Home Blog

THE PLOT IN YOU Announce “The Volumes Series”; Release “You Get One”

The Plot In You 
Announce ‘The Volumes Series’ Collection
Out On Friday, July 10 via Fearless Records
New Track And Video “You Get One” Out Now 
Pre-Save HERE | Watch HERE | Listen HERE

Genre-blending heavyweights The Plot In You have today announced ‘The Volume Series’, a full-length culmination that unifies that band’s preceding four EP installments into one complete collection, set for release on Friday, July 10 (via Fearless Records). Having already amassed a staggering 360 million global streams and counting, the collection highlights the quartet’s intentional progression and artistic vision that have been steadily revealed over time, demarcating a full era of the band’s evolution and introduced as a singular, expansive body of work. The announcement arrives alongside the release of the band’s latest rager You Get One and the official music video. When asked about the inspiration of the track, vocalist Landon Tewers commented:

A meditation on current society. Up is down, down is up. Nothing is what it seems we often forget what it means to be human.

Pre-save ‘The Volume Series’ here, stream You Get One here, and watch the official music video here or in the thumbnail below.

The Plot In You “You Get One”

THE VOLUME SERIES
The Plot In You
Official Track Listing:
1. Divide
2. Left Behind
3. Forgotten 
4. Closure
5. Don’t Look Away
6. All That I Can Give
7. Been Here Before
8. Pretend
9. Spare Me
10. Silence
11. You Get One
12. Carved

ABOUT THE PLOT IN YOU

During 2023, The Plot In You kickstarted a new era with ‘Vol. 1’ with Divide, having generated over 44 million Spotify streams and counting followed by Left Behind, exploding to the tune of 82.9 million Spotify streams with no signs of slowing down. Upon the arrival of ForgottenRevolver praised it among the “6 Best New Songs Right Now”The Plot In You‘s ‘Vol. 2’ EP is a powerful showcase of the band’s evolution, blending raw emotion with polished musicality, and stands as a testament to the band’s growth and artistic maturity, captivating listeners with its intense yet introspective narratives with tracks ClosureDon’t Look Away, and All That I Can Give further solidifying their place as one of the genre’s most compelling acts. Built on the momentum of the previous installments, the penultimate ‘Vol. 3’ sees the band pushing their sonic and emotional boundaries even further, amplifying their inimitable blend of industrial-tinged textures, crushing heaviness and deeply introspective songwriting, leading up to the grand finale of ‘The Volume Series’, out Friday, July 10.

In the quartet’s latest offering and first release from ‘Vol. 4’You Get One comes out of the gates swinging with existential fury. With haunting, glitchy electronics, a driving rhythm, and vocals that fluctuate from eerily digitalized murmurs to in-your-face screams, the track serves as an observation on the counterintuitive nature of current society, and the expanse between being a human versus what it means to be human.

THE CALLOUS DAOBOYS Release New Single “Gigantic Parasite Tongue”

The Callous Daoboys release new single
“Gigantic Parasite Tongue”

Alternative metal collective The Callous Daoboys return with a blazing new single, “Gigantic Parasite Tongue.”  The track is the first new music from the band since the release of their 2025 acclaimed recent album, I Don’t Want to See You In Heaven.

The Daoboys’ Carson Pace shares, “This song is going to change the world.”

Dan Hodsdon adds, “Meshuggah playing Future Breed Machine live at Download 2005.”

The unsettling video for “Gigantic Parasite Tongue” was directed by Sam Hahn and is a haunting departure from their earlier visuals.  The story follows a modern angel who is mercilessly kidnapped and dragged away. Bound and powerless, he becomes the victim of a brutal ritual, his wings torn from him in a desperate attempt to transfer divinity to another.

The Callous Daoboys will be touring throughout the year, beginning with a North American tour with Arm’s Length, kicking off in Ottawa on April 21st. The band then heads to Europe for summer headlining and festival dates, followed by support dates with Enter Shikari this fall. Full dates are below.

The Callous Doaboys North American tour (Supporting Arm’s Length)
April 21 Ottawa, ON – The Bronson
April 22 Montreal, QC – Le Studio TD
April 23* Syracuse, NY – The Song & Dance
April 25 Brooklyn, NY – Warsaw
April 26 Philadelphia, PA  – Theater of Living Arts
April 28 Baltimore, MD – Baltimore Soundstage
April 29 Charlotte, NC – The Underground
May 1 Nashville, TN – Brooklyn Bowl
May 2 Atlanta, GA – Buckhead Theater
May 3 Lake Buena Vista, FL – House of Blues Orlando 
May 5 Dallas, TX – The Echo Lounge & Music Hall
May 6 Austin, TX – Emo’s
May 8 Phoenix, AZ – Crescent Ballroom
May 9 San Diego, CA – House of Blues
May 10 Anaheim, CA – House of Blues
May 11 Sacramento, CA – Ace of Spades
May 13 Seattle, WA – Neptune
May 14 Boise, ID – The Shredder
May 15 Salt Lake City, UT – The Depot
May 17 Denver, CO – Summit Music Hall
May 18 Omaha, NE – Reverb
May 19 St. Louis, MO – Delmar Hall
May 21 Chicago, IL – House of Blues
May 22 Detroit, MI – St. Andrews Hall
May 23 Cleveland, OH – House of Blues
May 24 Toronto, ONT – Danforth Music Hall
*with Brotality, CowCalls & Rhythm Of Decent

Headline Shows:
June 24 Gothenburg, Sweden – Monumen031
June 25 Oslo, Norway – Vaterland
June 27 Helsinki, Finland – Tuska Festival
June 29 Nantes, France – Cold Crash
June 30 Bordeaux, France – Le Salem
July 2 Viveiro, Spain – Resurrection Festival
July 4 Roskilde, Denmark – Roskilde Festival

With Enter Shikari, Holding Absence:
Nov 3 Hamburg, DE – Sporthalle
Nov 4 Munich, DE – Zenith
Nov 5 Leipzig, DE – Haus Auensee
Nov 6 Düsseldorf, DE – Mitsubishi Electric Halle
Nov 7 Berlin, DE – Columbiahalle
Nov 10 Brussels, BE – Forest National
Nov 11 Tilburg, NL – 013 Poppodium
Nov 13 Nottingham, UK – Motorpoint Arena
Nov 14 Cardiff, UK – Utilita Arena
Nov 15 Hull, UK – Connexin Live
Nov 18 Glasgow, UK – OVO Hydro
Nov 19 Manchester, UK – Co-op LIve
Nov 20 London, UK – Alexandra Palace
Nov 21 London, UK – Alexandra Palace

About The Callous Daoboys 

A feral, genre-detonating collective from Atlanta, The Callous Daoboys don’t just flirt with chaos; they weaponize it. Their sound is a whiplash-inducing riot, spasming between metalcore violence, nü-metal sleaze, noise rock exorcisms, and swaggering rock ’n roll like a car with no brakes and everything on fire. 

They’ve left a trail of stunned crowds alongside acts like TesseracT, Protest the Hero, and SeeYouSpaceCowboy, while tearing through international festival stages like a controlled collapse. Celebrity Therapist (2022) cracked the door open; I Don’t Want to See You in Heaven (2025), produced by Dom Maduri, kicks it off the hinges and sets the frame ablaze.

Plenty of bands claim they balance chaos and melody. The Callous Daoboys don’t balance anything; they overload it. Noise rock isn’t revived here; it’s resurrected, reanimated, and sent rampaging through the streets. Across their discography, they’ve proven one thing with absolute clarity: subtlety is dead, and they killed it on purpose.

Connect with The Callous Daoboys:
Website
Instagram
TikTok
Facebook
X

KID ROCK Uses Army and Hates Protesters | The Podcast That Rocked

The Podcast That Rocked for 4/1/26. KID ROCK gets Army pilots suspended while playing with helicopters, Live Nation is anti-ADA, more.

KID ROCK Uses Army and Hates Protesters | The Podcast That Rocked on YouTube
KID ROCK Uses Army and Hates Protesters | The Podcast That Rocked on Spotify

Discussion Topics:
Kid Rock gets Army helicopters suspended for stupid reasons
-More Live Nation message leaks and they are AWFUL
-Pickleback Thee Stallion is real
Converge aren’t done with 2026
-Gary Holt says Exodus is better than Metallica NOW; names best metal album ever
-NPR and PBS to stay funded for now (yay!)
-Upcoming albums/tours/more

SONG OF THE WEEK:
Converge “Hum Of Hurt”

Converge “Hum Of Hurt”

“On Saturday, musician Kid Rock, whose real name is Robert Ritchie, posted a video on X showing him standing in the backyard of his Tennessee home as a military helicopter hovered for several seconds and another flew close by. “God Bless America and all those who have made the ultimate sacrifice to defend her,” read a post accompanying the video. He also used profanities to lambaste California Gov. Gavin Newsom in the post, which has been seen more than 10 million times. President Donald Trump was asked Tuesday afternoon about the aircrew suspensions and did not appear overly concerned. “I didn’t see it, no, but I’m sure they had a good time,” he said of the video when he was asked at an executive order signing ceremony. “They probably shouldn’t have been doing it. You’re not supposed to be playing games, right?” Trump said. “I’d take a look at it. They like Kid Rock; I like Kid Rock. Maybe they were trying to defend him, I don’t know.” The Army identified the aircraft as AH-64 Apache helicopters operating in the Nashville area and said that “appropriate action will be taken if any violations are found.” A military spokesperson said Monday that the helicopters flew from Fort Campbell, Kentucky, to the Nashville area. A spokesman for the 101st Airborne Division, at Fort Campbell, Kentucky, said that the flying helicopters were not related to Nashville’s “No Kings” protests over the weekend and that they were “entirely coincidental” with the demonstrations.” (NBC News)

Megan Thee Stallion & Nickelback – Pickle’s Back [Official Music Video]

CONVERGE Announce Second New LP of 2026: Hum Of Hurt; Release Title Track

Converge announce second new LP of 2026:
Hum of Hurt

You feel it before you hear it. And once you hear it, you can’t unhear it. A low, persistent noise throbbing in the background. Scientists say it registers between 30 and 40 hertz. It’s been heard in Ipswich, Massachusetts; Auckland, New Zealand; and Windsor, Ontario. It has haunted the population of Taos, New Mexico, for decades. It’s been linked to suicides in the UK. Not everyone can hear it. No one knows where it’s coming from. They call it The Hum.

Converge have taken this mysterious real-world phenomenon and reimagined it as a physical manifestation of human suffering. Then an idea struck. “What if ‘The Hum’ is the culmination of all the pain in the world, creating an audible signal across the universe?” vocalist and lyricist Jacob Bannon posits. “Something noticeable to others operating on a similar emotional plane.”

Hum of Hurt follows Love Is Not Enough as Converge’s second full-length release of 2026. Like its predecessor, the album offers a bleak yet empathetic assessment of the human condition and its ongoing deterioration. With this album, the songs are more raw and exposed. “When we came together to write, we ended up with a wealth of material,” Bannon says. “As work progressed we realized we had created two separate albums, and treated them as such.”

Hum of Hurt is distinct from Love Is Not Enough, but just as volatile and potent. “It’s not a sequel,” Bannon explains. “The unifying musical idea early on was, ‘Let’s make a noise rock album.’ But we never really did. The first one wasn’t. This one touches on that spirit, but it’s much more dynamic than that descriptor. To me, it leans more into being an emotional hardcore album, while Love Is Not Enough feels more metal leaning album. In the end, we simply gave creative birth to another Converge record with its own unique identity and character.”

The title track— which premieres today— stands as one of the most propulsive and emotional songs in Converge‘s career. Thematically, Bannon examines the price of the lives we pursue. “I’ve given 35 years of my life to creating art and music,” he says. “I appreciate the creative home and support this community has given, yet rarely is space left for anything else. These lyrics are me looking in a mirror, recognizing that I am not the man I want to be. I need change, and still have work to do.”

Converge “Hum Of Hurt”

Hum of Hurt was recorded and mixed by Kurt Ballou at God City in Salem, Massachusetts, with engineering assistance from Zach Weeks. Bannon and renowned UK artist Thomas Hooper collaborated on the album artwork.

For the cover, I had a vision of an EKG signal fusing with some kind of volatile seismography. This amalgamation represents the conditions that would theoretically create a ‘Hum.’ Specifically the heart skips beats before dissolving into static. The signal is then interrupted by a seismic event at the center point of the cover. In conversation, I shared some of these ideas with artist Thomas Hooper, who offered to illustrate them using scientific diagrams as a source of inspiration. I then spent months creating a mixed media piece for the interior,” Bannon says. “The figures represent the five elements of our planet, or ‘Pancha Bhuta’: Prithvi (Earth), Ap (Water), Agni (Fire), Vayu (Air), and Akasha (Aether). I present them in the throws of chaos, as if the elements themselves are entangled in the Hum of Hurt.”

Pre-order Hum of Hurt here and see Converge on tour.  More news soon…

Converge, on tour:
Apr 02  Cleveland, OH — House of Blues #
Apr 03  Chicago, IL — Concord Music Hall #
Apr 04  Pontiac, MI — Crofoot #
Apr 05  Dayton, OH — The Hidden Gem
Apr 06  New Kensington, PA — Preserving Underground #
Apr 07  Toronto, ON — History #
Apr 08  Montreal, QC — Theatre Fairmont
Apr 09  Worcester, MA — Palladium #
Apr 10  New York, NY — Knockdown Center #
Apr 11  Philadelphia, PA — The Fillmore #
Apr 12  Baltimore, MD — Nevermore Hall #
May 07  Denver, CO — Summit %
May 09  Austin, TX — Stubbs Outdoors %
May 10  Houston, TX — House of Blues %
May 12  Mesa, AZ — The Nile %
May 13  Los Angeles, CA — Belasco %
May 15  Anaheim, CA —  House of Blues %
Mar 16  San Diego, CA — The Observatory North Park %
May 17  San Francisco, CA — The Regency Ballroom %

Jun 25  Ysselsteyn, NL — Jera on Air
Jun 26  Rennes, FR — Superbowl of Hardcore
Jun 27  Manchester, UK — Outbreak Festival
Jun 28  Antwerp, BE — Kavka Zappa ^
Jun 29  Cologne, DE — Essigfabrik ^
Jul 01  Trutnov, CZ — Obscene Extreme Festival

Jul 02  Vienna, AT — Arena ^
Jul 03  Milan, IT — Circolo Magnolia ^
Jul 04  Viveiro, ES — Resurrection Fest

# with Poison the Well, SPY, Balmora
% with Poison the Well, The Armed, The Barbarians of California
^ with Heriot, Boneflower, Crouch

Hum of Hurt track list:
Slip The Noose
Doom In Bloom
It Only Gets Worse
Detonator
I Won’t Let You Go
It’s Not Up To Us
Dream Debris
It Used To Matter
Hum Of Hurt
Nothing Is Over

 BANDCAMP | FACEBOOK | INSTAGRAM | YOUTUBE

BABYMETAL Announce 2026 World Tour; Support from Halestorm and Violent Vira

BABYMETAL
Celebrate Fox Day
2026 World Tour Announced
With Support From Halestorm and Violent Vira

Today, the renowned J-metal group BABYMETAL celebrates Fox Day with the announcement of their World Tour 2026 across North America and Latin America. Supporting them on their North American tour dates will be Halestorm and Violent Vira.

Tickets for dates in the US and Canada will be available starting with an artist presale that begins on Monday, April 6th at 10am local time, and you can sign up now until April 5th at the LINK HERE. A Citi presale will begin on April 6, with additional presales running throughout the week ahead of the general onsale starting Friday, April 10 at 10am local time. Tickets for Latin American dates will be available starting with an artist presale on Monday, April 20th at 10am local time through April 21st at 11pm local time. Tickets go on sale to the general public starting on April 22nd.

BABYMETAL is also thrilled to share that METAL FORTH (DELUXE EDITION) will be released via Capitol Records on June 26, 2026. The deluxe edition will be available digitally and on vinyl which will feature a zoetrope design, with ten icons from the record brought to life in motion. It will feature three live performances off the record and two remixes from Major Lazer and Jordan Fish of the standout track “from me to u (feat. Poppy).”

Meaning “beyond metal,” METAL FORTH made its debut last year at #9 on the Billboard 200, marking the band’s first-ever U.S. Top 10 album. This is the first time in history that an all-Japanese fronted group has made this list. The project amassed over 200 million global streams and sold 36,000 equivalent album units in its first week.

METAL FORTH also debuted at #10 on Spotify’s Top Albums Debut U.S. Chart and #2 on the U.S. iTunes Download Album Chart. In Japan, the album entered at #1 on the Oricon Rock Chart, #1 on the Digital Albums Chart, and #3 on the overall Oricon chart. Internationally, the album landed Top 10 in Germany, a career-best after charting at #24 with THE OTHER ONE and #18 with METAL GALAXY. It also broke the Top 20 in the UK and achieved career-high positions in the Netherlands and France.

Formed in 2010, BABYMETAL quickly gained popularity in Japan for their explosive live shows. By 2013, they had become a force of their own — opening for Red Hot Chili Peppers, Korn, and Lady Gaga, and bringing the ferocity of metal to a global audience. With over 15 years of history and a diehard international following, BABYMETAL isn’t just a band — they’re a movement redefining what heavy music looks and sounds like. Fronted by three dynamic women — SU-METAL, MOAMETAL, and MOMOMETAL — BABYMETAL has helped reshape the face of metal, inspiring a new generation of women and girls who see themselves in this sound and on these stages.

North America Tour Dates
August 30 – San Diego, CA* – Petco Park
September 2 – Denver, CO – Ball Arena
September 4 – Chicago, IL – Huntington Bank Pavilion at Northerly Island
September 5 – Noblesville, IN – Ruoff Music Center
September 7 – Toronto, ON – RBC Amphitheatre
September 9 – Holmdel, NJ – PNC Bank Arts Center
September 10 – Mansfield, MA – Xfinity Center
September 12 – Bristow, VA – Jiffy Lube Live
September 13 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek
September 15 – Charlotte, NC – Truliant Amphitheater
September 16 – Alpharetta, GA – Ameris Bank Amphitheatre
September 18 – Clarkston, MI – Pine Knob Music Theatre
September 19 – Louisville, KY – Louder Than Life**
September 21 – St Louis, MO – Hollywood Casino Amphitheater
September 23 – Dallas, TX – Dos Equis Pavilion
September 25 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion Sponsored by Huntsman
September 26 – Austin, TX – Germania Insurance Amphitheater
September 29 – Albuquerque, NM – First Financial Credit Union Amphitheater
October 1 – Phoenix, AZ – Talking Stick Resort Amphitheatre
October 3 – Sacramento, CA – Aftershock Festival**
*Supporting My Chemical Romance
**Festival

Latin America Tour Dates
November 28 – São Paulo, Brazil – Espaço Unimed
December 1 – Buenos Aires, Argentina – Movistar Arena
December 3 – Santiago, Chile – Arena Movistar
December 7 – Lima, Peru – Costa 21
December 12 – Mexico City, Mexico – Estadio Fray Nano

To stay up to date on all of the latest BABYMETAL news and releases please follow them @babymetal or visit www.metalforth.com.

10 AWFUL AI Rock Music Videos

There are more bad AI music videos out there then you’d think. This video looks at 10 AWFUL AI rock music videos.

10 AWFUL AI Rock Music Videos

Check out more of our videos below: 
10 Bands That Need To RETIRE https://www.youtube.com/watch?v=sfXAoXYOCnw 
10 Great SATURDAY NIGHT LIVE Rock Performances https://www.youtube.com/watch?v=U4kfZUizDAo 
10 Bands With TOXIC Fans https://www.youtube.com/watch?v=8DzWUwNbdAg 
10 SHOCKING Confessions In Rock Star Autobiographies https://www.youtube.com/watch?v=VRC0ehVUgcY 

Disturbed “Bad Man”

“DISTURBED has shared a new, AI-generated music video for “Bad Man”, directed by Tristan Holmes. The video was created using Midjourney AI and includes roughly 10,000 frames which took approximately a month of image generation entering prompts and creating frames to link the video together. DISTURBED frontman David Draiman told HardDrive Radio about “Bad Man”: “It could be about any number of bad men or actors in the world that are currently wreaking havoc, but this particular song was inspired by the Russian invasion of Ukraine. It was happening as we were writing the song, and it seemed very, very appropriate. I feel for the people of Ukraine and everything that they’ve had to deal with and experience and are continuing to experience. It’s horrific to watch the play-by-play of a full-scale war. And it’s a shame that it’s become just a matter of, like, ‘Oh, this is what we do. We check in to see what happened.’ As opposed to — I don’t know — doing more as a world, other than just throwing tons of money at the situation and contributing to more death and violence. I wish there was more that we could do as a planet to just apply enough pressure in the right places from the right people to make the madman stop.” (Blabbermouth

Within Temptation “Bleed Out”
High On Fire “Burning Down”
The Offspring “Truth In Fiction”
Thirty Seconds To Mars “Avalanche”
Limp Bizkit “Turn It Up Bitch”
Stryper “Betrayed By Love”
Amaranthe “Damnation Flame”
Puddle Of Mudd “Monsters”
Linkin Park “Lost”

Alissa White-Gluz Talks New Band BLUE MEDUSA, Being A Creative Dork, More

Alissa White-Gluz joins Alex to talk about her new project Blue Medusa. Alissa shares the story behind the name, discusses her latest single “Checkmate,” and opens up about what it means to be a “creative dork.”

Alissa White-Gluz Talks new band BLUE MEDUSA, Being A Creative Dork, more | The Podcast That Rocked #Podcasts

In this conversation, Alissa talks about teaming up with Alyssa Day and Danny Sophia, what inspires her as an artist, and how she approaches flexibility and freedom in modern metal. She also previews upcoming tour dates, festival appearances, and future plans for Blue Medusa, plus the artists she’d love to collaborate with.

Blue Medusa “Checkmate”\

This is a song where everything just clicked,” says White-Gluz. “Checkmate is an extremely cathartic song for me. It was created in one of those flow states where the lyrics and melodies and rhythms just write themselves and you get the feeling that you’re onto something powerful. It’s probably the heaviest thing I’ve written in terms of lyrics, and probably the lightest of what we have cooking in terms of sound. I wanted to share the intensity of these feelings with fans and give them something to hold onto. I’m so happy to see so much support for Blue Medusa already; fans can look forward to more dark, heavy, brutal and haunting 
 music
 very soon.

“After more than a decade at the forefront of modern metal, internationally acclaimed vocalist Alissa White-Gluz is entering a powerful new chapter with the launch of her new band, BLUE MEDUSA. Known for her commanding voice, unmistakable stage presence, and trailblazing role in extreme metal, White-Gluz has built a career defined by momentum and reinvention. Widely recognized as one of the longest-serving female death metal vocalists, she has spent two decades performing on the world’s biggest stages and earning a reputation as one of the genre’s most electrifying frontwomen. White-Gluz was at the forefront of Arch Enemy’s most successful years in the band’s history, expanding their global audience and performing on the world’s biggest metal stages. Across multiple bands, collaborations and projects throughout her career, White-Gluz has consistently helped push heavy music into new territory. Now, with BLUE MEDUSA, White-Gluz sets her sights on pushing that legacy even further.” (Press Release)

PRESIDENT Share “Mercy” Song & Lyric Video

PRESIDENT Unveil Lyric Video
For New Single “Mercy”

Multi-million streaming, UK-based collective PRESIDENT continue to exist at the intersection of heavy music, electronic experimentation, and cinematic atmosphere. Launching in 2025 and operating under the cloak of minimalism and anonymity, PRESIDENT have been cultivating intrigue with each single and live performance. Refusing to conform to the traditional structures of genre or identity, PRESIDENT prioritize intent over image.

Today, PRESIDENT have unveiled the lyric video for new single “MERCY,” which arrives at the close of their massive U.S. tour supporting Bad Omens. “MERCY” is all about perfectly executed dynamics — mixing memorable melodies and heavier-than-granite riffs with gritty breakdowns. The result is another unforgettable anthem.

PRESIDENT “Mercy”

About the song, President say, “Throughout history, religion has been tied to profound division and loss. This song is a reflection on that reality, and a way for me to come to terms with what it means on a human level.”

More news about future President live rallies will be revealed shortly.

“MERCY” follows “ANGEL WINGS,” which arrived in February. Watch the video here. The song was tipped by Rock Sound as “a blend of bubbling synths, spine-tingling melodies and crushing riffs,” while Revolver declared that the song “refined their mix of modern metal, pop and electronic music, contorting itself from twitchy programmed beats towards a cavernously djenting boom.” Vice stated that President’s “style is deeply compelling as it’s paired with a refreshingly honest approach to songwriting.”

Built to exist outside the noise, PRESIDENT are building something that invites deeper investment — designed to be discovered, not sold. PRESIDENT said it best, telling Revolver in a cover feature that “the music industry has elements of fast fashion to it these days. Things just come and go. Everything’s really quick. Everyone’s shouting for attention and there’s just so much noise, and it just becomes a fucking conveyor belt. [We] wanted to step back and not be a part of that. But if people are interested, and they want to enter into this world, we’ll grab them with open arms.”

PRESIDENT’s debut EP, King of Terrors, was released in fall 2025. Listen here.

MUSE Releases New Song In Space and No One Cares? | The Podcast That Rocked

The Podcast That Rocked for 3/25/26. Muse releases new song/album announcement in space and it goes unheard, awful Parkway Drive situation, more.

MUSE Releases New Song In Space and No One Cares? | The Podcast That Rocked on YouTube
MUSE Releases New Song In Space and No One Cares? | The Podcast That Rocked on Spotify

Discussion Topics:
Muse sends new song to space; little response?
-Parkway Drive address awful situation
-MAPHRA’s cover of Bring Me The Horizon goes to number 1
-Sevendust had a break-up planned
Blue Medusa with Alissa White-Gluz plans new album, tour, and collaborations
-Someone defrauded Spotify with AI and we don’t know who to cheer for
-Upcoming albums/tours/more

SONG OF THE WEEK:
Infected Rain “Stranger”

Infected Rain “Stranger”
Muse “Be With You”

“Muse have long toyed with technology and sci-fi in their music, but now they’re doing it in real life, too. The alt-rock band just announced their new album, The Wow! Signal, by launching a special tablet over 20 miles into the atmosphere, in partnership with Sent Into Space. While that screen was above the earth, Muse premiered the music video for their new single, “Be With You.” The Wow! Signal is out June 26 via Warner. The 10-song LP, which also includes the previously released single “Unravelling,” gets its name from a famous interstellar mystery that actually happened. In 1977, a powerful 72-second radio burst was detected originating from the Sagittarius constellation with a bandwidth and intensity that suggested a possible extraterrestrial source. After discovering it, the astronomer circled the now-famous sequence “6EQUJ5” and scribbled “Wow!” beside it. The rest, as they say, is scientific pop-culture history.” (Pitchfork)

MAPHRA “Doomed” (BMTH Cover)

Audioslave – Audioslave | All Time Favorite Albums  

A look at one of my all-time favorite albums, the self-titled 2002 release from Audioslave. Definitely worth a look back as it feels like this one is being forgotten over time. 

Audioslave – Audioslave | All Time Favorite Albums  

Audioslave is the debut studio album by the American rock supergroup, released on November 18, 2002, through Epic Records and Interscope Records. In the United States, it has been certified triple platinum by the Recording Industry Association of America. The album spawned the singles “Cochise“, “Like a Stone“, “Show Me How to Live“, “I Am the Highway“, and “What You Are“; “Like a Stone” was nominated for Best Hard Rock Performance at the 46th Grammy Awards.” (Wiki) 

Chris Cornell 
Tim Commerford 
Tom Morello 
Brad Wilk 

“Cochise”
“Show Me How To Live”
“Like A Stone”