“Lorna Shore’s first new album in three years, I Feel The Everblack Festering Within Me, is out today via Century Media Records, alongside a highly emotional new music video for “Glenwood.” It visually captures the song’s overarching narrative: Vocalist/lyricist Will Ramos’ personal journey to reconnect with his estranged father. See the gripping music video, directed by Dylan Hryciuk.” (Press Release)
Five new heavy songs to help you headbang through the weekend. What are you listening to?
HEAVYS Metal Picks | 9/12/25
“Lorna Shore’s first new album in three years, I Feel The Everblack Festering Within Me, is out today via Century Media Records, alongside a highly emotional new music video for “Glenwood.” It visually captures the song’s overarching narrative: Vocalist/lyricist Will Ramos’ personal journey to reconnect with his estranged father. See the gripping music video, directed by Dylan Hryciuk. Find More Information At IFeelTheEverblackFesteringWithinMe.com” (Press Release)
Lorna Shore “Glenwood”
Mudvayne “Sticks and Stones”
The Devil Wears Prada “So Low”
Despised Icon “Death Of An Artist”
Future Palace “Cyclone”
Lorna Shore unleashed their groundbreaking fourth full-length, Pain Remains, in 2022, earning “album of the year” accolades upon its release (Loudwire) with media hailing it as “one of the best symphonic metal and deathcore albums”(Metal Injection). Recently, the quintet gave fans an instrumental edition of the record, as well as a full band playthrough video for the Pain Remainstrilogy.
Mudvayne Drop Second New Single “Sticks and Stones” New Track Follows “Hurt People Hurt People” Headline Tour Kicks Off Today
A mere two weeks ago, ’00s hard rock provocateurs MUDVAYNE — Chad Gray [vocals], Greg Tribbett [guitar], Ryan Martinie [drums], and Matthew McDonough [drums] — thrilled fans by dropping their first new single in 16 years with “HURT PEOPLE HURT PEOPLE” via Alchemy Recordings. The song has already accumulated over half a millions streams and counting. Watch the visualizer and listen to the song here.
Today, the band has shared ANOTHER new track. This time, they’ve issued “Sticks and Stones.” Watch and listen via the visualizer here. The official music video is forthcoming.
While “HURT PEOPLE HURT PEOPLE” immediately clamped down on the jugular and was a primal scream return for the band, “Sticks and Stones” is a bit more measured in its ferocity. It showcases the band’s mastery of quiet-loud dynamics and steadily escalates to an utterly monstrous breakdown.
“I was always told ‘sticks and stones may break my bones, but words will never hurt me,'” says Gray. “Well, it’s a great nursery rhyme, but I couldn’t disagree more. I’ve carried a lot of words throughout my life as if they were just spoken to me. The reality is — they do hurt. I’ve tried my best to shed them, but when they come from dear friends, family — people that are suppose to love you — the words have teeth and they won’t let go. Blood doesn’t wash out; iit stains. I think I’m just trying to remind people to love their children. Don’t use them as a bullet to fire into your ex or whomever you’re with now. They’re innocent and they are impressionable. And trust me, as a child, that was used as a weapon, your words will hurt them…long after you say them.”
The band has also launched a pre-order for a double A Side 7″ vinyl featuring both songs. There will be a standard version, as well as a variant that is signed and limited to 500 units. Both are available exclusively through the band’s webstore alongside a brand new merch capsule. Go here to get yours.
Additionally, there will be a variant available exclusively through Revolver.
Mudvayne are looking towards their future as they also celebrate their impactful past. The song arrives on the eve of the band’s L.D. 50 25th Anniversary headline tour, which kicks off today, September 11, and runs through October 26. L.D. 50 was the band’s debut studio album, arriving in August 2000 via Epic Records and established the band as a new yet major player in the hard rock scene. It eventually went on to achieve a Gold certification. Years after its release, both Revolver and Metal Hammer deemed the album an essential of the ’00s metal class, rightfully so. The tour will feature support from Static-X, while Vended will open. All dates are below. Get tickets here.
MUDVAYNE ON TOUR: WITH STATIC-X + VENDED: 9/11 — Dubuque, IA — Q Casino — Back Waters Stage 9/13 — Waukee, IA — Vibrant Music Hall 9/14 — Chicago, IL — Byline Bank Aragon Ballroom 9/16 — Milwaukee, WI — The Rave/Eagles Club — Eagles Ballroom 9/17 — Youngstown, OH — Covelli Centre 9/19 — Louisville, KY — Kentucky Exposition Center 9/20 — Chesterfield, MO — The Factory 9/21 — Omaha, NE — Steelhouse Omaha 9/23 — Denver, CO — Fillmore Auditorium 9/24 — Albuquerque, NM — Revel 9/26 — Las Vegas, NV — Palms Casino Resort — Pearl Theater 9/27 — Phoenix, AZ — Arizona Financial Theatre 9/28 — Hollywood, CA — Hollywood Palladium 9/30 — Portland, OR — Moda Center — Theater of the Clouds 10/1 — Airway Heights, WA — Northern Quest Resort & Casino — BECU Live 10/3 — Pocatello, ID — Portneuf Health Trust Amphitheatre 10/5 — Sacramento, CA — Discovery Park 10/7 — Salt Lake City, UT — The Union 10/9 — Tulsa, OK — Tulsa Theater 10/11 — Dallas, TX — Gilley’s Dallas — South Side Ballroom 10/12 — San Antonio, TX — Boeing Center at Tech Port 10/13 — Houston, TX — Bayou Music Center 10/16 — Durant, OK — Choctaw Casino & Resort Durant — Grand Theater 10/18 — Nashville, TN — Nashville Municipal Auditorium 10/19 — Atlanta, GA — Coca-Cola Roxy 10/21 — Raleigh, NC — Red Hat Amphitheater 10/22 — Virginia Beach, VA — Virginia Beach Dome 10/24 — Montclair, NJ — The Wellmont Theater 10/25 — Boston, MA — MGM Music Hall at Fenway 10/26 — Uncasville, CT — Mohegan Sun – Arena
ABOUT MUDVAYNE: Just before the turn of the century, Mudvayne rose up from the twisted heart of the country and redefined what heavy music could sound like, look like, and feel like. Hailing from Peoria, IL, the Gold-certified GRAMMY® Award-nominated quartet psychotically pushed metal to its breaking point at both ends, stretching their enigmatic sound from moments of mind-bending musicality to bloodletting melody. They carved out a catalog without comparison highlighted by a triptych of Gold-selling classics, including L.D. 50 [2000], The End of All Things To Come [2002], and Lost and Found [2005], which bowed at #2 on the Billboard 200. Beyond contributing music to franchises such as Saw, the band earned a place in the zeitgeist, achieving cultural recognition with an infamous MTV VMA moment (accepting a trophy with bullet-holes in their foreheads) and overtaking social media with their seminal breakout “Dig.” As it would be hard to imagine the advent of “djent” or nu-metal’s resurgence without them, Loudwire cited L.D. 50 among “The Top 50 Nu-Metal Albums of All Time,” while Revolver christened them “one of the biggest metal institutions of the 2000s.” Following a decade-plus hiatus, the group mounted a powerful comeback in 2021, headlining major rock festivals, playing packed arenas and amphitheaters with the likes of Rob Zombie and Megadeth, and transfixing another generation of fans. Mudvayne take a much-deserved victory lap with the L.D. 50 25th Anniversary Tour, but they also leap forward with the release of their first new music since 2009. They’re back with the brutal and bulletproof anthem “Hurt People Hurt People,” paving the way for their Alchemy Recordings/BMG debut. Welcome back to their fucked up world…
The Podcast That Rocked for September 10th, 2025. “End Of You” from Poppy, Amy Lee, Courtney LaPlante goes to #1, VMAs and Yungblud pay tribute to Ozzy Osbourne, more.
“End Of You” Goes To #1 | The Podcast That Rocked on YouTube
“End Of You” Goes To #1 | The Podcast That Rocked on Spotify
Discussion Topics: -“End Of You” from Poppy, Amy Lee, Courtney LaPlante goes to #1 -MTV MVA’s give tribute to Ozzy Osbourne with Yungblud performance -System Of A Down take on Europe -Turnstile get wild on Tiny Desk -King Gizzard plays it smart after leaving Spotify -25 years of Mer De Noms from A Perfect Circle -A metal renewal of vows with Slayer -Upcoming albums, tours, more
SONG OF THE WEEK: Poppy, Amy Lee, Courtney LaPlante “End Of You”
Sophie Powers’ Bold “STFU” Audition Shocks Judges – Standing O or Offensive? | Idol 2025
“Evanescence’s Amy Lee has teamed up with Poppy and Spiritbox’s Courtney LaPlante on a new song titled “End of You.” The track is accompanied by a cinematic music video. The three artists had been teasing the single in the days leading up its release, and the payoff is an epic track that shines the spotlight on all three vocalists.” (Consequence)
Prolific metal band FIT FOR AN AUTOPSY deliver an unrelenting standalone single, perfectly titled ‘It Comes For You‘. The track is an aggressive, full-throttle journey right out of the gate; masterfully blending the band’s older sound with the high-caliber production and songwriting that has become a hallmark of FIT FOR AN AUTOPSY. ‘It Comes For You‘ was recorded earlier this year at Graphic Nature Audio in Kinnelon NJ with the bands own Will Putney handling the production, mixing and mastering. The cover artwork was created by Jorden Haley.
Watch the visual onslaught that Eric Richter at Channel 13 Productions created for ‘It Comes For You’, here: https://youtu.be/Jg84uvEin30
FIT FOR AN AUTOPSY‘s Will Putney states, “An aggressive offering from our camp felt like an appropriate response to the current climate of class disparity and political overreach. Sometimes I feel like we’re beating a dead horse over here but it’s important to consistently remind the listener to remain intolerant of such authoritarian rule. Believe it or not, but one day, it comes for you.“
Last year, the band released their seventh studio album The Nothing That Is which featured the singles ‘Hostage‘, ‘Savior Of None / Ashes Of All‘, ‘Lower Purpose‘, and ‘Red Horizon‘. Stream/purchase The Nothing That Is at https://ffaa.bfan.link/the-nothing-that-is
In less than 3 weeks, FIT FOR AN AUTOPSY will join KILLSWITCH ENGAGE on their headlining tour across UK and Europe. The 25-date trek will kick-off in off on September 29th in Lisbon and will make stops in London and Berlin before concluding in Helsinki on December 3rd. Joining them for the complete tour is DECAPITATED whereas the first leg of the tour will have HATEBREED and the second leg will include EMPLOYED TO SERVE.
LEG ONE Sep. 29 PT Lisbon @ LAV* Oct. 01 ES Madrid @ La Riviera* Oct. 02 ES Barcelona @ Razzmatazz* Oct. 04 IT Milan @ Fabrique* Oct. 05 CH Zurich @ Halle 622* Oct. 06 FR Paris @ Bataclan* Oct. 08 GB Wolverhampton @ Civic Hall* Oct. 09 GB Manchester @ Manchester Academy* Oct. 11 GB Newcastle @ NX* Oct. 12 GB Cardiff @ Depot* Oct. 13 GB Leeds @ O2 Academy Leeds* Oct. 15 GB Glasgow @ O2 Academy* Oct. 17 GB London @ OVO Wembley Arena* Oct. 19 GB Belfast @ Telegraph Building* Oct. 20 IE Dublin @ National Stadium*
LEG TWO Nov. 20 DE Cologne @ Palladium~ Nov. 21 DE Ludwigsburg @ MHP Arena~ Nov. 22 DE Berlin @ Columbiahalle~ Nov. 24 CZ Prague @ SasaZu~ Nov. 25 DE Leipzig @ Haus Auensee~ Nov. 27 DE Hamburg @ Sporthalle~ Nov. 28 DK Copenhagen @ Amager Bio~ Nov. 29 SE Stockholm @ Fallan~ Dec. 01 NO Oslo @ Sentrum Scene~ Dec. 03 FL Helsink @ House of Culture~ * W/ HATEBREED ~ W/ EMPLOYED TO SERVE
Today, the band also announces their Australian headlining dates. Support for the 7-date run will include BODYSNATCHER, VOLATILE WAYS and PAIN BODY. Tickets for the Australian dates will go on sale on September 11 at https://fitforanautopsy.co/pages/tour
Jan. 15 AU Brisbane @ Jan. 16 AU Newcastle @ King St Bandroom Jan. 17 AU Sydney @ Liberty Hall Jan. 18 AU Canberra @ The Basement Jan. 22 AU Melbourne @ Max Watts Jan. 23 AU Adelaide @ Lion Arts Factory Jan. 24 AU Perth @ Froth and Fury
OTHER LIVE DATES Dec. 06 MX Cuidad De Mexico @ Knotfest Mexico Jul. 27-28 RO Brasvo @ Rockstadt Extreme Fest 2026 Aug. 8-9. BE Kortrijk @ Alcatraz Festival 2026
FIT FOR AN AUTOPSY’s acclaimed 2022 album On What the Future Holds was the band’s highest-charting release to date, becoming the first of their six full-lengths to reach the Top 25 of the Billboard 200. But while some musicians would take such an achievement as a cue to duplicate whatever worked last time, or maybe even tailor their sound to boost its commercial appeal, the band—vocalist Joe Badolato, guitarists Will Putney, Patrick Sheridan, and Tim Howley, bassist Peter Spinazola, and drummer Josean Orta—simply continued to evolve along their own path. The Nothing That Is, FIT FOR AN AUTOPSY’s seventh and latest album (and third for Nuclear Blast), bears no sign whatsoever of commercial concession or rehashed past glories. Instead, the ten-song album finds the band exploring moodier textures and deeper emotions that add new power and dynamics to their already brutal and complex music, while also completely tuning out the ambient noise of passing musical trends and the expectations of the outside world. Produced by Putney at his Graphic Nature Audio studio in Kinnelon, New Jersey, The Nothing That Is is an album filled with anger, frustration, and crushing despair. Songs like “Hostage“, “Red Horizon“, “Lower Purpose“,and the pummeling title track grapple with the horrors that the human race has unnecessarily inflicted upon the world, while the epic, introspective closer “The Silver Sun” reflects bitterly upon our uncertain future. Built to be listened to in its entirety in a single sitting, The Nothing That Is flows like the gripping soundtrack to a documentary film of our increasingly dystopian existence. A ringing wake-up call for humanity and a thoroughly intense listening experience, The Nothing That Is brims with both aggression and melody, it’s bracing music is delivered with the confidence of a band that has honed its skills and forged its sense of purpose through fifteen-plus years of all-out live shows. Sufficiently secure of their place in the metal firmament to let their music go wherever feels right for a particular song, FIT FOR AN AUTOPSY have delivered what may well be the greatest album of their career.
FIT FOR AN AUTOPSY ARE: Joseph Badolato | Vocals Patrick Sheridan | Guitar Timothy Howley | Guitar Will Putney | Guitar Peter Blue Spinazola | Bass Josean Orta Martinez | Drums
Dropkick Murphys Release Video For New Single “Chesterfields And Aftershave,” In Tribute To Lead Singer Ken Casey’s Late Grandfather
Song Is Included On New Album For The People, Physical LP & CD Editions Coming October 10 With 5 Bonus Tracks
Band Launches Fall European Tour October 15 In Milan, Italy With Frank Turner & Haywire
Dropkick Murphys have just released a new single and video from their powerful and poignant For The People album. Following the success of early track “Who’ll Stand With Us?,” a call to stand together against divisiveness and inequality, the new single and video for “Chesterfields And Aftershave” pay tribute to singer and founder Ken Casey’s late grandfather who was an important role model in his life.
The video, directed by Jon Vulpine, features evocative vignettes that follow a young “Ken Casey” and demonstrate the steadying influence his late grandfather had on his childhood. The video includes historical television clips of Boston Red Sox, Boston Bruins and Boston Celtics games that Ken watched with his grandfather when he was a child, as well as a clip from the Red Sox 2004 World Series-clinching victory referenced in the song, thanks to the help of MLB, the NHL and the NBA.
The video culminates with the song’s refrain “I hope I’d make you proud” as Ken‘s grandfather watches on (in spirit) while Dropkick Murphys perform the song at their recent free show for the Quincy 400 celebration – just a mile up the road from where the band formed in 1996.
Casey explains the song’s inspiration, “My father died when I was young and my grandfather raised me. He passed away before the band got going. I hope my grandfather would’ve really liked the message that we carry in our music because he’s the one that ingrained a lot of those beliefs in me. I hope I would’ve made him proud and I hope the band would’ve made him proud.”
“In a chaotic time, this heartfelt song about the people who helped us become who we are today was released just in time for Grandparents Day (September 7 in the U.S),” said the band.
The post includes a call for fans to tag @DropkickMurphys in a post (or send a DM) “talking about someone who’s been instrumental in YOUR life…and don’t forget to play Chesterfields in the video!”
Dropkick Murphys have also announced the titles of the 5 bonus songs that will be included on the For The People vinyl and CD release, out October 10 via the band’s Dummy Luck Music label / Play It Again Sam. Four of these songs are exclusive to the physical album and “Sirens” was previously only released digitally as a single.
The bonus tracks are: Dropped On My Head Take Your Bow Straight Edge (I Liked You Better) A Hero Among Many Sirens
For The People also includes the following tracklist, and is available now via the album’s digital release: Who’ll Stand With Us? Longshot (feat. The Scratch) The Big Man Chesterfields And Aftershave Bury The Bones (feat. The Mary Wallopers) Kids Games Sooner Kill ‘Em First Fiending For The Lies Streetlights School Days Over (feat. Billy Bragg) The Vultures Circle High (feat. Al Barr) One Last Goodbye “Tribute To Shane” (feat. The Scratch)
For The People shows courage and confidence, speaking up against the injustices happening in the United States, and doing so with the strength and power that harkens back to Dropkick Murphys’ earliest punk rock roots. For The People is more than a title. It’s a heartfelt stance, a declaration of who this band is – and who they’ve always been.
While on tour supporting For The People, Dropkick Murphys have continued to advocate for workers’ rights and human rights–as they have done for their entire 29+ year career–with surprise appearances at many picket lines across the U.S. to support unions fighting for fair wages and better contracts.
Dropkick Murphys unique promotional events for For The People have included:
–Dropkick Murphys Night at Fenway Park (July 11): Building on the band’s longtime relationship with the Boston Red Sox, fans enjoyed a night of fun along with a limited edition Dropkick Murphys’ “I’m Shipping Up To Boston” bobblehead. The band also had the honor of thowing out the ceremonial first pitch. A portion of ticket proceeds benefitted Dropkick Murphys‘ official charity, The Claddagh Fund, which has raised over $20 million to support non-profit organizations that are focused on children, veterans and addiction recovery.
–Free For The People Album Release Show At Quincy400 (July 12): Dropkick Murphys free concert in the streets of Quincy, Massachusetts, where the band formed in 1996. This event was in connection with the Quincy400, celebrating the 400th year of the city’s settlement.
–Unite for Veterans – Unite for America Rally (June 6): Dropkick Murphys performed on the National Mall in DC (on the anniversary of D-Day) at this event in support of veterans.
Dropkick Murphys recently wrapped the Summer of Discontent Tour with Bad Religion co-headlining and will play a handful of North American festivals (CityFolk, Riot Fest and Furnace Fest) before heading overseas for their fall European headlining tour with Frank Turner and Haywire that kicks off October 15 in Milan Italy. Find all tour dates and more info at: https://dropkickmurphys.com/tour/.
In other news, Ken Casey has been named Massachusetts Storyteller Of The Year by Mass Humanities and will be honored at a September 25 event in Boston. Mass Humanities will present the award to Casey for his decades of songwriting, his commitment to fighting injustice, and his unique use of archival material to craft relevant narratives about subjects ranging from labor rights to Irish-American identity to the threats to our democracy. For nearly thirty years, Casey has inspired all of us through his defiant stands against injustice, his generous contributions to local communities, and the punk rock ethos he brings to contemporary issues.
Dropkick Murphys are: Ken Casey (vocals) Tim Brennan (guitars, tin whistle, accordion, piano, vocals) Jeff DaRosa (guitars, banjo, mandolin, vocals), Matt Kelly (drums, percussion, vocals) James Lynch (guitars, vocals) Kevin Rheault (bass) Campbell Webster (bagpipes and Uilleann pipes)
HEAVYS Weekly Breakdown for September 6, 2025. The “End Of You” collaboration between Amy Lee, Poppy, & Courtney LaPlante, Alter Bridge’s eighth full album, Many Eyes new EP, and more.
https://www.youtube.com/watch?v=7FdTOS2vtxE
HEAVYS Weekly Breakdown | “End Of You”, Alter Bridge, More | 9/6/25
“Evanescence’s Amy Lee has teamed up with Poppy and Spiritbox’s Courtney LaPlante on a new song titled “End of You.” The track is accompanied by a cinematic music video. The three artists had been teasing the single in the days leading up its release, and the payoff is an epic track that shines the spotlight on all three vocalists.” (Consequence)
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Five songs from this past week worth hearing. What are you listening to?
HEAVYS Metal Picks | 9/5/25 #Shorts
Poppy, Amy Lee, Courtney LaPlante “End Of You”
Orbit Culture “Nerve”
Sanguisugabogg “Repulsive Demise”
Hated “Seven”
Many Eyes “The Clock Behind All Other Clocks”
“Evanescence’s Amy Lee has teamed up with Poppy and Spiritbox’s Courtney LaPlante on a new song titled, “End of You.” The track is accompanied by a cinematic music video. The three artists had been teasing the single in the days leading up its release, and the payoff is an epic track that shines the spotlight on all three vocalists. Lee gets the song started with the initial verses and the soaring chorus, giving off an Evanescence-meets-James-Bond-theme vibe. Poppy then sings the next set of verses in a clean voice, giving way to Lee again for the second chorus. Then it gets heavy as Poppy screams, “The end of you is the start of life for me,” leading to LaPlante’s explosive screams. The Spiritbox singer also shows off her clean singing, as all three vocalists come together at the end of the song. The track’s arrival comes amid tour plans for all three artists. Evanescence have a run of mid-September headlining US shows (tickets here), with Poppy supporting select dates. Poppy is headlining her own North American tour (tickets here), which kicked off a couple days ago, and runs through mid October. And Spiritbox will embark on a headlining US tour in November (tickets here).” (Consequence)
New President Single “Destroy Me” Out Now King Of Terrors EP Released September 26, 2025
Multi-million streaming artist PRESIDENT has released the powerful and emotive single “Destroy Me.”
Already a fan-favorite from the live shows, the track is taken from the debut EP, King of Terrors, which is set for release on September 26. Pre-order it here.
The EP title, drawn from a Biblical reference, frames the EP’s exploration of themes such as darkness, religion, and the ultimate maker of life: Death.
Following the release of King of Terrors and a string of rallying live appearances, PRESIDENT will embark on The Campaign Trail — their inaugural U.K. headline tour as well as U.S. rallies. The run marks a pivotal moment in the movement, calling citizens across the country to stand united beneath the banner of belief, volume, and resistance. Each night will be more than a performance — it will be a statement.
“We never set out to lead. But when enough people walk beside you, it becomes a march. The Campaign Trail is for everyone who’s felt something stir inside them. Now is the time to raise your voice.”
UK HEADLINE DATES: 1/9 — Paris, FR — Les Étoiles — SOLD OUT 1/10 — Amsterdam, NL — Bitterzoet — SOLD OUT 1/11 — Cologne, DE — Luxor – SOLD OUT 1/30 — Zurich, CH — Exil — SOLD OUT 2/1 — Barcelona, ES — La Nau — SOLD OUT 2/2 — Madrid, ES — Nazca — SOLD OUT 4/12 — Dublin, IE — Academy — SOLD OUT 4/14 — Manchester, UK — O2 Ritz — SOLD OUT 4/15 — Glasgow, UK — SWG3 TV Studio — SOLD OUT 4/17 — Leeds, UK — Project House — SOLD OUT 4/18 — Bristol, UK — Electric Bristol — SOLD OUT 4/20 — Norwich, UK — UEA — SOLD OUT 4/21 — London, UK – O2 Forum Kentish Town — SOLD OUT
KING OF TERRORS The Inaugural EP.
Forged in solitude. Shaped by memory. These are chapters drawn from the shadows we tend to sidestep— because facing them demands more than most are willing to give.
PRESIDENT began as an attempt to confront the uncomfortable. To watch others embrace that confrontation has been quietly profound. There is still work to be done. We press forward.
Operating at the intersection of heavy music, electronic experimentation, and cinematic atmosphere, PRESIDENT doesn’t conform to the traditional structures of genre or identity. Prioritizing intent over image and shifting the spotlight away from those who have created this movement, firmly onto the music itself.
KING OF TERRORS TRACK LISTING: “In The Name of the Father” “Fearless” “RAGE” “Destroy Me” “Dionysus” “Conclave”
