Dream Theater Announce Rescheduled 2022 Tour Dates

Following the recent success of their 15^th studio album A View From The Top Of The World, two-time GRAMMY-nominated and millions-selling progressive music titans Dream Theater are announcing the rescheduled dates for the recently-postponed Top Of The World Tour. The dates will now kick off in Mesa, AZ on February 2^nd and run 7 weeks before ending in Austin, TX on March 21^st. The tour will also make stops in Los Angeles, CA; Quebec, QC; New York, NY and Dallas, TX among others and will mark the first live performances of music from the band’s latest release A View From The Top Of The World. Arch Echo will be the opener on all dates in the United States and Falset will be the opener on all of the dates in Canada. Information on tickets for all upcoming shows as well as VIP packages can be found at www.dreamtheater.net.

The complete schedule for the first leg of North American dates for the Top Of The World Tour are:

Feb 2^nd – Mesa, AZ – Mesa Arts Center
Feb 4^th – El Cajon, CA – The Magnolia
Feb 5^th – Los Angeles, CA – Microsoft Theater
Feb 6^th – Oakland, CA – Fox Theater 
Feb 8^th – Seattle, WA – Showare Center
Feb 10^th – Salt Lake City, UT – Mavericks Center
Feb 12^th – Denver, CO – Paramount Theater 
Feb 15^th – St. Louis, MO – Stifel Theater 
Feb 16^th – Cincinnati, OH – Icon
Feb 18^th – Minneapolis, MN – State Theater
Feb 19^th – Milwaukee, WI – Miller High Life
Feb 20^th – Chicago, IL – Chicago Theatre
Feb 22^nd – Detroit, MI – The Fillmore
Feb 23^rd – Akron, OH – Goodyear Theater 
Feb 25^th – Boston, MA – Wang Theater at Boch Center
Feb 26^th – Quebec, QC – Grand Theatre de Quebec
Feb 27^th – Ottawa, ON – National Arts Center
Mar 1^st – Montreal, QC – Place Bell
Mar 2^nd – Toronto, ON – Meridian Hall
Mar 4^th – New York, NY – Beacon Theater
Mar 5^th – Wallingford, CT – Oakdale Theater
Mar 6^th – Washington, DC – Warner Theater 
Mar 8^th – Philadelphia, PA – The Met
Mar 9^th – Red Bank, NJ – Count Basie
Mar 11^th – Raleigh, NC – Raleigh Memorial Auditorium
Mar 12^th – Atlanta, GA – Roxy
Mar 13^th – Nashville, TN – The Opry
Mar 15^th – Orlando, FL – Hard Rock Hotel at Universal Orlando
Mar 16^th – St. Petersburg, FL – Mahaffey Theater
Mar 18^th – Houston, TX – Bayou Music Center
Mar 19^th – Dallas, TX – Bomb Factory
Mar 21^st – Austin, TX – ACL Live at The Moody Theater

Dream Theater released A View From The Top Of The World in October and the release week saw the album top the charts hitting #1 on the Current Hard Music Charts, #2 on the Current Rock Albums Charts and also debuted at #52 on the Billboard 200. The album also shot to #1 on the iTunes Store Top Albums Metal chart, #1 on the Top Rock Albums, reached #4 on All Genres iTunes Top Albums and hit #2 on the Amazon Best Sellers in Rock (CD format) only to be topped by The Beatles reissue of Let It Be on release day. Dream Theater released 3 music videos from the album so far: an animated video for album opener “The Alien”, a video for the first official single “Invisible Monster”, and a frenetic, high-definition CGI marvel from long-time collaborator Wayne Joyner for “Awaken The Master”. A View From The Top Of The World is now available everywhere music is sold and streamed and is also available for order here: https://dream-theater.lnk.to/AViewFromTheTopOfTheWorld.

Dream Theater – comprised of James LaBrie, John Petrucci, Jordan Rudess, John Myung and Mike Mangini – was in the middle of a sold-out world tour in support of their last release Distance Over Time and the 20^th anniversary of Scenes From A Memory when a Global Pandemic brought the world to a stop. The musicians found themselves at home with LaBrie in Canada and the rest of the group in the States. As fate would have it, they’d just finished construction on DTHQ (Dream Theater Headquarters) —a combination live recording studio, rehearsal space, control room, equipment storage, and creative hive. With LaBrie in Canada, he initially wrote with the band via ZOOM on a monitor in DTHQ. In March 2021, he flew down to New York, quarantined, and recorded his vocals face-to-face with Petrucci. The album ultimately threaded together lean and uncompromising hooks with tried-and-true technical proficiency.

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