrorwood’ doubles down in pursuit of the anthemic band’s cinematic muse. 

Decadent, devious, and fiercely insane, with sardonic wit to spare, Ice Nine Kills celebrate pop culture’s darkest edges, mining a cinephile library’s worth of b-movie schlock and iconic horror on ‘Welcome to Horrorwood:The Silver Scream 2′ and it’s prequel, ‘The Silver Scream’. The creative marriage made in hell of music and fiction began in earnest with the Boston-based band’s Top 5 Hard Rock album, ‘Every Trick in the Book’, which brought the previous three records’ themes to new levels with literary-immersed tracks.

Helpless teens, unhelpful authorities, supernatural forces, masked killers, and “final girls” abound in the shocking, blood-soaked songs of The Silver Scream. Each piece focused on a different horror classic, including “The American Nightmare” (A Nightmare on Elm Street), “Thank God It’s Friday” (Friday the 13th), “Stabbing in the Dark” (Halloween), and “It Is The End” (It). For 2020’s ‘Undead & Unplugged: Live from the Overlook Hotel’ EP, the band recorded in the location used in Stanley Kubrick’s The Shining, the inspiration behind “Enjoy Your Slay,” featuring Kubrick’s grandson, Sam.

‘The Silver Scream 2: Welcome to Horrorwood’ saw guitarists Ricky Armellino and Dan Sugarman, bassist Joe Occhiuti, drummer Patrick Galante, and Charnas return to producer and collaborator Drew Fulk (As I Lay Dying, A Day To Remember), who produced and mixed ‘The Silver Scream’, which spawned Top 10 Mainstream Rock single “A Grave Mistake” and Top 20 hit “Savages.”

The band’s synergy of music and lifestyle draws favorable comparisons to Slipknot and Rob Zombie and saw them become recent recipients of the prestigious Clio Award for Music Marketing for their “Merry Axe-mas” mobile game. Visionary trailblazers and multimedia raconteurs, INK built a thrilling world for a growing legion of devoted true believers, with theatrical shows, high-concept videos, and inventive band-to-fan communion. With 1.1 million monthly listeners on Spotify402 million career streams, a combined social media reach of over 950k, over 70 million views on YouTube, the band are firmly cemented as one of modern metal’s most vicious forces.

Follow Ice Nine Kills:
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Myles Kennedy Announces 1st Leg Of The Ides Of March Tour

With the return to national touring in full swing across the United States, Myles Kennedy announces his first solo headline tour in over 2 years – The Ides Of March Tour. The 15-date tour will kick off on September 7th in St. Petersburg, FL and make stops in Atlanta, GA; Des Moines, IA; Nashville, TN; and New York, NY among others before it wraps up in Baltimore, MD on October 2nd. They will also be part of the Foothills Festival in Jasper, AL on September 11th and the Adelphia Music Hall Summer Concert Series in Marietta, OH on October 1st.

These shows will include the full trio that recorded the sophomore album The Ides Of March – drummer Zia Uddin and bassist/manager Tim Tournier – on the road as well. All shows are on sale now and more information on tickets/VIP packages for all dates can be found at www.myleskennedy.com

Myles Kennedy released his latest album The Ides Of March via Napalm Records in May. The album received critical acclaim and created another career benchmark for the musician. The Ides Of March achieved numerous chart recognitions, including #1 spots in 3 different countries – including #1 Billboard Top Current Hard Music (United States), #1 Official Rock & Metal Albums (UK), #1 Official Independent Album Chart (UK) and #1 Hard Music Albums (Canada). The Ides Of March saw 4 different tracks released to the public, including  the debut single “In Stride,”  album-opener “Get Along,” the title track and longest song on the album “The Ides Of March” and the pensive ballad “Love Rain Down.” The Ides Of March was produced by longtime collaborator Michael “Elvis” Baskette and can be ordered here: https://smarturl.it/MK-TheIdesOfMarch

MYLES KENNEDY – The Ides Of March Tour
7-Sep – St. Petersburg, FL @ Floridian Social Club
8-Sep – Orlando, FL @ The Plaza Live
10-Sep – Atlanta, GA @ Buckhead Theatre
13-Sep – St. Louis, MO @ Red Flag
14-Sep – Des Moines, IA @ Wooly’s
17-Sep – Racine, WI @ Route 20
20-Sep – Flint, MI @ The Machine Shop
22-Sep – Chattanooga, TN @ The Signal
23-Sep – Nashville, TN @ Marathon Music Works
25-Sep – Pittsburgh, PA @ Enclave
26-Sep – Red Bank, NJ @ The Vogel
28-Sep – New York, NY @ Irving Plaza
29-Sep – Philadelphia, PA @ Underground Arts
1-Oct – Marietta, OH @ “The Adelphia Music Hall (Summer Concert Series)”
2-Oct – Baltimore, MD @ Baltimore Sound Stage

Follow Myles Kennedy:
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MINISTRY Return With 15th Studio Album “Moral Hygiene”

After incubating for the larger part of 2020 – at time when creative mastermind Al Jourgensen was able to ruminate on the new world we as a society have found ourselves in – the time has finally come for Ministry to unleash their much-anticipated 15th studio album.

Aptly titled Moral Hygiene, the album will be released via Nuclear Blast Records on October 1. With some of Ministry’s strongest and most inspired material to date, the 10 tracks are a follow-up to 2018’s lauded AmeriKKKant and put forth Jourgensen’s societal manifesto and plea for civilization to get back to a set of standards that lives up to and embraces our humanity.

“The good thing about literally taking a year off from any social activity or touring is that you really get to sit back and get an overview of things as they are happening, as opposed to being caught up in the moment. And what I saw with how we handled several public crises – from the pandemic to racial injustice to who we vote in to lead our country – is that times are changing, and society needed to change to get away from the idea that has permeated us of take care of yourself, fuck everything else. Now more than ever we need moral hygiene,” says Jourgensen of the new album. “It consumed me as I wrote this album. It’s not some pious term. It’s what we have to return to in order to function as the human species on this planet. And I’m proud to have had such great guests on this album to help cement that message like Billy MorrisonJello Biafra and Arabian Prince.”

In conjunction with today’s album announcement, the latest track “Good Trouble” is also released. The song, inspired by the 2020 Black Lives Matter protests and the activist work of the late Congressman John Lewis, is accompanied by a new video that includes sampling from last year’s demonstrations in Los Angeles as captured by Jourgensen and his partner Liz Walton.

Jourgensen adds about the new single, “I was watching the coverage last July around Lewis’ death and was in awe the next day when this entire letter from him was published in the New York Times. How suss was that to want to keep making progress after his death by thinking about the legacy he left? I was struck by the reflectiveness of his speech, knowing he was dying and making sure it was released because he saw trouble ahead. That is the moral hygiene of this album – we have to do something to change and I really hope we continue to act and live up to the idea of getting into good trouble for the benefit of society.”

Moral Hygiene also includes the previously released “Alert Level” that sounded the alarms about our collective dissonance towards the pandemic, climate change and the man formerly in the White House, bolstered by the song’s overarching question posed to listeners: “How concerned are you?”

The new album also adds perspective to the countless lives that were tragically lost to the COVID-19 pandemic on the haunting track “Death Toll” while “Disinformation” decries the too frequent willingness to accept everything – even mistruths – as fact.

Other musical jewels on the upcoming release include a collaboration with Jello Biafra (Jourgensen’s cohort in side project LARD) on “Sabotage Is Sex” and a unique take on The Stooges’ “Search And Destroy” that features guitar virtuoso Billy Morrison (Billy Idol/Royal Machines). Morrison is also heavily featured on a number of songs on the album.

Moral Hygiene was recorded with engineer Michael Rozon (also behind the boards on AmeriKKKant) at Scheisse Dog StudioJourgensen’s self-built home studio and creative lab. As with all Ministry albums, all songs are written and performed by Al Jourgensen. Additional contributions come from Billy Morrison (Billy Idol, Royal Machines), Cesar Soto (Man The Mute), John Bechdel (Killing Joke, Fear Factory), Roy Mayorga (Stone Sour, Soulfly, Nausea), Paul D’Amour (Tool, Feersum Ennjin), Arabian Prince (N.W.A.), Jello Biafra (Dead Kennedys) and sitar player Flash.

Moral Hygiene will be available in CD, vinyl and digital download formats. Pre-orders are available at the follow links:
Record label preorder: www.nuclearblast.com/ministry-moralhygiene 
Band preorder: https://store.ministryband.com/collections/moral-hygiene

Moral Hygiene track listing:

  1. Alert Level
  2. Good Trouble
  3. Sabotage Is Sex
  4. Disinformation
  5. Search and Destroy
  6. Believe Me
  7. Broken System
  8. We Shall Resist
  9. Death Toll
  10. TV Song #6 (Right Around The Corner Mix)

Ministry will be debuting the new songs live – as well as celebrating the 30th anniversary of seminal album The Mind Is A Terrible Thing To Taste – on the upcoming Industrial Strength Tour, kicking off on October 3 for 23 dates across the country. The trek will include special guests Helmet and Front Line Assembly.

In addition to Al Jourgensen (vocals, guitar), the touring band will include Roy Mayorga (drums), Paul D’Amour (bass), Cesar Soto (guitars), Monte Pittman (guitars) and John Bechdel (keyboards).

THE INDUSTRIAL STRENGTH TOUROCTOBER/NOVEMBER 2021
***indicates a date where Helmet will not be appearing

October 2021
3 Albuquerque, NM @ Sunshine Theater
4 Denver, CO @ Ogden Theatre SOLD OUT
6 Minneapolis, MN @ First Avenue SOLD OUT
8 Buffalo, NY @ Buffalo Riverworks
9 Cleveland, OH @ Agora Theatre
10 Chicago, IL @ Riviera Theatre SOLD OUT
11 Detroit, MI @ Royal Oak Music Theatre
14 Boston, MA @ House of Blues
15 Huntington, NY @ The Paramount
16 Montclair, NJ @ Wellmont Theatre
17 Philadelphia, PA @ Franklin Music Hall
19 Atlanta, GA @ Tabernacle
20 Charlotte, NC @ The Fillmore
21 Orlando, FL @ Hard Rock Live
23 Dallas, TX @ Gas Monkey Live!***
24 Houston, TX @ House of Blues
25 San Antonio, TX @ Aztec Theater
28 Phoenix, AZ @ The Van Buren
29 Anaheim, CA @ House of Blues SOLD OUT
30 San Diego, CA @ House of Blues SOLD OUT
31 San Francisco, CA @ The Warfield Theatre

November 2021
2 Portland, OR @ Roseland Theater SOLD OUT
3 Seattle, WA @ Showbox Sodo SOLD OUT

For tickets and more information, visit www.ministryband.com/tour.

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Solence Release New Tracks “Speechless” + “Push Me To The Edge”

Swedish electropop-metal quartet Solence has today unleashed their latest double single “Speechless” and “Push Me To The Edge“. In addition, fans can now pre-order Solence‘s highly-anticipated album ‘Deafening‘ (out via ONErpm) out on Friday, September 10. ‘Deafening’ is the successive album to 2020’s ‘Direction’, which featured smash hits such as “Animal In Me” and “Blackout”. Speaking on “Speechless“, frontman Markus Videsäter shared:

“This song is very special to us in a lot of ways. It’s a very different sound compared to what we’ve done before, and it’s one of the first songs where we felt that we really found the message that we wanted Solence to stand for. Speechless is about the actual moment when you accomplish something that you never thought was possible, and how that affects you. For me, the song is mainly about my fantasies playing our first tour. I can’t wait!!”

Videsäter also elaborated on the inspiration behind “Push Me To The Edge“:

“Story time! When we first started out we actually had a guy come up to us and said that we should change our singer! He actually thought I was the producer of the band so he said it straight to my face. That sparked something in me, I wanted to prove him wrong. So I practiced and practiced and got better, and here we are today! So when I get Pushed to the edge, I only go harder back at ya!” 

Not only that, but Solence fans can also catch the band perform a medley of tracks (including some from ‘Deafening’) on SiriusXM’s Octane on Monday, August 16. Watch the lyric video for “Speechless” here, listen to “Push Me To The Edge” here, and pre-order ‘Deafening’ here.

Solence has previously released singles “Indestructible”Thunder“, “Deafening and “Good F**kin’ Music off of their forthcoming album, ‘Deafening’, which have already surpassed a combined total of over 1,443,350 views on YouTube and a staggering 5,177,000 streams on Spotify alone. To date, they have clocked up over 100 million streams across all platforms, have over 149,000 YouTube subscribers, entered the Top 50 on Active Rock Radio in 2020, have been featured on the cover of Spotify’s New Core playlist twice, and saw their single “Animal In Me” become the most played track on SiriusXM Octane when it was released last year.

SOLENCE is the musical antidote to what ails the brokenhearted and downtrodden. As they summon a soaring celebration of life-affirming positivity, the Swedish foursome’s diverse songs demonstrate the strength found in a community defined by shared passions and goals. Multi-instrumentalist melody makers bonded together at a young age in pursuit of artistic inspiration and connection, SOLENCE quickly amassed 100 million streams across all platforms. Deafening, the band’s eclectic and invigorating sophomore album, is a watershed work of possibility, perseverance, and positivity. 

“In a hard rock world that can be pretty dark and depressing, we try to make things a little brighter and encourage our fans to believe in themselves,” explains frontman Markus Videsäter. To “follow your heart’s compass” is the SOLENCE mission statement, a strong sentiment shared between guitarist David Strääf, keyboardist Johan Swärd, drummer David Vikingsson, and singer Videsäter

Is SOLENCE a hard rock band with electronic elements or an electronic band with a rock infusion? It depends on the song. Already drawing favorable comparisons to I Prevail, Palaye Royale, and Bring Me The Horizon. They developed their sizeable worldwide audience from a shared living space in Stockholm, first emerging with heavy renditions of well-known pop hits. But none of those videos were as popular as the band’s own music. In 2020, they broke into the Active Rock Radio Top 50, as “Animal in Me” (7 million views on YouTube) became the most played track on SiriusXM’s Octane.  

Like 2019’s BrothersDeafening is a massive leap forward. Imagine the aggressive but catchy wallop of In Flames masterpiece A Sense of Purpose colliding with the melody of The 1975, the pop sensibility of hitmaking maestro Max Martin, electro pulse, and a bit of Avenged Sevenfold shred. “We are still carving out our musical identity,” Markus says with excitement. There’s no singular moment for this band or, by extension, their audience. It’s all about the journey. Get ready and Enjoy the SOLENCE.

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Our Lady Peace Shines a Light On The “FUTURE FAMOUS” In New Video FT Pussy Riot

Today, Our Lady Peace, the platinum-album selling Canadian rockstars, release the video to their explosive statement track “Stop Making Stupid People Famous” featuring Pussy Riot. In the electric dance-filled video, Our Lady Peace uniquely contrasts the tongue-in-cheek nature of the song with carefree and colorful visuals. This video also elevates the young activists and leaders that society should actually be making famous by showing them on magazine covers such as teen climate activist Sophia Mathur, Saudi Arabian piano prodigy Eman Gusti, mental health activist Kenidra Woods, and future Mars astronaut Alyssa Carson. The new track is off the forthcoming record ‘Spiritual Machines 2’, a sequel to OLP’s seminal 2000 alt rock classic album. Details to follow.

Raine Maida, the singer and co-founder of Our Lady Peace, says that the song is not an attack on anyone, but is designed to celebrate human achievement. “There are so many amazing people who are truly changing the world that no one has ever heard of. They deserve to be recognized for their accomplishments – those are the people who should be famous.”

“Today, when 7 members of pussy riot are arrested (again) in Moscow for 15 days, and 2 of them are facing 2 years in jail, I want to reassure you that you should never give too much power and fame to stupid people like the president of my country. Also, it’s a pleasure to work with Our Lady Peace and with my long-term friend and collaborator Dave Sitek” said Nadya from Pussy Riot.

While “Stop Making Stupid People Famous” is a reflection on celebrity influencer culture and how it has weakened and fakened society, it also pushes Our Lady Peace’s call to action: It’s time to work on real dreams. Today, they are introducing the Future Famous program, which recognizes a wide range of exceptional people in different fields (science, environmentalism, music, art, etc) who are making a real difference in the world. Learn more at www.futurefamous.org.

The group recently released ‘Spiritual Machines Acoustic – Side A’, the first part of a sonic overhaul of their critically acclaimed 2000’s album that has become a pillar of late 90s alt rock and a prime example of the creative brilliance that has earned OLP a devoted following. While the original ‘Spiritual Machines’ was influenced by inventor Ray Kurzweil’s book “The Age Of The Spiritual Machines,” this acoustic album is filled with Raines’ mesmerizing vocals and hints of nostalgia that will take the listeners back to the year 2000.

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Trivium Release New Song & Video “In the Court of the Dragon”

Florida-based, Grammy-nominated band TRIVIUM — Matt Heafy [vocals, guitar], Corey Beaulieu [guitar], Paolo Gregoletto [bass], and Alex Bent [drums] — have shared the brand new single “In the Court of the Dragon.” The song is available at all DSPs and is accompanied by an official short film music video directed by Ryan Mackfall. Watch it here.

The song represents everything fans have come to know and love about Trivium. It’s a summit of masterful melodies, miles of riffs and solos, thought-provoking lyrics, intricate storytelling, and a tiered vocal attack.

“We started putting together the riffs for what would become ‘In the Court of the Dragon’ last year with no touring on the horizon,” shares Gregoletto about the song’s earliest origins during the COVID-19 pandemic and lockdown. “We decided to use the uncertainty to our advantage and to create without any of the limitations and commitments that would normally be eating away at our time in the jam room.”

About the deeper meaning, he continues, “The title of the song came from a short story by Robert W. Chambers. The story is filled with dread and uncertainty, and that felt fitting for the times we’ve all been living in for the last year. Rather than a direct re-telling, we decided to go a different route and build our own narrative around the music that we were creating.”

He finishes, “Similar to some of our past songs and albums, this song began with lyrics rooted in mythology. But unlike the past, we decided to create our own myth to fit the music. Being free to create the story and write the music without a deadline, due to a once-in-a-lifetime event, really led to one of the most rewarding writing and recording experiences we have ever had. We hope it lives up to your expectations.”                   

Heafy weighed in about the single’s artwork and its unique relationship to the track, saying, “While the music of ‘In the Court of the Dragon’ was taking shape, we knew we needed epic artwork of the type that you might see on the wall of an important museum from a long-dead renaissance master.”

The track and video also feature an epic intro composed and orchestrated by Ihsahn (Emperor).

Trivium continue to work on new material for their upcoming tenth album. Stay tuned for more information about their next full-length.

In other Trivium news, the band will make its long-awaited return to the road this summer with Megadeth, Lamb of God, and In Flames. All dates are below.

TRIVIUM ON TOUR:
8/20 — Austin, TX — Germania Insurance Amphitheater
8/21 — Irving, TX — The Pavilion at Toyota Music Factory
8/22 — Woodlands, TX — The Cynthia Woods Mitchell Pavilion presented by Huntsman
8/24 — El Paso, TX — Don Haskins Center
8/25 — Albuquerque, NM — Isleta Amphitheater
8/26 – Wichita, KS – Cotillion Ballroom (headline)
8/27 — Denver, CO — Ball Arena
8/29 — Phoenix, AZ — Arizona Federal Theatre
8/31 — Reno, NV — Reno Events Center
9/1 — Irvine, CA — FivePoint Amphitheatre
9/2 — Concord, CA — Concord Pavilion
9/4 — Portland, OR — Moda Center
9/5 — Auburn, WA — White River Amphitheatre
9/6 – Boise, ID, Revolution Concert House (headline)
9/9 — Tinley Park, IL — Hollywood Casino Amphitheatre – Chicago
9/10 – Pittsburgh, PA — Stage AE w/ Black Label Society
9/11 — Danville, VA — Blue Ridge Festival*
9/12 — Wantagh, NY — Northwell Health at Jones Beach Theater
9/13 — Boston, MA — Leader Bank Pavilion
9/15 — Camden, NJ — BB&T Pavilion
9/16 — Holmdel, NJ — PNC Bank Arts Center
9/18 — Noblesville, IN — Ruoff Music Center
9/19 — Clarkston, MI — DTE Energy Music Theatre
9/20 — Cincinnati, OH — PNC Pavilion
9/22 — Rogers, AR — Walmart AMP
9/24 — Mount Pleasant, MI — Soaring Eagle Casino Amphitheatre
9/25 – Des Moines, IA – Knotfest Iowa*
9/26 — St. Louis, MO — Hollywood Casino Amphitheatre – St. Louis
9/28 — Minneapolis, MN — Armory
9/30 — Toronto, ON — Budweiser Stage
10/1 — Laval, QC — Place Bell
10/2 — Quebec City, QC — Centre Videotron
*Festival Date featuring all 4 bands.

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Don Broco punch out new single “Gumshield”

Don Broco have released their new single Gumshield,” taken from the forthcoming new album Amazing Things, which will be released on September 17th via Sharptone Records.

“Gumshield” is the ferocious album opener and a vital statement of intent, showcasing the power and excitement to come across Amazing Things twelve tracks. It explores the pitfalls of social media, specifically the damned-if-you-do-damned-if-you-don’t nature of taking a position on issues online.

The video perfectly captures all of this with a climatic and “punchy” feel. In the lead up to release, lead singer Rob Damiani has been documenting his boxing training regime via social media ahead of committing to his first professional fight, a daredevil step into the ring against UK British Heavyweight champion Dave “White Rhino” Allen.

Their social media spats and vigorous training have had fans and media alike speculating as to what’s about to happen, but as the brilliant video reveals, the match itself comes with a different kind of “beatdown.” One that has furious vocals, and a vibe to match Limp Bizkit’s “Break Stuff” and Rage Against The Machine’s “Killing In The Name.”

“Excited to share our new song & video for ‘Gumshield’! After Tom’s fake wedding for the last album and the Beckham fan account hacking on our Instagram before ‘Manchester Super Reds’ we wanted to bow out on one final prank,” shares Rob on today’s video concept. “After seeing all these YouTubers try their hand at boxing we thought it would be an interesting experiment to see if we could convince people I was deluded enough myself to fight a professional boxer. The song itself is about the anxiety that comes with posting online and the fear of resulting arguments so the divisive nature of my entrance to the sport personally hit all those triggers for me! Teaming up with Dave Allen on this was so much fun, hilarious guy and proper top bloke, though think I could definitely have him if we ever had a real fight ;)”

Allen adds, “It has been a great experience working with the Don Broco team on the music video, a great bunch of lads who are very innovative and smart, Rob can’t actually fight though x.”

“Gumshield” follows the release of the album’s first single “Manchester Super Reds No.1 Fan,” which came with an out of this world video, featuring the band in a Star Trek spoof like no other. Whilst nominally appearing to be about a particular football team, the song isn’t actually about love for the club, but the darker side of fandom.

Always unique, and forever pushing boundaries, Don Broco are never ones to follow the trend and the new album Amazing Things is very aptly named. It’s yet another genre-bending masterpiece with electro, rock, pop, metal and more all wrapped up in their own unique blend, bringing to mind the likes of Deftones, Beastie Boys and Linkin Park amongst others… but simultaneously sounding like nobody else on earth.

Fans can pre-order Amazing Things today at http://shrptn.co/amazingthings.

Amazing Things is the band’s fourth album, and follows the release of 2018’s Technology, which was was a Top 5 album in the UK charts and has had over 100 million streams to date, and also 2015’s Automatic, which provided the band with their first Top 10 album in the UK.

Garnering nothing but praise for their relentless high-octane performances, Don Broco have previously sold-out arena shows across the UK, headlining Wembley Arena after selling out Alexandra Palace as well as festival performances around the world including Vans Warped Tour, Download, Reading & Leeds, Slam Dunk & more. They have also toured with the likes of Mike Shinoda, State Champs, Dance Gavin Dance and Our Last Night in the US as well as selling out their very own Debut US headline tour.

This year the band will be headlining Slam Dunk festival in September before heading out on their own UK headline tour, which includes multiple nights in UK Cities, culminating with 2 shows at London’s Brixton Academy. For a full list of tour dates and information on tickets, please head to https://www.donbroco.com/.

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