RIAA-Certified Gold rock sensation Bad Omens have today announced new dates for the postponed Albuquerque, Tempe (now taking place in Mesa, AZ with a venue upgrade), and Dallas CONCRETE FOREVER headliner shows slated for April 2024. Not only that, but the band has also unveiled new dates in San Antonio and Tulsa, as well as an additional Dallas show to boot. Previously purchased CONCRETE FOREVER tickets and VIP for postponed dates will be honored, while refunds are available for those unable to attend at point of purchase. Fans also have their chance to see the band’s electrifying live show at the now sold-out Sick New World Festival in Las Vegas on April 27. Tickets go on sale this Friday, October 20 at 10 a.m. local time at the link here, so don’t miss your chance to secure yours before they’re all gone.
CONCRETE FOREVER Dates:
April 21 – San Antonio, TX @ Boeing Center at Tech Port*
April 23 – Albuquerque, NM @ Revel+
April 25 – Mesa, AZ @ Mesa Amphitheatre+
April 30 – Tulsa, OK @ Tulsa Theatre*
May 2 – Dallas, TX @ The Factory in Deep Ellum*
May 3 – Dallas, TX @ The Factory in Deep Ellum+
Sick New World Festival:
April 27 – Las Vegas, NV @ Las Vegas Festival Grounds
* Added Show
+ New Date
Bad Omens slither through boundaries, only to ultimately choke convention in the process. The quartet—Noah Sebastian (vocals), Joakim “Jolly” Karlsson (guitar), Nick Ruffilo (bass), and Nick Folio (drums)—materialize with ghostly atmospherics, striking hooks, and the tingles of sensual high-register harmonies uplifted by cinematic production. Racking up over 250M worldwide streams to date and earning acclaim, the band presents an uncompromising and undeniable vision on their third full-length album, ‘THE DEATH OF PEACE OF MIND’ (Sumerian Records).
“Making the record changed us as songwriters and musicians. In many ways, I feel like it set me free as an artist because every decision made in the writing process was for myself, with no fear for anyone else’s expectations of what our third album should sound like. Be it our fans or our record label.”
They’ve always wielded this level of magic though…
The group’s 2016 self-titled debut, ‘Bad Omens’, yielded fan favorites such as “Glass Houses” and “The Worst In Me” which eclipsed 46 million Spotify streams. On its heels, 2019’s ‘Finding God Before God Finds Me’ spawned “Dethrone” (36 million Spotify streams) and “Careful What You Wish For”. Along the way, they toured with numerous marquee acts and received tastemaker praise.
After their first headline tour was canceled mid-way at the top of the global pandemic, the band found themselves at home in Los Angeles with plenty of time. Where they absorbed and imparted a different palette of unexpected inspirations. Channeling what the frontman describes at times as a “cursive sound” they embraced newfound confidence and boundlessly loose creativity. Anything went in the studio, and all “rules” were broken. Noah and Jolly wrote, produced, and engineered the music themselves while GRAMMY® Award-nominated producer and songwriter Zakk Cervini (Halsey, Grimes, Poppy, blink-182) lent his talents with the mix and master. Challenging himself, Noah decided to “make a track sampling items around the house, none of which were musical instruments”.
This ultimately became the framework for the first single “THE DEATH OF PEACE OF MIND”. Claps puncture the icy soundscape as his voice stretches from a breathy moan into an evocative and entrancing hook, breaking from a whisper into the seductive chant, “It wasn’t hard to realize. Love’s the death of peace of mind.” It culminates on a climactic scream uplifted by a distorted crunch.
“The whole record really details the loss of peace of mind,” he explains. “The lyrics in the title track are a little more specific in terms of the conflict at the heart of something more intimate and personal.”
By speaking it aloud, Bad Omens offer a level of comfort and empathy, with a sinister shroud. At the same time, they also give rock music a sexy new shape on ‘THE DEATH OF PEACE OF MIND’.
“Sonically, we want to do something you can’t arrive late or early too,” he leaves off. “You can’t cheat your way to the final act. You have to get on the ride and process it until the end. The songs are meant to be heard from start to finish. We want you to take the whole trip with us.”
