Home Press Releases THE CALLOUS DAOBOYS Release New Single “Gigantic Parasite Tongue”

THE CALLOUS DAOBOYS Release New Single “Gigantic Parasite Tongue”

The Callous Daoboys release new single
“Gigantic Parasite Tongue”

Alternative metal collective The Callous Daoboys return with a blazing new single, “Gigantic Parasite Tongue.”  The track is the first new music from the band since the release of their 2025 acclaimed recent album, I Don’t Want to See You In Heaven.

The Daoboys’ Carson Pace shares, “This song is going to change the world.”

Dan Hodsdon adds, “Meshuggah playing Future Breed Machine live at Download 2005.”

The unsettling video for “Gigantic Parasite Tongue” was directed by Sam Hahn and is a haunting departure from their earlier visuals.  The story follows a modern angel who is mercilessly kidnapped and dragged away. Bound and powerless, he becomes the victim of a brutal ritual, his wings torn from him in a desperate attempt to transfer divinity to another.

The Callous Daoboys will be touring throughout the year, beginning with a North American tour with Arm’s Length, kicking off in Ottawa on April 21st. The band then heads to Europe for summer headlining and festival dates, followed by support dates with Enter Shikari this fall. Full dates are below.

The Callous Doaboys North American tour (Supporting Arm’s Length)
April 21 Ottawa, ON – The Bronson
April 22 Montreal, QC – Le Studio TD
April 23* Syracuse, NY – The Song & Dance
April 25 Brooklyn, NY – Warsaw
April 26 Philadelphia, PA  – Theater of Living Arts
April 28 Baltimore, MD – Baltimore Soundstage
April 29 Charlotte, NC – The Underground
May 1 Nashville, TN – Brooklyn Bowl
May 2 Atlanta, GA – Buckhead Theater
May 3 Lake Buena Vista, FL – House of Blues Orlando 
May 5 Dallas, TX – The Echo Lounge & Music Hall
May 6 Austin, TX – Emo’s
May 8 Phoenix, AZ – Crescent Ballroom
May 9 San Diego, CA – House of Blues
May 10 Anaheim, CA – House of Blues
May 11 Sacramento, CA – Ace of Spades
May 13 Seattle, WA – Neptune
May 14 Boise, ID – The Shredder
May 15 Salt Lake City, UT – The Depot
May 17 Denver, CO – Summit Music Hall
May 18 Omaha, NE – Reverb
May 19 St. Louis, MO – Delmar Hall
May 21 Chicago, IL – House of Blues
May 22 Detroit, MI – St. Andrews Hall
May 23 Cleveland, OH – House of Blues
May 24 Toronto, ONT – Danforth Music Hall
*with Brotality, CowCalls & Rhythm Of Decent

Headline Shows:
June 24 Gothenburg, Sweden – Monumen031
June 25 Oslo, Norway – Vaterland
June 27 Helsinki, Finland – Tuska Festival
June 29 Nantes, France – Cold Crash
June 30 Bordeaux, France – Le Salem
July 2 Viveiro, Spain – Resurrection Festival
July 4 Roskilde, Denmark – Roskilde Festival

With Enter Shikari, Holding Absence:
Nov 3 Hamburg, DE – Sporthalle
Nov 4 Munich, DE – Zenith
Nov 5 Leipzig, DE – Haus Auensee
Nov 6 Düsseldorf, DE – Mitsubishi Electric Halle
Nov 7 Berlin, DE – Columbiahalle
Nov 10 Brussels, BE – Forest National
Nov 11 Tilburg, NL – 013 Poppodium
Nov 13 Nottingham, UK – Motorpoint Arena
Nov 14 Cardiff, UK – Utilita Arena
Nov 15 Hull, UK – Connexin Live
Nov 18 Glasgow, UK – OVO Hydro
Nov 19 Manchester, UK – Co-op LIve
Nov 20 London, UK – Alexandra Palace
Nov 21 London, UK – Alexandra Palace

About The Callous Daoboys 

A feral, genre-detonating collective from Atlanta, The Callous Daoboys don’t just flirt with chaos; they weaponize it. Their sound is a whiplash-inducing riot, spasming between metalcore violence, nü-metal sleaze, noise rock exorcisms, and swaggering rock ’n roll like a car with no brakes and everything on fire. 

They’ve left a trail of stunned crowds alongside acts like TesseracT, Protest the Hero, and SeeYouSpaceCowboy, while tearing through international festival stages like a controlled collapse. Celebrity Therapist (2022) cracked the door open; I Don’t Want to See You in Heaven (2025), produced by Dom Maduri, kicks it off the hinges and sets the frame ablaze.

Plenty of bands claim they balance chaos and melody. The Callous Daoboys don’t balance anything; they overload it. Noise rock isn’t revived here; it’s resurrected, reanimated, and sent rampaging through the streets. Across their discography, they’ve proven one thing with absolute clarity: subtlety is dead, and they killed it on purpose.

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